Tag Archives | Paros

Years have passed…

Wow.  I haven’t updated this blog since January 2021.  Over two years.

Recently I have been in touch with people from way back, in the 1980s, from my years in Colorado.  It’s interesting.  We are all many years older.  Time has molded us all, as time does.  People have died.  People have had children.  Marriages, divorces, etc…the slings and arrows of outrageous fortune that come to us all, I suppose.  My choices haven’t been theirs, and vice-a-versa, of course.   We all find happiness and our sense of being in our own way.

There is no denying that the pandemic has changed my thinking, as it has for many.  An old friend fled LA at the beginning in 2020 and moved ‘temporarily’ to New Mexico.  He’s still there.  He’s found his place, one of many in his lifetime.  Others have drifted until they found safe harbor.  Whatever it takes.  I followed the route of many others and bought a small house, renovated it and have been living in it since November 2021 (please see the previous blog entry).  I have also been taking piano lessons for over a year.  I’m better now than when I began.  I have picked up the guitar again after a long hiatus and am enjoying that too.  My photography has been fruitful, mostly analog, and my darkroom is a busy and deeply satisfying place to work these days.  Work.  I love that word.  I love to labor at my craft.  Once in a while I splash some paint on a canvas and see how I feel about that.  I try not to take things so seriously.  I think being happy is better than being right.

In my family, common questions were ‘How’s your work?” and ‘What are you working on these days?”  Of course this never applied to our day jobs, how we paid our bills.  “Work” was always “work.”  In my case it was music, writing, photography…my sisters each have their own artistic paths–visual, literary and academic.  That’s just the way we were raised.

There is a wonderful quote by the techno-music godfather Giorgio Moroder that has been informing me these days.  Taken exponentially, I find applies to anything, not just music…how I navigate life.  He said, “Once you free your mind about a concept of music and harmony being correct, you can do whatever you want.”  That’s it, isn’t it?  It’s so easy to fall into a pattern of ‘correct’ and ‘right’ whether it is in life or the arts.  It’s a place of stagnation and boredom.  The random and potentially exciting is supplanted by the predictable and mundane.  Work becomes toil.  I become serious, rigid.  Inflexible.  Moroder’s philosophy demands work, some internal yoga to loosen the thinking, stretch the concept.  As I said before, being happy is better than being right.

And so I work.  I take pictures, develop the film, produce the prints.  I use a digital camera too.  I play piano and guitar.  I study music theory.  I stretch canvas and splash paint.  I ride my mountain bike and even swim in the sea during these winter months.  I read good books and eat healthily.  I sleep well.  I try not to take myself seriously.  I find happiness.  I let go of the rest.

–JDCM

Welcoming 2021…

 “There is an insubstantial quality to life these days that is difficult to quantify.”–JDCM 2020

A friend wished me a happy rest-of-my-weekend the other day and qualified it by remarking “…as if there’s a difference in these amorphous and indeterminate days and weeks of the covid epoch.”  This sums up much of my emotional state since this ‘epoch’ began last February: one same day after the next with the same news feed, everyone seemingly watching the world turn while quarantined inside our homes.  This isn’t completely true but it feels that way.

Last February I was wrapping up a winter-long darkroom silver-gelatin printing project.  It was for a solo show in July. At the same time I was mapping out a 2-3 week bicycle ride through northern and western Greece that would have taken place in May.  Needless to say, neither of these events came to pass.  The show was cancelled and the ride was put off until the autumn (when it did not happen again).  By the end of October I was left with a porfolio that meant little to me and a lot of maps going nowhere.  But that is looking at these past months the wrong way.  So much may not have happened yet so much actually did occur.

On the advice of a friend (to whom I am eternally grateful!) last March or April, I bought a little house.  The papers were finalized in August and a full renovation began, finishing in the first week of November.  The place really needed to be gutted.  Ancient electrical, plumbing, crumbling walls, etc…I documented it online.  I have now rented it to someone who needed a home.  Then I got the wild idea that maybe I should stop paying rent and buy and renovate my own space!  So I did.  In a few weeks (crossed fingers) I will finalize that deal and begin renovations.  I hope by the end of November 2021 I will have moved into my new home.  So to my friend MM who started this process…many thanks and eternal gratitude for shifting my thinking.

                              Prickly Pear #1

Photography…writing…I have come to the conclusion that, for me, social media, as a whole, is a stifling and shallow platform for art or communication of any true depth.  These applications have actually hampered my creative process.  I have produced less photography and written fewer blog entries since I started being more on my phone with a popular social media app.  I let it suck the creative juices from my mind and soul.  So…I would like to make more real photographs in 2021, write more, produce more real work.  The new house will have space for a darkroom and a small digital area–room for a printer, perhaps a computer with a larger monitor than my laptop.  A place to work.  A home studio.

I have rested on what laurels I may have gathered long enough.  I will make a new commitment to my art, to my life.  Wheels are in motion.  Let them stay moving, well-greased and clean running.

–JDCM

 

Riding a learning curve…

The weather these past few weeks on Paros has been luscious. Comfortably dry nights and days that soothe the soul like a tropical compress. I guess I should talk a bit about Ireland. But first, a disclaimer: I knew what I was getting into. I knew it would rain a lot. I had been to Ireland a few times before-hand. None of this was particularly novel. There were few surprises. I chose this route for a first long-distance ride for pragmatic reasons–ease of language, availability of services and to discover if I enjoyed long-distance bicycling…and as learning curves go, I learned a lot, but not what I expected.

The bicycling itself was quite easy. I had already practiced a bit here on Paros, so I knew what it was like to ride 70km on a bicycle weighing 50 kilos. I had ridden up and down hills already on the treacherously questionable roads of Paros. Imagine my joy at the roads of Ireland–smooth, well-paved, clean and, until I reached County Antrim, free of potholes. So riding 50-80 km a day on the bike was not difficult. The hills and “mountains” of Counties Cork, Kerry, Galway, etc…not so tough. What was difficult was Day #4, when I woke up and realized I had to ride another day. And then Day #5 when I was resigned to my fate. After that I rarely thought about where I was going or how far I needed to ride that day. I had established my routine. When it was raining I packed up the tent and rode in the rain. There was no other choice. As I remarked to someone in Donegal Town, “If I didn’t ride in the rain I’d still be in Cork City.”

The Dawes Karakum in the shade of the tamarisk trees.
It is a much happier bicycle here on Paros.

And it rained a lot. Sometimes three times a day. Mostly on me. I got wet. I didn’t melt. I dried out. I rode the kilometres I needed to and then I was done. I saw some beautiful sights–dramatic cliffs all along the coasts; sudden bursts of sunlight that made the landscape glisten and sparkle jewel-like…it’s all there. You can have it. I have learned there is no need for me to return. Rain is one thing, but every day, twice, thrice a day…no thank you. Such was the learning curve. You’ll have to pay me to go back. And that old saying about “the soft Irish rain…” Bullshit. It’s rain.

I missed Greece every day. I missed the food, the people, the climate. The food in Ireland is alright. Not great, really, yet ideal for the weather that one is forced to endure. Heavy, thick stuff, devoid of fresh produce (except potatoes). Mussels cooked in milk (yuck!), a severe lack of garlic and tomatoes that would be best used to repair dry-wall. I missed the heat of summer, the boiled-honey sun glazing the earth in late July through August, the din of the cicadas. By the 2/3 mark, the rain was not so much an obstacle but rather a tedious bore, a meteorological raconteur drawing out the same dull tale. I doubt the temperature ever rose above 22C while I was there. I missed the 35-40C days here on Paros. I missed the people I know, I missed my friends, my parea. This was the learning curve I traveled.

I enjoyed the long-distance bike tour. I enjoyed the hills, the distances. But I knew that going in. I had researched enough before hand and was prepared regarding gear. Everything I brought with me, I used. My kit was sound: waterproof, windproof, serviceable, warm and dry. My Dawes Karakum was the right bike for the job and I enjoyed riding it. I brought it home with me to Paros where I use it throughout the week. I am already looking at next year’s ride. I will stay in Greece, a country I love and in actuality have seen very little. I will ride in May so I don’t miss my summer heat and early morning swims. I will ride for a month because I can ride 2000km in that time. I will ride into the mountains northwest of Athens, to Corfu. Then east through the Pindus to Ioannina and Meteora. South to Trikala…these will be the places I visit. It will rain some but that’s ok. I won’t melt. But I will never leave home.

–JDCM

It’s been a while…

I haven’t blogged in a long time.  I have had so many ideas about what to say, how to say it…it has all become a jumbled mess.  I should have taken notes.  I’ll try to untangle some threads…

News from the world of photography–some of my work has been chosen to be part of the Antiparos International Photography Exhibition in July.  It is a group show of about 14-15 different photographers and I have a feeling I will be a black sheep.  Going by what has been shown in the past, there will be a lot of street photography, travel/editorial work and landscapes.  I have submitted a new portfolio of abstract digital work–more of my Found Horizons.   They are very colourful and somewhat large, so they benefit from being seen from a few meters away.  When I have an e-poster, I’ll post it in a few places for you all to see.  It is a true privilege to be a part of this event.

–I have suspended my gum bichromate work until the autumn when the temperatures and humidity drops to a manageable level.  It has become too hot to work in the darkroom these days.  By that time I hope to have some new, larger digital negatives to work with.

–My work with the Photographic Club of Paros has come to an end for the season.  I had a wonderful time with them all and they printed some good work, some of which can be seen this upcoming weekend here in Paroikia.  I am very excited to see what it all looks like matted, framed and behind glass (ok..plastic).

–After years of waiting, the collection of my mother’s newspaper articles from the little local weekly has finally been collected and made into a book.  I dare to say ‘published’ since there is no ISBN number and it is not for sale.  I have given copies away to family and friends. I am so happy this has come about.  I began the process a few years before she died and I feel it is a fitting memorial for who she was, how she thought, what she believed, how she lived.

–I am hoping to embark upon another artistic path this summer.  That’s all I can and will say about it now.  If I follow through I’ll be sure to share.

–I go through eating phases. For instance, last winter I was eating a larger ratio of quesadillas than normal.  Sometimes for lunch and dinner.  These days it is caesar salads.  I have been making my own caesar salad dressing and have confirmed that this wonderfully garlicky, tangy aoili tastes good on just about anything–except fruit.  This may seem banal, but it is the little joys in life, isn’t it? I do not make them the way the Greeks make them.  For them it is a meal with chicken, corn, bacon…yummy, but I am more of a purest.  I even skip the croutons.  Just the romaine lettuce and the dressing.  Funnily enough, both the quesadilla and the caesar salad are from Mexico.  Hmmmm…

–I am convinced that TFitWH is yearning for the Nobel Peace Prize.  He’ll try to take credit for anything good that happens in Asia or the Middle East.  He’s a corrupt shark and we all know it.  He was corrupt long before he became TFitWH.  What does this say about the moral and ethical state of America?  I know that there is outrage, political movements, protests…and that is healthy and right and I support them all.  But what about the rest?  Have the citizens been gorging themselves so long on bread and circuses that they’ve become complacent cattle led by their collective noses?  I know many who are not.  This gives me hope.

I guess that’s it for now.

–JDCM

 

 

 

A painterly photographic ancestry…

Before digital, before silver (what we know as ‘silver gelatin’) there were ‘alternative processes.’  I find this amusing, since at the time (1840s to the mid-187os) there were no other alternatives. It is only in the digital age that we can approach photography this way.  There were several different types of processes.  You can look them up yourself.  I have chosen gum bichromate printing as my first step into this rich and varied past.

Gum bichromate printing entails mixing a potassium dichromate solution with gum arabic and watercolour pigment.  I have chosen black.   Potassium Dichromate is one of the more dangerous chemicals on the planet.  Needless to say I wear nitrile gloves, a Level 2 filter mask and safety glasses when I handle it.  I am using 4×5 negatives and I hope soon to be printing some larger digital negatives so I can make larger prints.

I made the first test strip a week or so ago.  The result is on the left.  Intervals are 15″, 30″, 45″ and 1 minute exposures under full daylight.

The problem was not the emulsion, or the paper, but me.  I wasn’t patient.  I had not allowed the paper to dry fully between each preparation stage (sizing, gesso, emulsion).  This resulted in flaking emulsion.  A common error and easily rectified.

Three days ago I began the process again.  Using 300 gsm Canson water-colour paper, I sized (soaked) this in 60C water for 30 minutes and left it to hang for 24 hours.  The next step was to make sure my gesso mix was as thin as milk, which is much thinner than one thinks.  The gesso needs to be thin so it can soak into the paper, not create a layer on top, as per a painter’s canvas.  I applied the gesso in the late afternoon and left it to dry under an exhaust fan for several hours.  Two nights ago, around 22:00hrs following the weekly Photo Club meeting, I went back into the darkroom and applied the emulsion coat after the gesso had completely dried.  I used 5ml of potassium dichromate solution to 8ml of gum arabic.  For colour I added about .5 gram of black water-colour paint (Van Gogh).  I mixed this well using a natural bristle brush and painted it onto the paper using a foam paintbrush.

Yesterday morning, after letting the emulsion-coated paper dry overnight under the exhaust fan, with a dehumidifier running and a small heater maintaining 20-21C, my paper was dry to the touch.

I used the same VW Bug 4×5 negative.  The first test strip was better.  Once again, 15″ intervals up to 1’15” under full sun at 10:00.  The result was a huge improvement in detail and resolution, although clearly not enough time.  I was on the right track.

Test strip at 15″ intervals up to 1’15”

I decided to increase the exposure time for the first proof to 1’45”.  After developing the print in three consecutive trays of 20C water for 20 minutes, this is what emerged.

1’45”, full sunlight 10:20, March 8, 2018, Paros.

Much improved!  The next time I print (tomorrow), I will expose the whole piece for the 1’45”, then burn in the top 30% for an additional 30″-45″ so the top of the hillside and the sky behind the car achieve some tone.

–JDCM

Birthday, friends, good food, Lent and photography…

I haven’t written much about photography lately.  Or if I have it has been fleeting.  I am not one to talk about my work a lot, especially work that I have not done or that may in process.  I learned from my father that this is a good way to “talk it out” and I end up not doing it.  This has been my experience.  But I’ll mention some goings-on.

My winter’s work with the Photografiki Omada Parou has been a real joy.  The 20 or so people that signed up in the fall for the 35mm analog project have all been enthusiastic, fun to work with and, without exception, have produced interesting and striking work.  Today I am meeting with one of them to develop their film.  Tomorrow I hand the camera over to another, and Thursday I work in the darkroom printing with a third.    I think I will try to print on Friday too.  This project has kept me busy through the winter but it has been much more.  I have come to know many locals who I had never met, and they I.  During the weekly club meetings (Wednesday, 19:30hrs) I get to hear at least two hours of solid Greek from numerous voices which has helped my Greek language studies which I work on every Friday afternoon with my teacher Stella.  So all around it has been a “win-win” situation.  They do all the work, by the way.  I am just a guide.

My own work?  This week I hope to submit a new portfolio of digital abstract work to the Antiparos International Photography Exhibition for the upcoming summer 2018 show.  This work is finished  so I can talk about the fantasy digital land-sea scapes I have found and photographed.  Very little Photoshopping, as you may guess.  Just a slight curve here or there for contrast and to keep it WYSIWYG.  Cross my fingers…I am also embarking on some alternative work which will open up some new technical and artistic avenues.  I won’t say much more except that if the winter time is for the darkroom, this project will be perfect for the summer and all of our sun.

Oh yes…the anniversary of my 53rd trip around the sun was a few days ago so I celebrated yesterday with some friends at a local taverna–that is was also ‘Katheri Deutera’, or Clean Monday, informed the menu.  The remains of the meal can be seen below.  Lent begins today.  I would like to keep the Lenten diet as much as possible for the next 40 days.  It is a healthy choice here in Greece.  Of course, this ‘diet’ predates any religious function as it was a result of the end of the winter, when the stored foods from the autumn harvest had run low (or out) and the agricultural population waited for the new crops of spring.  So it will be lots of veggies for me, seafood without backbones, no cheese, no meat…thank the gods the Greeks are sensible enough to still allow olives and olive oil…

The collection of my mother’s newspaper articles is all but done.  Last week I submitted the digital files to a printing company in Athens and the book goes to press this week.  Finally!  It has been years since I began this project, a memorial to my mother and a gift to family and friends.  And I like this book company.  They do nice work.  I may put together a book of my own.  A small collection of my photographs.  We’ll see…let’s not talk about it yet.

So thats it for February.  Right now there is a lovely, gentle, soaking rain blanketing the island.  It is supposed to rain all day.  Really great.  I am tired of winter.  I want spring, warmth and green things to see and eat.  I need to swim in the sea and shed some of the layers I have had to wear all winter to stay warm and dry.  The world moves ahead into the light and the alchemy I practice draws its magic from an ancient source.

clams, mussels, bean salad, pickles…

–JDCM

 

Mom’s hours…

I haven’t blogged in a while.  I have been busy–good busy.  Too busy to do this.  I have neglected this ongoing missive.  And, to be honest, this post is made up of excerpts from a post I didn’t publish last August, so be patient.  My mother has been on my mind lately and I have been getting up very early, well before dawn usually.  The unpublished post was to be called “Mom’s hours” so I have pasted that into the title field.   I promise to  blog again with something more current in a couple of weeks.

“It’s just after 6 and I have had my coffee, made my bed, fed the cats and it is still dark…the sun is creeping up in the east, I can just see rosy fingered dawn…Much too early to be awake, yet here I am.”

“After raising three children for consecutive decades, getting them up in the morning, making their breakfasts and getting them all on the bus to school, my mother just stayed in the habit if getting up at 5AM, even when she lived alone.”

“…so many of those mornings long ago were dark and cold, frosty, drizzly.  Terrible mornings in which to thrust one’s children, into the palaeolithic harshness of the American public educational system of the 1960s and 70s…”

“…early mornings, sweet tea and cinnamon toast and daypacks heaved onto small, grumpy, narrow shoulders.”

–JDCM

 

A Christmas tale…

 

 

 

 

 

I have always loved Christmas.  Not necessarily the gift giving, although when one is young getting stuff is always fun, and Santa Claus is real and the magic of the lights on the tree in the family living room enchanted a little boy who stayed up too late…

There is something about it I like.  Something deep.  Thanksgiving is fun, but Christmas has some kind of special, ancient magic.  Maybe it’s the hopeful twinkling lights or that it falls around the Winter Solstice and I am very in tune with the moon and or that here on Paros it so quiet and so cold and today we are expecting glorious rain, rain, rain…the island has become an emerald dotted with oranges and lemons.

The Greeks celebrate Christmas in a traditional way and a modern way, but also in their own way.  They are quick to adopt any celebration that involves staying up late and carousing with friends so they have taken the northern European Christmas to heart in so much as they are playfully opportunistic.  Gift giving is supposed to happen on January 1st, which is St. Basil’s Day in the Orthodox Church.  And then it is only for children.

St. Nikolas (December 6th), the patron saint of sailors, archers, children, brewers, repentant thieves, pawnbrokers and merchants is an historical figure dating back to the 3rd and 4th centuries AD.  He worked some miracles, and gave way presents to children, hence the legend of St. Nick, etc…there is more to read here…

The Christmas tree is a northern, Scandinavian thing, dating back to the pagan era when the locals would light big pine trees on fire during the solstice, beckoning the sun to return.  You get it, right?  Trees on fire and drunk Vikings…Ok?   Works for me.

Here it is the tradition of the St. Nikolas boat, which is really the point of this blog.  The Greeks don’t use a tree, not really.  Being a mostly seafaring folk, this makes sense.  They lost this tradition for a while but it is back in vogue as a pleasant and pretty thing to do and I am sure all the gia-gias are ok with it.  I have wanted a St Nikolas boat for a while and this year was determined to find one.  And I did–made from an empty 5L olive oil can, a couple of sticks and some string…perfect!  It was for sale in a booth at the seasonal bazaar.  Ideally, one should display their boat on the 6th of December and take it down after January 6th (Epiphany).  I put mine up a bit late…Sorry Nick.  I’ll keep it up and twinkling until after the 6th.  I bought the lights in Athens. They are LEDs which are really super.  One setting blinked so fast I thought I was going to have a seizure!

Christmas Eve I am having dinner with some Greek friends.  I’ll bring some sweets as a gift.  Christmas Day I am making dinner for some non-Greek friends.  Pork roast with candied apples…something else.  That’s it really.  A quiet Christmas that rolls into the New Year and before you know it…

Well, I wish you all, wherever you are, however you mark the day, a very Merry Christmas and the Happiest of New Years!

 

–JDCM

Kalo mina!

It’s November 1st and here on Paros the weather is decidedly cold and chilly this morning.  The winter is beginning to set in.  99% of the tourists have left and the few that remain wander around the empty streets, looking in the windows of closed shops, shuttered tavernas…the island has been returned to those who live here.  Thank the gods!

Here are the bullet points…

— I am going to Naxos this weekend for a mountain bike race, my third on that island.  27km around a mountain and through the town of Sangri, high above the port.  The weather predictions are good–high pressure, 14-18C, sunny, breezy.  Perfect for biking.  We have had some rain which will keep the dust down and reduce the amount of loose, gravely ruts.  I’ll go and have fun.

— I am grateful and happy to have joined up with the Photography Club of Paros.  They are a good bunch of photography-loving folks with excellent eyes who love to take pictures.  I will begin a long-term darkroom project with them tonight.  For most of them, it will be a first in this digital-automatic age.  Each week, a member gets a 35mm camera (Pentax K1000/f.2 50mm lens) and roll of 35mm film (Ilford Pan 400) and shoots the roll.  Then we (me and the group member) go into the darkroom, develop the film, print, etc…all in a week.  So far there are about 10 people signed up, but that number, I predict, will jump to 20 quickly.  The project will go until the end of April and then they will look at the assembled portfolio and hang a small show.  For more reasons than I can count, this is a superb thing/event/group/happening with which to be involved.

— My own work is moving along.  The year-long Canon G-11 project is ticking away.  I am ready to print a new portfolio of abstract pieces.  I have to re-shoot or otherwise re-evaluate a b/w still life idea.  I am unhappy with several of the pieces due to their DoF, i.e. focus.

— My gym membership is paying off.  I have been going 2-4 times a week for either Hip/Abs classes or just to burn off calories on the treadmill.  After only a few weeks I can once again fit into my 34″ green Levis.  I will go this morning and push some more limits.  That, plus the biking, is keeping me fit and sane.

— The world?  Well…we all read the news and while it isn’t all bad, it isn’t great.  Leaks in the dam…death and disease, as Polly Jo would have said.

My life is Greece is expanding and growing every day.  I am eternally thankful to the wise woman who advised me over 5 years ago that if were to stay here on Paros, I would need to build a life around me.  And so I have.  Biking and exercise, photography and fellowship, the arts and humanities, connections in the community.  Thank you Liz!

–JDCM

 

What a year…

Today is August 12, 2017.  It is an anniversary.  A year ago today I drove down the driveway of my childhood home for the last time.  I boarded the big plane and returned to Greece.  It has been a full year since I have been away from America and, while I have travelled a bit outside of Greece, I have not felt the need to return to that dark and fractured fortress.  I actually have not felt the need to leave Paros.  Everything I need, everything I want, is here.

Summer turned to Autumn, ushering in the green and wet winter.  By the time spring rolled around I had been adopted by a pair of cats and now, at the edge of summer’s end, with its heat, crush and crowds, I have my simple and healthy routine.  Most if this involves avoiding said crush and crowds.  I move through them as gently as I can, reminding myself that everyone is having fun, on vacation…Is it misanthropic to wish that they would all just go home?  Perhaps.  I am not alone, it seems.  Scan the newspapers for anti-tourist articles.  Hvar, Barcelona, Venice, Florence, Rome…I imagine there are many more cities but these are the top destinations that are fighting back against the overwhelming tide of cheap tourism.  Something must be done, if only to save the fragile ecologies that, indeed, seem to be the reasons for going to these places.  It is a Moebius strip of dilemma and solution.

The ultra-wealthy dream of the stars and colonization.  New energy techs butt heads with the global dinosaur juice cartels.  The concept of human identity and gender have been revealed to be as fluid as water.  New paradigms rise up, have been rising for decades.  In response to what threatens their withering grasp, the old paradigms of fear and warlord thinking shake their sabres more loudly than ever.  They seem to say, “If we can’t have it our way, then we are all going to go down in flames.”  How will humanity be saved?  Not by Jesus.  Not by Exxon.  Not by Coca-Cola.  Not by Little Green Men.  It has to be unilateral and evolutionary.  The minds of the trumpkimputins must go.  The old paradigm must fade if we, as a species, are ever to survive.  Humanism is the only hope for us.  We must take responsibility for our lives.  We must put aside our big, thinking and very stupid arrogant brains and finally understand that we are just another organism on this planet, no better or worse than any other.  We are subject to the same natural laws as the cockroach I liberated from my bathroom last night.  My cactus has more humility and true sense of place than most people.  What arrogance we have, thinking we are so special!  This will be our undoing, as it always has been.

So it has been a year…and what a year it is shaping up to be.

–JDCM