Archive | craft

Years have passed…

Wow.  I haven’t updated this blog since January 2021.  Over two years.

Recently I have been in touch with people from way back, in the 1980s, from my years in Colorado.  It’s interesting.  We are all many years older.  Time has molded us all, as time does.  People have died.  People have had children.  Marriages, divorces, etc…the slings and arrows of outrageous fortune that come to us all, I suppose.  My choices haven’t been theirs, and vice-a-versa, of course.   We all find happiness and our sense of being in our own way.

There is no denying that the pandemic has changed my thinking, as it has for many.  An old friend fled LA at the beginning in 2020 and moved ‘temporarily’ to New Mexico.  He’s still there.  He’s found his place, one of many in his lifetime.  Others have drifted until they found safe harbor.  Whatever it takes.  I followed the route of many others and bought a small house, renovated it and have been living in it since November 2021 (please see the previous blog entry).  I have also been taking piano lessons for over a year.  I’m better now than when I began.  I have picked up the guitar again after a long hiatus and am enjoying that too.  My photography has been fruitful, mostly analog, and my darkroom is a busy and deeply satisfying place to work these days.  Work.  I love that word.  I love to labor at my craft.  Once in a while I splash some paint on a canvas and see how I feel about that.  I try not to take things so seriously.  I think being happy is better than being right.

In my family, common questions were ‘How’s your work?” and ‘What are you working on these days?”  Of course this never applied to our day jobs, how we paid our bills.  “Work” was always “work.”  In my case it was music, writing, photography…my sisters each have their own artistic paths–visual, literary and academic.  That’s just the way we were raised.

There is a wonderful quote by the techno-music godfather Giorgio Moroder that has been informing me these days.  Taken exponentially, I find applies to anything, not just music…how I navigate life.  He said, “Once you free your mind about a concept of music and harmony being correct, you can do whatever you want.”  That’s it, isn’t it?  It’s so easy to fall into a pattern of ‘correct’ and ‘right’ whether it is in life or the arts.  It’s a place of stagnation and boredom.  The random and potentially exciting is supplanted by the predictable and mundane.  Work becomes toil.  I become serious, rigid.  Inflexible.  Moroder’s philosophy demands work, some internal yoga to loosen the thinking, stretch the concept.  As I said before, being happy is better than being right.

And so I work.  I take pictures, develop the film, produce the prints.  I use a digital camera too.  I play piano and guitar.  I study music theory.  I stretch canvas and splash paint.  I ride my mountain bike and even swim in the sea during these winter months.  I read good books and eat healthily.  I sleep well.  I try not to take myself seriously.  I find happiness.  I let go of the rest.

–JDCM

Welcoming 2021…

 “There is an insubstantial quality to life these days that is difficult to quantify.”–JDCM 2020

A friend wished me a happy rest-of-my-weekend the other day and qualified it by remarking “…as if there’s a difference in these amorphous and indeterminate days and weeks of the covid epoch.”  This sums up much of my emotional state since this ‘epoch’ began last February: one same day after the next with the same news feed, everyone seemingly watching the world turn while quarantined inside our homes.  This isn’t completely true but it feels that way.

Last February I was wrapping up a winter-long darkroom silver-gelatin printing project.  It was for a solo show in July. At the same time I was mapping out a 2-3 week bicycle ride through northern and western Greece that would have taken place in May.  Needless to say, neither of these events came to pass.  The show was cancelled and the ride was put off until the autumn (when it did not happen again).  By the end of October I was left with a porfolio that meant little to me and a lot of maps going nowhere.  But that is looking at these past months the wrong way.  So much may not have happened yet so much actually did occur.

On the advice of a friend (to whom I am eternally grateful!) last March or April, I bought a little house.  The papers were finalized in August and a full renovation began, finishing in the first week of November.  The place really needed to be gutted.  Ancient electrical, plumbing, crumbling walls, etc…I documented it online.  I have now rented it to someone who needed a home.  Then I got the wild idea that maybe I should stop paying rent and buy and renovate my own space!  So I did.  In a few weeks (crossed fingers) I will finalize that deal and begin renovations.  I hope by the end of November 2021 I will have moved into my new home.  So to my friend MM who started this process…many thanks and eternal gratitude for shifting my thinking.

                              Prickly Pear #1

Photography…writing…I have come to the conclusion that, for me, social media, as a whole, is a stifling and shallow platform for art or communication of any true depth.  These applications have actually hampered my creative process.  I have produced less photography and written fewer blog entries since I started being more on my phone with a popular social media app.  I let it suck the creative juices from my mind and soul.  So…I would like to make more real photographs in 2021, write more, produce more real work.  The new house will have space for a darkroom and a small digital area–room for a printer, perhaps a computer with a larger monitor than my laptop.  A place to work.  A home studio.

I have rested on what laurels I may have gathered long enough.  I will make a new commitment to my art, to my life.  Wheels are in motion.  Let them stay moving, well-greased and clean running.

–JDCM

 

Counting down the days…

In just over a month (32 days) I will be heading off to Ireland, land of my birth, for a 2-month bicycle tour of the west coast and the north. I have written about it before, so I won’t bore you with those details again. I am very excited and, although I have been consulting maps, arranging for camping, BnB and hotels, marking my routes like a good Aquarian (we are highly organized and thrive within structure), I am quite sure many things will be different once I am on the ground and riding. So I’ll keep an open mind.

The weather will be interesting, and I am prepared for rain with enough Gore-Tex to cover myself, and the bike if need be. I am expecting daily rain, not necessarily torrential downpours, but sometimes maybe that too. As one very experienced touring-bicyclist mentioned in his blog, when it rains, you ride anyway.

I recently took a long weekend to another island and did a little bike-packing just to see how it was traveling for long distances with all the gear, making camp, etc…Although the geography was different and the weather more so, I learned some important lessons. The most relevant is that I am not longer in my 20s and the romance of wild camping really has lost its charm. Sleeping on the ground is a pain. Literally. As someone in their mid-50s, I will do a little wild camping, but the majority of my camping in Ireland will be in organized or semi-organized sites that provide showers, laundry, electrical hook-ups, sanitary facilities, etc…a couple even have cafes. I like my creature comforts. I have booked a few BnB stays and also a few actual hotels (Dingle, Donegal Town, Kinvara, etc…) for more than one night. Yes, there are a couple of places where I am kind of forced to find a spot off the road for the night, but even then I am waiting to see what happens. You never know. The kindness of strangers.

The 1st stage, from Cork to Limerick. Counties Cork, Kerry, Clare.
Stage 2, the road to Galway City (Barna Road) Counties Clare and Galway.
Counties Galway, Mayo and Sligo–stage 3
Counties Sligo, Leitrim, Donegal. Stage 4.

The first stage (Map 1) will be, by necessity, the fastest part of the trip. Although I am sure West Cork, Kerry, etc…are beautiful, it will also be the most touristic section. I will have to be extra careful of traffic on little roads. I am also riding 100km days (6-7 hours of riding) for the first week. I want to be off of the Ring of Kerry by August 1st. The second stage (Map 2) will be slightly less difficult, with some chill 60-70km days with a couple of 100km days mixed in. I am meeting a friend in Galway for a long weekend (August 9), so that is a date I have to make. The third stage, through Northern Galway and most of Mayo will be more relaxed still. The tourists will mostly be left behind, the tourist season will be slowing down and the roads will be a little more wild, a little more quiet.

By the time I get to Donegal Town, it will be the end of August, the end of the tourist season and I won’t need to make a lot of reservations before hand. I have learned this from different people I have already spoken to on the telephone in Donegal. In fact, by the time I get to Donegal I will have 25 days left to cycle about 600km. Do the math. I can dawdle.

This is all the Big Plan. What it is actually going to be like on the ground will be something else. I know I can do the distances. I know I can make the waypoints. It’s just a matter of doing it. I will be using Instagram as a platform for ‘blogging’, so to speak, with more pictures than text. So keep up with me through Instagram.

For now…I think that’s it.

–JDCM

A painterly photographic ancestry…

Before digital, before silver (what we know as ‘silver gelatin’) there were ‘alternative processes.’  I find this amusing, since at the time (1840s to the mid-187os) there were no other alternatives. It is only in the digital age that we can approach photography this way.  There were several different types of processes.  You can look them up yourself.  I have chosen gum bichromate printing as my first step into this rich and varied past.

Gum bichromate printing entails mixing a potassium dichromate solution with gum arabic and watercolour pigment.  I have chosen black.   Potassium Dichromate is one of the more dangerous chemicals on the planet.  Needless to say I wear nitrile gloves, a Level 2 filter mask and safety glasses when I handle it.  I am using 4×5 negatives and I hope soon to be printing some larger digital negatives so I can make larger prints.

I made the first test strip a week or so ago.  The result is on the left.  Intervals are 15″, 30″, 45″ and 1 minute exposures under full daylight.

The problem was not the emulsion, or the paper, but me.  I wasn’t patient.  I had not allowed the paper to dry fully between each preparation stage (sizing, gesso, emulsion).  This resulted in flaking emulsion.  A common error and easily rectified.

Three days ago I began the process again.  Using 300 gsm Canson water-colour paper, I sized (soaked) this in 60C water for 30 minutes and left it to hang for 24 hours.  The next step was to make sure my gesso mix was as thin as milk, which is much thinner than one thinks.  The gesso needs to be thin so it can soak into the paper, not create a layer on top, as per a painter’s canvas.  I applied the gesso in the late afternoon and left it to dry under an exhaust fan for several hours.  Two nights ago, around 22:00hrs following the weekly Photo Club meeting, I went back into the darkroom and applied the emulsion coat after the gesso had completely dried.  I used 5ml of potassium dichromate solution to 8ml of gum arabic.  For colour I added about .5 gram of black water-colour paint (Van Gogh).  I mixed this well using a natural bristle brush and painted it onto the paper using a foam paintbrush.

Yesterday morning, after letting the emulsion-coated paper dry overnight under the exhaust fan, with a dehumidifier running and a small heater maintaining 20-21C, my paper was dry to the touch.

I used the same VW Bug 4×5 negative.  The first test strip was better.  Once again, 15″ intervals up to 1’15” under full sun at 10:00.  The result was a huge improvement in detail and resolution, although clearly not enough time.  I was on the right track.

Test strip at 15″ intervals up to 1’15”

I decided to increase the exposure time for the first proof to 1’45”.  After developing the print in three consecutive trays of 20C water for 20 minutes, this is what emerged.

1’45”, full sunlight 10:20, March 8, 2018, Paros.

Much improved!  The next time I print (tomorrow), I will expose the whole piece for the 1’45”, then burn in the top 30% for an additional 30″-45″ so the top of the hillside and the sky behind the car achieve some tone.

–JDCM

Birthday, friends, good food, Lent and photography…

I haven’t written much about photography lately.  Or if I have it has been fleeting.  I am not one to talk about my work a lot, especially work that I have not done or that may in process.  I learned from my father that this is a good way to “talk it out” and I end up not doing it.  This has been my experience.  But I’ll mention some goings-on.

My winter’s work with the Photografiki Omada Parou has been a real joy.  The 20 or so people that signed up in the fall for the 35mm analog project have all been enthusiastic, fun to work with and, without exception, have produced interesting and striking work.  Today I am meeting with one of them to develop their film.  Tomorrow I hand the camera over to another, and Thursday I work in the darkroom printing with a third.    I think I will try to print on Friday too.  This project has kept me busy through the winter but it has been much more.  I have come to know many locals who I had never met, and they I.  During the weekly club meetings (Wednesday, 19:30hrs) I get to hear at least two hours of solid Greek from numerous voices which has helped my Greek language studies which I work on every Friday afternoon with my teacher Stella.  So all around it has been a “win-win” situation.  They do all the work, by the way.  I am just a guide.

My own work?  This week I hope to submit a new portfolio of digital abstract work to the Antiparos International Photography Exhibition for the upcoming summer 2018 show.  This work is finished  so I can talk about the fantasy digital land-sea scapes I have found and photographed.  Very little Photoshopping, as you may guess.  Just a slight curve here or there for contrast and to keep it WYSIWYG.  Cross my fingers…I am also embarking on some alternative work which will open up some new technical and artistic avenues.  I won’t say much more except that if the winter time is for the darkroom, this project will be perfect for the summer and all of our sun.

Oh yes…the anniversary of my 53rd trip around the sun was a few days ago so I celebrated yesterday with some friends at a local taverna–that is was also ‘Katheri Deutera’, or Clean Monday, informed the menu.  The remains of the meal can be seen below.  Lent begins today.  I would like to keep the Lenten diet as much as possible for the next 40 days.  It is a healthy choice here in Greece.  Of course, this ‘diet’ predates any religious function as it was a result of the end of the winter, when the stored foods from the autumn harvest had run low (or out) and the agricultural population waited for the new crops of spring.  So it will be lots of veggies for me, seafood without backbones, no cheese, no meat…thank the gods the Greeks are sensible enough to still allow olives and olive oil…

The collection of my mother’s newspaper articles is all but done.  Last week I submitted the digital files to a printing company in Athens and the book goes to press this week.  Finally!  It has been years since I began this project, a memorial to my mother and a gift to family and friends.  And I like this book company.  They do nice work.  I may put together a book of my own.  A small collection of my photographs.  We’ll see…let’s not talk about it yet.

So thats it for February.  Right now there is a lovely, gentle, soaking rain blanketing the island.  It is supposed to rain all day.  Really great.  I am tired of winter.  I want spring, warmth and green things to see and eat.  I need to swim in the sea and shed some of the layers I have had to wear all winter to stay warm and dry.  The world moves ahead into the light and the alchemy I practice draws its magic from an ancient source.

clams, mussels, bean salad, pickles…

–JDCM

 

Kalo mina!

It’s November 1st and here on Paros the weather is decidedly cold and chilly this morning.  The winter is beginning to set in.  99% of the tourists have left and the few that remain wander around the empty streets, looking in the windows of closed shops, shuttered tavernas…the island has been returned to those who live here.  Thank the gods!

Here are the bullet points…

— I am going to Naxos this weekend for a mountain bike race, my third on that island.  27km around a mountain and through the town of Sangri, high above the port.  The weather predictions are good–high pressure, 14-18C, sunny, breezy.  Perfect for biking.  We have had some rain which will keep the dust down and reduce the amount of loose, gravely ruts.  I’ll go and have fun.

— I am grateful and happy to have joined up with the Photography Club of Paros.  They are a good bunch of photography-loving folks with excellent eyes who love to take pictures.  I will begin a long-term darkroom project with them tonight.  For most of them, it will be a first in this digital-automatic age.  Each week, a member gets a 35mm camera (Pentax K1000/f.2 50mm lens) and roll of 35mm film (Ilford Pan 400) and shoots the roll.  Then we (me and the group member) go into the darkroom, develop the film, print, etc…all in a week.  So far there are about 10 people signed up, but that number, I predict, will jump to 20 quickly.  The project will go until the end of April and then they will look at the assembled portfolio and hang a small show.  For more reasons than I can count, this is a superb thing/event/group/happening with which to be involved.

— My own work is moving along.  The year-long Canon G-11 project is ticking away.  I am ready to print a new portfolio of abstract pieces.  I have to re-shoot or otherwise re-evaluate a b/w still life idea.  I am unhappy with several of the pieces due to their DoF, i.e. focus.

— My gym membership is paying off.  I have been going 2-4 times a week for either Hip/Abs classes or just to burn off calories on the treadmill.  After only a few weeks I can once again fit into my 34″ green Levis.  I will go this morning and push some more limits.  That, plus the biking, is keeping me fit and sane.

— The world?  Well…we all read the news and while it isn’t all bad, it isn’t great.  Leaks in the dam…death and disease, as Polly Jo would have said.

My life is Greece is expanding and growing every day.  I am eternally thankful to the wise woman who advised me over 5 years ago that if were to stay here on Paros, I would need to build a life around me.  And so I have.  Biking and exercise, photography and fellowship, the arts and humanities, connections in the community.  Thank you Liz!

–JDCM

 

Autumn, elections, swimming, biking…even photography!

*It has taken me some time to get back on the horse.  I was out the other day with my Voigtlander, exposing some film…it felt good…gentle.  No urgency, no great time-line to follow.  So I took some pictures.  I have some ideas.

*I have been combing through my negative notebooks, trying to find images of my mother’s office.  I have found some.  I know there are others.  I would like to print some of these this winter.

*I need to type up my mother’s newspaper articles.  I keep on saying that to myself…siga-siga…it’ll happen.

*I developed the 4 rolls of Tri-X that I shot when I was back in America in July.  The camera I had on hand was a medium format Holga, so that’s what I used.  I guess that sums up a philosophy…The best camera I could use is the one I am using.  People talk a lot about camera X, or  lens Y.  They list the many attributes and the technical aspects…these things never made a photographer better, or even good.  That has to come from within.  Ansel Adams said something about that…good gear, bad photography…I can’t remember the exact quote.  Liz knows.

*It is autumn, and we have had some cooler weather, but not right now.  It is Little Summer and the scirocco blows a steady Force 5, gusting to 6.  The air is hazy and hot and feels like 26C.  I was out for a bit of mountain biking and then a swim in the sea.  People here say the water is cold, but they haven’t been in Cape Cod in August.

*The election for the next American President is today.  Polls have begun to open, voters are lining up to cast their ballots. There is so much at stake in this contest.  I am not sure anyone can really guess everything that hangs in the balance.  I mailed in my absentee ballot well over a month ago.  We shall see.  I am more concerned about the potential for aggression and actual violence at the polls.  America will be divided whatever the outcome.

–JDCM

January on Paros…

The header image is from New York, a view of the family property in Ancramdale.  It is a winter scene.  Looks pretty cold and all but monochromatic.  That where I had been since December 1st, 2015.  Much has happened since then.  You all know that.  Life and death.  Pretty important.

I have been back in Greece since January 22 and today is February 1, 2016!  Kalo Mina everyone!  I am back on Paros and the weather has been lovely–mid-teens Celsius with light breezy winds.  It was pretty cold when I arrived.  It will get cold again, I think.  I am a fortunate man.

A view in Marathi, Paros, February 1, 2016

     A view in Marathi, Paros, February 1, 2016

It is so quiet here, so perfect.  In a couple of weeks I will begin a new photo project and I am looking forward to that.  There is also a mountain bike race on March 6th for which I am training.  After two months out of the saddle I need some time to get fit, but hey, it’s like riding a bike, right?  Ha!

One would think that I have some great wisdom to impart, but really I don’t.  I guess I’ll have to paraphrase my friend Jac who reminds us all to follow your heart, do your exercises, and eat your peas…or whatever.  The food is relative.

–JDCM

 

 

 

Just an update…

I have always loved the change of seasons.  Whether in the Hudson Valley where I grew up or the small island in the Aegean Sea where I now live.  I welcome each new season with joy and relief, only to say good riddance three months later after weariness sets in.  This autumn is no different and there are many changes to go along with the weather.  Clocks have been set back.  Tea time seems more meaningful as darkness falls.

I have been living in an apartment full of boxes for the past two months.  All of my books, shelving, camera gear, odds and ends…have been packed up and ready to be moved.  At first it was an exciting feeling, to come home to this pyramid of brown cardboard.  It has grown stale as the day approaches when I can finally begin to move from one side of town to the other.  As one friend remarked last night, moving house is inspiring and makes one reevaluate routines.  Like the change of seasons, this move will give me a new perspective.  I need it.

My small photo show was, on many levels, a superb success.  Many people came to the opening and I was struck by the wide variety of people I know here on Paros: people involved in the arts, those I know through the local biking community, others I have come to know over the years, students from a local art school…people who would ordinarily not mix.  They crammed into the space provided by a small Italian restaurant and had a good time.  I guess that was the point, really, to have a small gathering on a night in mid-October when there was ordinarily little to do.  Many compliments, many questions…alas, not a single sale so I am stuck with 22 framed and matted photos.  So I will choose one to put up in my new apartment.  There is a part of me that wants to just burn the rest.  But what to do with the frames and glass?  Eventually I will get around to scanning the photos so people can see them online, which suddenly feels like cheating.  Now I don’t want to do that.  If you missed the show, you missed it.  Is that so selfish?

I wasn’t asking a huge amount for these photos.  They were priced inexpensively.  If I had sold five I would have broken even on the costs.  I think many people have no idea of the work that goes into a single image.  Even had these been digital images, the work would have been substantial.  They are not, of course, so we are talking days of labor to get the picture right and that is before matting, framing, the overall cost for the exhibit opening…I guess I am taking page from Robert Fripp’s advice to artists–work for free–an expensive venture.

My list for today is as long as my arm and I must get it all done.

–JDCM