Archive | beauty

Years have passed…

Wow.  I haven’t updated this blog since January 2021.  Over two years.

Recently I have been in touch with people from way back, in the 1980s, from my years in Colorado.  It’s interesting.  We are all many years older.  Time has molded us all, as time does.  People have died.  People have had children.  Marriages, divorces, etc…the slings and arrows of outrageous fortune that come to us all, I suppose.  My choices haven’t been theirs, and vice-a-versa, of course.   We all find happiness and our sense of being in our own way.

There is no denying that the pandemic has changed my thinking, as it has for many.  An old friend fled LA at the beginning in 2020 and moved ‘temporarily’ to New Mexico.  He’s still there.  He’s found his place, one of many in his lifetime.  Others have drifted until they found safe harbor.  Whatever it takes.  I followed the route of many others and bought a small house, renovated it and have been living in it since November 2021 (please see the previous blog entry).  I have also been taking piano lessons for over a year.  I’m better now than when I began.  I have picked up the guitar again after a long hiatus and am enjoying that too.  My photography has been fruitful, mostly analog, and my darkroom is a busy and deeply satisfying place to work these days.  Work.  I love that word.  I love to labor at my craft.  Once in a while I splash some paint on a canvas and see how I feel about that.  I try not to take things so seriously.  I think being happy is better than being right.

In my family, common questions were ‘How’s your work?” and ‘What are you working on these days?”  Of course this never applied to our day jobs, how we paid our bills.  “Work” was always “work.”  In my case it was music, writing, photography…my sisters each have their own artistic paths–visual, literary and academic.  That’s just the way we were raised.

There is a wonderful quote by the techno-music godfather Giorgio Moroder that has been informing me these days.  Taken exponentially, I find applies to anything, not just music…how I navigate life.  He said, “Once you free your mind about a concept of music and harmony being correct, you can do whatever you want.”  That’s it, isn’t it?  It’s so easy to fall into a pattern of ‘correct’ and ‘right’ whether it is in life or the arts.  It’s a place of stagnation and boredom.  The random and potentially exciting is supplanted by the predictable and mundane.  Work becomes toil.  I become serious, rigid.  Inflexible.  Moroder’s philosophy demands work, some internal yoga to loosen the thinking, stretch the concept.  As I said before, being happy is better than being right.

And so I work.  I take pictures, develop the film, produce the prints.  I use a digital camera too.  I play piano and guitar.  I study music theory.  I stretch canvas and splash paint.  I ride my mountain bike and even swim in the sea during these winter months.  I read good books and eat healthily.  I sleep well.  I try not to take myself seriously.  I find happiness.  I let go of the rest.

–JDCM

Welcoming 2021…

 “There is an insubstantial quality to life these days that is difficult to quantify.”–JDCM 2020

A friend wished me a happy rest-of-my-weekend the other day and qualified it by remarking “…as if there’s a difference in these amorphous and indeterminate days and weeks of the covid epoch.”  This sums up much of my emotional state since this ‘epoch’ began last February: one same day after the next with the same news feed, everyone seemingly watching the world turn while quarantined inside our homes.  This isn’t completely true but it feels that way.

Last February I was wrapping up a winter-long darkroom silver-gelatin printing project.  It was for a solo show in July. At the same time I was mapping out a 2-3 week bicycle ride through northern and western Greece that would have taken place in May.  Needless to say, neither of these events came to pass.  The show was cancelled and the ride was put off until the autumn (when it did not happen again).  By the end of October I was left with a porfolio that meant little to me and a lot of maps going nowhere.  But that is looking at these past months the wrong way.  So much may not have happened yet so much actually did occur.

On the advice of a friend (to whom I am eternally grateful!) last March or April, I bought a little house.  The papers were finalized in August and a full renovation began, finishing in the first week of November.  The place really needed to be gutted.  Ancient electrical, plumbing, crumbling walls, etc…I documented it online.  I have now rented it to someone who needed a home.  Then I got the wild idea that maybe I should stop paying rent and buy and renovate my own space!  So I did.  In a few weeks (crossed fingers) I will finalize that deal and begin renovations.  I hope by the end of November 2021 I will have moved into my new home.  So to my friend MM who started this process…many thanks and eternal gratitude for shifting my thinking.

                              Prickly Pear #1

Photography…writing…I have come to the conclusion that, for me, social media, as a whole, is a stifling and shallow platform for art or communication of any true depth.  These applications have actually hampered my creative process.  I have produced less photography and written fewer blog entries since I started being more on my phone with a popular social media app.  I let it suck the creative juices from my mind and soul.  So…I would like to make more real photographs in 2021, write more, produce more real work.  The new house will have space for a darkroom and a small digital area–room for a printer, perhaps a computer with a larger monitor than my laptop.  A place to work.  A home studio.

I have rested on what laurels I may have gathered long enough.  I will make a new commitment to my art, to my life.  Wheels are in motion.  Let them stay moving, well-greased and clean running.

–JDCM

 

Riding a learning curve…

The weather these past few weeks on Paros has been luscious. Comfortably dry nights and days that soothe the soul like a tropical compress. I guess I should talk a bit about Ireland. But first, a disclaimer: I knew what I was getting into. I knew it would rain a lot. I had been to Ireland a few times before-hand. None of this was particularly novel. There were few surprises. I chose this route for a first long-distance ride for pragmatic reasons–ease of language, availability of services and to discover if I enjoyed long-distance bicycling…and as learning curves go, I learned a lot, but not what I expected.

The bicycling itself was quite easy. I had already practiced a bit here on Paros, so I knew what it was like to ride 70km on a bicycle weighing 50 kilos. I had ridden up and down hills already on the treacherously questionable roads of Paros. Imagine my joy at the roads of Ireland–smooth, well-paved, clean and, until I reached County Antrim, free of potholes. So riding 50-80 km a day on the bike was not difficult. The hills and “mountains” of Counties Cork, Kerry, Galway, etc…not so tough. What was difficult was Day #4, when I woke up and realized I had to ride another day. And then Day #5 when I was resigned to my fate. After that I rarely thought about where I was going or how far I needed to ride that day. I had established my routine. When it was raining I packed up the tent and rode in the rain. There was no other choice. As I remarked to someone in Donegal Town, “If I didn’t ride in the rain I’d still be in Cork City.”

The Dawes Karakum in the shade of the tamarisk trees.
It is a much happier bicycle here on Paros.

And it rained a lot. Sometimes three times a day. Mostly on me. I got wet. I didn’t melt. I dried out. I rode the kilometres I needed to and then I was done. I saw some beautiful sights–dramatic cliffs all along the coasts; sudden bursts of sunlight that made the landscape glisten and sparkle jewel-like…it’s all there. You can have it. I have learned there is no need for me to return. Rain is one thing, but every day, twice, thrice a day…no thank you. Such was the learning curve. You’ll have to pay me to go back. And that old saying about “the soft Irish rain…” Bullshit. It’s rain.

I missed Greece every day. I missed the food, the people, the climate. The food in Ireland is alright. Not great, really, yet ideal for the weather that one is forced to endure. Heavy, thick stuff, devoid of fresh produce (except potatoes). Mussels cooked in milk (yuck!), a severe lack of garlic and tomatoes that would be best used to repair dry-wall. I missed the heat of summer, the boiled-honey sun glazing the earth in late July through August, the din of the cicadas. By the 2/3 mark, the rain was not so much an obstacle but rather a tedious bore, a meteorological raconteur drawing out the same dull tale. I doubt the temperature ever rose above 22C while I was there. I missed the 35-40C days here on Paros. I missed the people I know, I missed my friends, my parea. This was the learning curve I traveled.

I enjoyed the long-distance bike tour. I enjoyed the hills, the distances. But I knew that going in. I had researched enough before hand and was prepared regarding gear. Everything I brought with me, I used. My kit was sound: waterproof, windproof, serviceable, warm and dry. My Dawes Karakum was the right bike for the job and I enjoyed riding it. I brought it home with me to Paros where I use it throughout the week. I am already looking at next year’s ride. I will stay in Greece, a country I love and in actuality have seen very little. I will ride in May so I don’t miss my summer heat and early morning swims. I will ride for a month because I can ride 2000km in that time. I will ride into the mountains northwest of Athens, to Corfu. Then east through the Pindus to Ioannina and Meteora. South to Trikala…these will be the places I visit. It will rain some but that’s ok. I won’t melt. But I will never leave home.

–JDCM

Treading water…

I have been having issues with my blog space lately. Ever since I upgraded the software on my MacBook Pro, I have had the hardest time logging into WordPress and opening up the admin section. I have to go around and through the backdoor at Bluehost, which is the site that hosts the blog you are now reading. In any case, it has made me wonder if perhaps it is time to either a) migrate to a new host b) not blog for a while or c) shut it down. Plus, I am about to go on this big bike ride (one of many, I hope) and I’m not going to be able to blog for a while anyway…Instagram seems to be taking my blog energy and I like that platform.

I am getting ready for my bike trip in a big way. I have been packing, unpacking, trying to sort out what I really need from what I think I might want or what I could probably getting Ireland. Since I will be riding a fully self-supported ride of 2700+ km then I will need a fair amount of stuff–mostly camping gear. I hope to not be staying at any B&B, hotels, etc…unless I really feel I need a break (or a shower). I have been practicing with a fully loaded bike (42 kilos, including the bike) and can easily ride 60km in 4 hours, including the occasional stop for a snack, a coffee, buy a t-shirt, whatever…so I am hoping to make at least 70-80km per day. People have said, “oh but you will also be sight-seeing…” True, but a large part of riding a bicycle on long trips is trying to make good time, riding the bike. It’s not about lolly-gagging about or dilly-dallying along with my head in the clouds. It really is very much a ‘point-A-to-point-B’ event.

I will be buying Dawes Karakum touring bike in Cork. Not much else to say about that. Here’s a picture…look it up if you want the specs. I’ll be bringing it back to Greece with me.

I finally found a good tent in Athens last week. A North Face Storm Break 2, 2 person tent. It weighs 2.4 kilos and is my heaviest item. My new sleeping bag weighs 790 grams. You laugh. Trust me, 500 grams is a lot of weight when you’re cycling or hiking. (2.2 pounds in a kilo, right?) Here’s the tent, set up on my terrace. It took about 5 minutes to set it up. I bet it will take less when it is raining.

And here are some pictures that give you an idea of the gear and weight I am taking. It may not seem like much, but it adds up. Remember, the bike weights about 18 kilos, so an additional 24-25 kilos is a lot.

These are the front panniers that will hang low off the front wheel. Food will be added to each of these bags, as well as the rear panniers.

And this will be the contents of one of the rear panniers…clothes. Note that my rain gear is in one of the front panniers. It is easier to get to it that way.


The other rear pannier will have my house–sleeping bag, tent, ground cover…and food. And water. I’ll stash water in equal amounts around the bike the best I can. The handlebar bag will contain stuff like my phone, wallet, ID, snacks, glasses, a map…It should even out all around the bike with 60% of the weight in the front.

This is something I feel very strongly about, this long distance bike thing. It’s one of the few things in my life that really felt right, does that make sense? As if it is a path I should be on for reasons perhaps I will never know. As if it is something that must be done, and done often. There are established bike routes all over Europe and even beyond, I’ll start with this one first. July 22 cannot come too soon!

–JDCM

Early with the rain…

On the surface my parents would have had to be considered liberal and left-leaning. Certainly they voted that way. Their social views were in line with this, I think. In hindsight, however, I see my upbringing as being quite conservative. I guess it is the same with most beliefs. That which they held most dear they held with such fervour that it could be seen as a form of conservatism: strict in their liberalism. All of this means nothing except that for most of my formative years I was not allowed to eat pre-sweetened cereals or watch a lot of television. Or drink TANG. Remember TANG? TANG has not forgotten you. I loved TANG. A childhood friend drank it and it was a forbidden treat when I would visit his house and have a glass of TANG. My father would screw up his face in displeasure at the thought. That was over 35 years ago. I looked up TANG on the Billabong one-stop shopping website and there it was! And in several different flavours. Well, I am purist when it comes to these things so I ordered a tub of it, classic Astronaut Orange. It arrived the other day. I mixed some up and had a tentative sip. Amazing! It was exactly the same as I remember. Dee-lish! Why we are not all drinking this stuff? I don’t know.

TANG: The drink of astronauts

I guess I have to rethink the food thing, because in reality I ate a lot of Jell-O. And hotdogs and Campbell’s Pork and Beans. Also my fair share of Chef- Boy-R-Dee Beef-a-Roni and Ravioli. Then again, I was a just a little guy and my mother had figured out that if I was eating, that as fine, regardless. So who had the distasteful views of these forbidden fruits? Probably my father, who was so strict on himself and with others he could never really relax. His disdain for modern comforts like air-conditioning was offset not long after he left us by his embracing the machinery of mechanical coolants in his own home: central air. The way he looked down on certain restaurants in Provincetown as being beneath us was eventually nullified by his making these places his favourite haunts. Was he aware of the hypocrisy? Maybe. Who cares? I have my TANG.

I was thinking about this because I woke up early this morning, about 04:30. I heard the steady patter of the rain. I started the coffee, fed the cat, brushed my teeth and went out beneath the pergola to say hello to the Cosmos and encountered a minor flood. The drain pipe on my terrace was blocked and about 8 cm of water had pooled on most of the marble balcony. I found a wire clothes hanger, unbent it, and, while being rained on (I was wearing a hat and raincoat) reamed out the top of the pipe. Gurgle, gurgle…and the rater began to flow. As I was doing this I remembered back to how my father would wake up in the middle of a rain storm to go pull a board out of the spillway so the pond wouldn’t overflow. He grew to resent these aspects of his life, those rural elements that distracted him from the urban (and snobbishly urbane) lifestyle he craved. So he left.

After that, the menu was more relaxed. I even ate my fair share of Captain Crunch, another item on the Culinary List of Scorn. It seems that only one of my parents had had such hard and fast beliefs. So were they both liberal or was one more so than the other? Or, perhaps, one was willing to be flexible, more easy-going, than the other and, in the end, more independent. I must not forget that my mother was also one to wake up at 3AM, slip on her rubber boots and barn coat (before it was fashionable) over her pyjamas and trudge out into the rainy gloom, yank a piece of wood from the concrete spillway and go back into the house for a cup of coffee. In fact, she probably did it more often than he did.

It is supposed to rain all day. This is good. The island needs it. It drinks it in and, in a few months, will reward us all with a symphony of wild flowers. I will stay inside as much as I can today, venturing out only to go to the PO. These are familiar rhythms, movements I have learned. I am flexible. I can bend. I can let it go. I have my TANG.

–JDCM

PS: sorry about the size fo the new header, my dental X-ray. I can’t make it smaller and still have it fit.

Following some familial footsteps…

I would like to blog a lot about the terrible political situations that are sweeping the globe, but there is so much of that already from all sides that I have decided not to do so.  I re-Tweet, comment, etc…already.  That’s enough from me.  I would like to tell you a story instead.  I hope that, in some small way, it helps to dispel some of the darkness.

In the late 1890s, at the University of Iowa, there was a writer by the name of George Cram Cook.  From 1896 to 1899 he taught what is considered by many to be the very first creative writing course.  He titled it ‘Verse-Making.’  When he left in 1899, the course was continued by his colleagues and became what is now known as the Iowa Writer’s Workshop.  Cook then went to Stanford University and taught a similar course and, in 1915, after marrying his second wife Susan Glaspell, moved to Provincetown, Massachusetts where they founded the Provincetown Players, an avant-garde theatre group.  He produced plays written by Glaspell, some of Eugene O’Neill’s first plays and also those of Edna St. Vincent Millay.  That is just a small sample.  He worked with the group until 1919.  A long-time Hellenophile, he moved to Greece in 1922, settling in Delphi, home of the Oracle.  He died in Delphi 2 years later after contracting glanders from a dog bite.  The Greek government granted him status to be buried there, his grave marked by an ancient stone from the Temple of Apollo.  His daughter Nella was buried alongside him in the town necropolis and there is a memorial to Glaspell, Cook’s mother Ellen Dodge and his first wife Mollie on the wall above.

Jump ahead about 50 years.  My mother, the ever curious historian, began to research the P’town Players, Glaspell, Cook, et al…At that time my family lived in Provincetown as summer residents and were a part of the arts community, largely due to my novelist father.  Mom’s curiosity was such that she planned an excursion to Greece with my grandmother.  Grammaw had lived and worked in Athens and Thessaloniki in the mid-1960s and, as she was more familiar with the lay of the land, joined my mother in a search for Cook’s grave.  I do not remember if they found it, and I sense there was some disappointment to their quest.  I would have been about 7 or 8 years old at the time, so this tale is bathed in the slippery mist of memory.  I am skipping a lot here, especially about Grammaw and her interest.  Another story for a later time.

Jump ahead again to yesterday, 23 June, 2018.  I had a free day in Athens so I signed up for a tour of Delphi.  I had been there in 2006, but the Mom/Grammaw/Cook story had slipped my mind.  I decided to rectify this and follow their footsteps to find the grave.  The tour was pleasant enough and an economical way to get there, see the sacred site, the superb museum, have lunch and be transported back to the hotel later in the afternoon.  My tour mates were mostly American and Australian tourists and were curious about this aspect of my trip.  It was fun.  They enjoyed the tale as well.  I related a more truncated, less rambling version, by the way.

During a free 45 minutes between the site visit and the museum, I scurried up to the modern town and asked a local about the cemetery.  It was easy to find, and when I entered I queried two workmen if they knew of the grave.  “No..no English here…no Americans here…”  Undaunted, I looked around the small cemetery.  Among the cleanly carved headstones and markers, one stood out, up in the northeast corner, beneath a cypress tree–an ancient marble stele.  There it was.  After sweeping off the graves and taking some pictures, I looked at my watch.  I had just enough time to make it back down the hill and join my group for the museum tour.

 

 

–JDCM

 

A painterly photographic ancestry…

Before digital, before silver (what we know as ‘silver gelatin’) there were ‘alternative processes.’  I find this amusing, since at the time (1840s to the mid-187os) there were no other alternatives. It is only in the digital age that we can approach photography this way.  There were several different types of processes.  You can look them up yourself.  I have chosen gum bichromate printing as my first step into this rich and varied past.

Gum bichromate printing entails mixing a potassium dichromate solution with gum arabic and watercolour pigment.  I have chosen black.   Potassium Dichromate is one of the more dangerous chemicals on the planet.  Needless to say I wear nitrile gloves, a Level 2 filter mask and safety glasses when I handle it.  I am using 4×5 negatives and I hope soon to be printing some larger digital negatives so I can make larger prints.

I made the first test strip a week or so ago.  The result is on the left.  Intervals are 15″, 30″, 45″ and 1 minute exposures under full daylight.

The problem was not the emulsion, or the paper, but me.  I wasn’t patient.  I had not allowed the paper to dry fully between each preparation stage (sizing, gesso, emulsion).  This resulted in flaking emulsion.  A common error and easily rectified.

Three days ago I began the process again.  Using 300 gsm Canson water-colour paper, I sized (soaked) this in 60C water for 30 minutes and left it to hang for 24 hours.  The next step was to make sure my gesso mix was as thin as milk, which is much thinner than one thinks.  The gesso needs to be thin so it can soak into the paper, not create a layer on top, as per a painter’s canvas.  I applied the gesso in the late afternoon and left it to dry under an exhaust fan for several hours.  Two nights ago, around 22:00hrs following the weekly Photo Club meeting, I went back into the darkroom and applied the emulsion coat after the gesso had completely dried.  I used 5ml of potassium dichromate solution to 8ml of gum arabic.  For colour I added about .5 gram of black water-colour paint (Van Gogh).  I mixed this well using a natural bristle brush and painted it onto the paper using a foam paintbrush.

Yesterday morning, after letting the emulsion-coated paper dry overnight under the exhaust fan, with a dehumidifier running and a small heater maintaining 20-21C, my paper was dry to the touch.

I used the same VW Bug 4×5 negative.  The first test strip was better.  Once again, 15″ intervals up to 1’15” under full sun at 10:00.  The result was a huge improvement in detail and resolution, although clearly not enough time.  I was on the right track.

Test strip at 15″ intervals up to 1’15”

I decided to increase the exposure time for the first proof to 1’45”.  After developing the print in three consecutive trays of 20C water for 20 minutes, this is what emerged.

1’45”, full sunlight 10:20, March 8, 2018, Paros.

Much improved!  The next time I print (tomorrow), I will expose the whole piece for the 1’45”, then burn in the top 30% for an additional 30″-45″ so the top of the hillside and the sky behind the car achieve some tone.

–JDCM

Birthday, friends, good food, Lent and photography…

I haven’t written much about photography lately.  Or if I have it has been fleeting.  I am not one to talk about my work a lot, especially work that I have not done or that may in process.  I learned from my father that this is a good way to “talk it out” and I end up not doing it.  This has been my experience.  But I’ll mention some goings-on.

My winter’s work with the Photografiki Omada Parou has been a real joy.  The 20 or so people that signed up in the fall for the 35mm analog project have all been enthusiastic, fun to work with and, without exception, have produced interesting and striking work.  Today I am meeting with one of them to develop their film.  Tomorrow I hand the camera over to another, and Thursday I work in the darkroom printing with a third.    I think I will try to print on Friday too.  This project has kept me busy through the winter but it has been much more.  I have come to know many locals who I had never met, and they I.  During the weekly club meetings (Wednesday, 19:30hrs) I get to hear at least two hours of solid Greek from numerous voices which has helped my Greek language studies which I work on every Friday afternoon with my teacher Stella.  So all around it has been a “win-win” situation.  They do all the work, by the way.  I am just a guide.

My own work?  This week I hope to submit a new portfolio of digital abstract work to the Antiparos International Photography Exhibition for the upcoming summer 2018 show.  This work is finished  so I can talk about the fantasy digital land-sea scapes I have found and photographed.  Very little Photoshopping, as you may guess.  Just a slight curve here or there for contrast and to keep it WYSIWYG.  Cross my fingers…I am also embarking on some alternative work which will open up some new technical and artistic avenues.  I won’t say much more except that if the winter time is for the darkroom, this project will be perfect for the summer and all of our sun.

Oh yes…the anniversary of my 53rd trip around the sun was a few days ago so I celebrated yesterday with some friends at a local taverna–that is was also ‘Katheri Deutera’, or Clean Monday, informed the menu.  The remains of the meal can be seen below.  Lent begins today.  I would like to keep the Lenten diet as much as possible for the next 40 days.  It is a healthy choice here in Greece.  Of course, this ‘diet’ predates any religious function as it was a result of the end of the winter, when the stored foods from the autumn harvest had run low (or out) and the agricultural population waited for the new crops of spring.  So it will be lots of veggies for me, seafood without backbones, no cheese, no meat…thank the gods the Greeks are sensible enough to still allow olives and olive oil…

The collection of my mother’s newspaper articles is all but done.  Last week I submitted the digital files to a printing company in Athens and the book goes to press this week.  Finally!  It has been years since I began this project, a memorial to my mother and a gift to family and friends.  And I like this book company.  They do nice work.  I may put together a book of my own.  A small collection of my photographs.  We’ll see…let’s not talk about it yet.

So thats it for February.  Right now there is a lovely, gentle, soaking rain blanketing the island.  It is supposed to rain all day.  Really great.  I am tired of winter.  I want spring, warmth and green things to see and eat.  I need to swim in the sea and shed some of the layers I have had to wear all winter to stay warm and dry.  The world moves ahead into the light and the alchemy I practice draws its magic from an ancient source.

clams, mussels, bean salad, pickles…

–JDCM

 

Mom’s hours…

I haven’t blogged in a while.  I have been busy–good busy.  Too busy to do this.  I have neglected this ongoing missive.  And, to be honest, this post is made up of excerpts from a post I didn’t publish last August, so be patient.  My mother has been on my mind lately and I have been getting up very early, well before dawn usually.  The unpublished post was to be called “Mom’s hours” so I have pasted that into the title field.   I promise to  blog again with something more current in a couple of weeks.

“It’s just after 6 and I have had my coffee, made my bed, fed the cats and it is still dark…the sun is creeping up in the east, I can just see rosy fingered dawn…Much too early to be awake, yet here I am.”

“After raising three children for consecutive decades, getting them up in the morning, making their breakfasts and getting them all on the bus to school, my mother just stayed in the habit if getting up at 5AM, even when she lived alone.”

“…so many of those mornings long ago were dark and cold, frosty, drizzly.  Terrible mornings in which to thrust one’s children, into the palaeolithic harshness of the American public educational system of the 1960s and 70s…”

“…early mornings, sweet tea and cinnamon toast and daypacks heaved onto small, grumpy, narrow shoulders.”

–JDCM

 

Kalo mina!

It’s November 1st and here on Paros the weather is decidedly cold and chilly this morning.  The winter is beginning to set in.  99% of the tourists have left and the few that remain wander around the empty streets, looking in the windows of closed shops, shuttered tavernas…the island has been returned to those who live here.  Thank the gods!

Here are the bullet points…

— I am going to Naxos this weekend for a mountain bike race, my third on that island.  27km around a mountain and through the town of Sangri, high above the port.  The weather predictions are good–high pressure, 14-18C, sunny, breezy.  Perfect for biking.  We have had some rain which will keep the dust down and reduce the amount of loose, gravely ruts.  I’ll go and have fun.

— I am grateful and happy to have joined up with the Photography Club of Paros.  They are a good bunch of photography-loving folks with excellent eyes who love to take pictures.  I will begin a long-term darkroom project with them tonight.  For most of them, it will be a first in this digital-automatic age.  Each week, a member gets a 35mm camera (Pentax K1000/f.2 50mm lens) and roll of 35mm film (Ilford Pan 400) and shoots the roll.  Then we (me and the group member) go into the darkroom, develop the film, print, etc…all in a week.  So far there are about 10 people signed up, but that number, I predict, will jump to 20 quickly.  The project will go until the end of April and then they will look at the assembled portfolio and hang a small show.  For more reasons than I can count, this is a superb thing/event/group/happening with which to be involved.

— My own work is moving along.  The year-long Canon G-11 project is ticking away.  I am ready to print a new portfolio of abstract pieces.  I have to re-shoot or otherwise re-evaluate a b/w still life idea.  I am unhappy with several of the pieces due to their DoF, i.e. focus.

— My gym membership is paying off.  I have been going 2-4 times a week for either Hip/Abs classes or just to burn off calories on the treadmill.  After only a few weeks I can once again fit into my 34″ green Levis.  I will go this morning and push some more limits.  That, plus the biking, is keeping me fit and sane.

— The world?  Well…we all read the news and while it isn’t all bad, it isn’t great.  Leaks in the dam…death and disease, as Polly Jo would have said.

My life is Greece is expanding and growing every day.  I am eternally thankful to the wise woman who advised me over 5 years ago that if were to stay here on Paros, I would need to build a life around me.  And so I have.  Biking and exercise, photography and fellowship, the arts and humanities, connections in the community.  Thank you Liz!

–JDCM