Tag Archives | black and white photography

Getting down to brass tacks….

47 days until I leave for Greece.  I was lying in bed last night and realized, again, that my goals for the next 5 years are not as formed as the previous set.  I’ll ask around and see what people think.  I feel like the path I am on is correct, but where does it lead?  I suppose I have little choice but enjoy the journey.

I have to begin some test packing today.  I am able to bring one camera bag on the plane with me and it will be pretty well loaded.  I’ll have a 4×5 press camera and the film holders, a medium format TLR, my Canon 5D Mk II with the two lenses, my Voigtlander R4m and one lens, and my Canon G11 and my iPod and its speakers . Add into that two boxes of 4×5 sheet film, batteries, cables, cleaning gear, some roll film (120 and 35), a book or two, charging dock (iPod) and assorted paperwork for the trip and it’s full.  I’ll pack my tripod in the checked baggage.  Since I am traveling Business Class there are no weight restrictions so I am OK with packing as much stuff in the backpack as I can but I need to test pack the camera bag and see how I can best use the space.

OK.  Time to shovel snow off of my roof.

JDCM

A new year begins…

Happy New Year to all!  Please let this new year be a bit kinder and warmer than the last, with all of its fears and worries over what people felt to be really important.  Money.  What we need to do is act a little kinder towards one another and stay away from Belarus!  No a place to go these days for a vacation.

Longnook

I leave for Athens in 59 days.  I am going back to the Aegean Center for the Fine Arts for another term.  I have been courted by both the digital printing guru and the darkroom sorceress and have chosen the ways of the darkroom for my work-study program.  I will be working with my 4×5 and medium format primarily.  I’ll bring my new digital–oh yes, I have upgraded to a Canon 5D MkII.  It is lovely and full-frame which finally allows me to use the L-Series lenses to their full effect.

I have submitted 5 pieces for a juried show in Hudson, NY to be exhibited in the old Opera House in February.  I hope that at least one is chosen and they give it a good space to see it.  The pieces are all 11″x14″.  As you can see by the image, it is following the abstract path I have been on for the past year.  Whether I stay there, I don’t know.  The Aegean Center will see to that.  If this spring is half the catharsis that last spring was, then I should be in good shape for whatever the arts world throws at me.

I recently had the chance to visit a friend’s home and look at his art collection.  I was unimpressed.  Yes, it was all “very important” art and the artists were all “very important” but the work itself left me cold and uninspired: Modern art devoid of warmth, life and verve.  It left me grateful that I love the work that I love and this work varies throughput the ages.  Trust me, there is some very modern work that blows my mind as well as some older pieces that find dull and insipid.  I think that actually it was the collector that I found dull, with his repetitive phrases of “important” and which museum wanted which pieces when he died. Very tacky.

The light is very flat today, but I hope to get out and shoot a roll or two.  Tomorrow is supposed to be sunnier and I will take the 4×5 out and make some exposures.  I am working on farm images these days.  I have to call a nearby farmer and get permission to shoot on his property.  That’s all I’m saying about it.

JDCM

A re-scheduled life…

With the end of October and the first week of November came a drifting ennui that left me feeling fat and lazy.  Granted I am not overweight at all (182#), but I was on the way to gaining a mental spare tire, so to speak.  Thankfully I was kicked in the ass by a friend, which is what I needed.  As a result I have re-scheduled my days to be more productive and directed.  I have a daily list of ‘to-dos’ which reads the same pretty much every day.  There is time for photography, at least 3-4 hours a day, either film, digital or both (this includes processing); there is time for a few hours of reading; and then I spend some precious qt with my family and meeting friends for coffee.  Social time, if you will.

My five years at SUNY gave my life structure and without it there was nothing to guide my life, just too much free will and randomness.   So I took a month off from thinking…

I am beginning some work (digital and film, abstract and realist) for a nearby hotel which will hang with a couple of other artists for a few months; I am currently printing a small series of snapshots from last spring for fellow students and my own records; my reading list includes some books on artistic aesthetics as well as technical dark room stuff.  In short, for the next three months I am understanding that I am still in school and traveling the academic path to knowledge.  What a relief.

I am always relieved to know that I find greater freedom in structure.

More to come…

JDCM

Re-focusing my energies…

Since my graduation from SUNY last month, I have discovered that I have become unfocused.  The last five years have allowed me to concentrate on a specific goal, i.e. securing my history degree, long overdue.  I have done this to the best of my ability.  I have written recently about setting new goals and have, I hope, been able to communicate how difficult a task that can be.  Sure, I have my photography, but I am slacking in some areas of that. There are rolls of film piling up that demand my attention; there are prints promised that have yet to be made, let alone test-stripped; I need to get back into the swing of things with a vengeance, as if my life depended upon it, which in a strange way it does.  If this is the path I am to tread, then I must get on with it and stop gazing at the scenery on the side of the road!  I need to focus and get the work done.  Maybe I should make a list of projects.  I’ll start here..

1. Develop all the rolls of 120 film from my trip to Provincetown.

2. Sort through the negatives of fellow students from last spring.

3. Choose the negatives I wish to print and get that done!

4. Sort through the “Lighthouse” negatives and print some of them.

5. Begin work on the “Beekeeper” project.

If I really apply myself, these labors could occupy much of my time.  That’s the issue, I think.  I have a lot of time on my hands and am not using it wisely.  I lack the discipline I have had in the past few years in regards to my academic work.  I need to think one word–

PORTFOLIO

–take it seriously and go from there.  This includes 4×5 contact prints, once I am more capable with that camera.  The most recent exposures are better, not so bulletproof.  I will make this happen.  No more hoping, no more dreams of completion.  I will do it and be happy because I will have worked hard to accomplish these tasks.

More to come…

JDCM

4×5 Crown….

Graphlex Crown, 4x5 camera

I am back in the darkroom these days, developing film and beginning to formulate a working model for a new project, one that I might engage in for many years to come, weaving it through my waking days and dreaming nights.  Beekeeping, I have found, is a fascinating subject.  The interaction between the Keeper and the hives, the product resulting, the need to allow the bees to keep the honey in order to survive and the recent onslaught of Colony Collapse Disorder are all intertwined for me.  Documenting this would be a fascinating adventure, one that I could pursue throughout the world.  I can use digital and film, anything, really.  I am hooked.  And its all because of Brueghel and his “The Beekeepers” lithograph.  With this inspiration comes the possibilities for a photo shoot this Wednesday in Harlemville with a Beekeeper and some of his handmade, sacredly-geometric hives.  I am ready to go.  The weather is supposed to be nice, with lots of sun which means dynamic light.

I have purchased a Crown Grafix 4×5, my first foray into large format work.  The film is not a problem to find and the development is easy.  I find that it is wonderful to develop the film in complete darkness although I have a small tank that can immerse 6 sheets at once.  I’ll be doing that this afternoon.  As of now I can only make contact prints, but I hope to be able to scan the negatives sometime and also find a 4×5 enlarger to do some printing.  This, by the way, is similar to the camera used by an inspiration of mine, the photographer and writer Wright Morris. I think he used a different model of Graphlex, but I feel like I am on a well-worn and honorable path.

OK.  It’s a sunny day and I have errands to run; the PO, the bank, the gym and then home until I skee-daddle out to meet friends for coffee.

More to come…

JDCM

Time for Phase III…The Next Five Years…

Much has happened in the past few days.  The 14th Colony Photo Show went up without a hitch and the six b/w medium format pieces I submitted look lovely on the wall.  To top this off, I have sold one which makes me very happy.  I am here to get my work out there, not make a million bucks.  By the way, if anyone ever asks you about the difference between “b/w photograph (non-digital)”, “silver print” or “silver gelatin print” make sure you tell them there is no difference.  The fancier name was dreamed up by museum currators who felt that “black and white photograph” was too plain sounding and the  “silver gelatin print” sounded more important.

There is one more group show this month that I am in and that will be it for me until next summer, unless someone invites me to be in a show, that is.  Plus, I am off to Greece in March for more work at the Aegean Center, so that will pre-empt any shows I might be in.

After five years of hard work and ceaseless toiling through a byzantine bureaucracy, I have graduated from the State University of New York with a BA in Historical Studies.  I am amazed and really don’t know what to do with the feelings: relief, joy, pride, etc…I also have pretty much visited most of the places on my to-do list.  This brings an end to my first Five Year Plan so I need to develop a new one.  What will it be?  I’m taking suggestions…Perhaps life will, as it does, show me the path to take and perhaps I am already on it.  “Keep going” my father said.  I will.

JDCM

Finally…an update…and ideas…

Forgive me Cyber Readers, for it has been too long since my last blog entry…

August 20th seems a long time ago, and I suppose in the minds of the Facebook addicted eejits, it is, but really it isn’t even the imagining of a drop in the bucket of time.  Let’s not even talk geological passages, here.  Face it folks…A lot has happened and not much time has passed.

The 14th Colony is swinging along.  I was well received in the first group show and both my digital pieces looked lovely on the wall.  I didn’t sell anything, but exposure is what I need these days. I have some misgivings concerning the co-op concept, however.  Granted, I feel that that if a person wants to hang their work, a space should be available.  This is regardless to style or skill.  If they need the outlet, it should be provided somehow.  But…should “naive” art be hung next to more skilled and professional work, thus diminishing one or both of the pieces?  In a democratic/anarchic co-op system, shouldn’t there be criteria when exhibition is involved?  I don’t know.

Right now The Photo Show is up.  This was a show conceived by the “leader” of the co-op and myself.  Originally it was going to be a documentary piece, but that was ruled to be too exclusive so opened up the event and I dropped any leadership role I had assumed.  Suddenly there were 30 photographers signed up.  I didn’t know the group had 30 photographers.  In the end about 20 delivered work to hang and it looks really lovely.  It is a very diverse group show illustrating the many talents of those of us looking through a viewfinder.  Some I like better than others, but that’s to be expected.  I brought 6 medium format silver prints to the show and they all went up, which was a great relief since I had shot, processed, matted and framed all 6 for this show specifically.  I didn’t want to break up the flow based on available wall space.  They are also priced to sell…

The concept of criteria brings me to my next idea.  Using the 14th Colony as an umbrella, I am going to start a small rebellion.  I am going to found what I will call “The Monochrome Collective.”  This will be a small group of photographers (digital and film) who work only in black and white.  Heavy Photo-shopping will not be allowed.  We will deal with fundamentals of b/w work, namely the Zone System. This criterion will weed out many people and, hopefully, allow for a professional edge to emerge.  I wish to keep the Collective small, allowing for more intimate meetings, shows, etc…Like the 14 Colony, it will be a place to exchange ideas, network and support each other’s art.

That being said, let’s clear something up about labels.  ‘Silver print’ is the same thing as ‘silver gelatin print’.  Exactly the same thing.  The idea was coined by museum currators who felt that ‘silver gelatin print’ sounded more important  than ‘black and white’ or just plain ‘silver’.  This is in the same vein as those who try to make a real difference between ‘giclee’ and ‘inkjet’.  They are the same thing, except that ‘giclee’ is used to make a statement regarding paper and inks, which are better, yes, but no different than commercial inks, i.e. more expensive.  Check the web, folks.  The illusion has been shattered.

I’m off to the showers and then getting ready for the opening of the show this afternoon at 3PM.

JDCM

Will I or won’t I…?

I had a great meeting with a commercial photographer near where I live the other day.  he is a real pro and his work is lovely. So far no call back and he promised to introduce me to a small round-table of photographers in the area who meet occasionally.  So far nix on that as well.  So will I or won’t I be working with him?  I have no idea.

I am writing up my evaluation forms for SUNY ESC so I can get credit for my work at the Aegean Center for the FIne Arts, on Paros.  We’ll see.  I have had very little luck with the ESC people since they changed  their tune and became a place for adults moving up the management ladder.  When I first went there, it was all about learning.  Now it seems to be about increasing the global cache of the place while taking in the dough.  Maybe I’m wrong, but the level of bureaucracy has grown and that almost always means more administration who need to put things in neat little pigeon-holes and fewer teachers who can think outside the box.

We shall see…

JDCM

Angst, disconnection and the trials of youth…

There is a little over 4 weeks until I leave Paros and head back to America.  As I wrote before, my digital work has undergone an enormous transformation.  My film work has shifted as well, but more in terms of process and technical skill than any real artistic sense.  Socially I am still a 45-year old man in a school of predominantly women under the age of 25.  They are at that odd place in life when although society considers them adults, they have yet to suffer Hamlet’s slings and arrows of outrageous fortune.  Their emotional forms are soft and romantic, unsullied by the realities of daily life in the cold, dark world.  Granted, there will be joys and pains immeasurable in their future, but for now they are safely nurtured in their own cocoons.  The winds of inevitable winter will toughen their skins, as it always does.

In regards to that, my age and gender have kept me from being a part of their youthful gaggle.  My own work is more focused, my own energy more economized to slog through the next 28 days until the school show.  I have had some technical setbacks in the darkroom and unfortunately I am feeling the social disconnect there as well.  Much of this is in my head.  I will shake it out and get back to work.

More to come…

JDCM

Waiting for an assignment and off to Paris…

I am still enjoying being here.  This comes on the heels of a crisis of artistic faith in which I find myself seeing novelty and light in all things film and dull same-old-same-old in the digital realm.  The solution is simple.  Since I cannot see the forest for the trees I will be given an assignment by the director–actually we all will.  I hope it is soon because I am running out of time to complete my portfolio.  This is not entirely true.  I have almost 60 days until the term ends which is plenty of space.  The director, John Pack,  said that I take great pictures of many things but that they are all very comfortable and secure for me to photograph.  His challenge is to push me out of my comfort zone and see what comes of it.  I agree with his ideas but I am waiting for the assignment to arrive.  I am enthusiastic.  I was told by my other photography teacher that if it seems too agreeable to ask for something else.  That’ll work for me.

Our spring break begins next week.  I’ll be heading off to Paris for a few days to visit my father who is there for the spring on sabbatical from school.  He is there with his wife until June and they have a nice place in the 4th Arrondisement.  My goal is to shoot at least one roll of film per day while I am there and a lot of digital to work on when I get back.  Of course if I need more film I’m pretty sure I can get some there.  I’ll check on-line and find out.

Just a side note…How lucky am I to be living this life?  What blessed stars shine down upon me and guide me through the wilderness and into the light!

JDCM