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The importance of friendship…

A melancholic tone moves through the Aegean Center, a mist leaving little trace but the knowledge that it has come and cooled the air.  I have been struck dumb by situations beyond my control, although I have been the catalyst that has brought them about.  In the end it is not about me, yet I have been shaken to the core.  The question is, what is ‘friendship’ really and can someone be merely a passing acquaintance if not a true friend?  I feel that this is a dilemma for all ages, not just mine nor the 20-something people around me.

Wright Morris was born in 1910.  He was a writer, photographer and essayist.  When he died in 1998 from complications due to Alzheimer’s he left behind an impressive body of work.  My father, Hilary Masters (also a writer, essayist and photographer) met him sometime during the 1960s I think, when Wright was in his fifties and my father his early thirties.  They became fast friends, each man mentoring each other in the ways of living and the arts.  In an era long before email and Facebook, they wrote letters to each other, visited and corresponded over vast distances on a regular basis nurturing a vibrant and vital relationship.  I wonder if the times had been different, if they had been able to use electronic means, could their connection have been any stronger?  I think not.  Although there have been advancements magical in the way we communicate with each other this technology has also given us a way to distance oursleves from those that may, in the end, enrich our lives.   Real, well-thought out, growth oriented communication has been supplanted by the mundane details of our lives posted on the web for all to see.  Why actually form true friendships and have meaningful conversations when we can just gossip and leave tags on each other’s walls?  But I digress…

Wright was about 20 years older than my father, and although they had many things in common, they were really generations apart.  This was a fundamental aspect of their friendship.   The older man mentored the younger and the younger enlivened the other by allowing him to see the world through younger eyes.  There was no judgment, although I imagine there may have been stern warnings (probably ignored) from time to time, warnings filled with love and respect.  Each man increased each others emotional and intellectual bone fide and in turn, have enriched my own.

This is the truth:  I am 46 years old.  In my short time on the planet I have understood some important aspects regarding friendships: do not cast them aside in the face of fear and do not take them for granted.  I never know who will say the magic words that increase my life, that polish the duller facets of my being.  I can never predict how and when the phrase “a friend in need is a friend indeed” will reveal itself to be a truism, but it has happened already, so I know that it is true.   I seek mentors and friends, guides and teachers through the increasing desolation of the modern wasteland.  How else can we as artists, indeed human beings, navigate the rocky shoals of life’s oceans without prior knowledge of the joys and dangers ahead?  I must ask the tough questions of myself but go to those with more experience for the answers.

To answer my earlier question, can true friendship really exist or are we all just ships passing in the night?  I think the answer to the former is ‘yes’, but it takes work and spirit.  It requires the ability to commit  and not flee.  I have done my share of that in the past so I have learned that lesson firsthand.  I know that true friendship is a rare and complicated jewel, fraught with emotion and happiness, somber moments of reflection but also deep sadness.  This is what one signs up for and, in the end, the commitment is worth the effort.

More to come…

JDCM

Lith, experiments and coming ’round the home stretch…

Tonight is probably my last studio session for figure studies.  I have two models scheduled.  I have to re-expose a couple of rolls of film because the aperture wasn’t open enough the last time and I also need to take some digital images of another model holding a largish seashell.  This should all take about an hour-and-a-half.  My digital portfolio is almost completed but my dark room work is moving slowly.  I have begun the photo-lith experiment and it is interesting to say the least: toxic chemistry yielding beauty.  I want three portfolios by the end of this month, which is a tall order.  I am a working fool, with the emphasis on ‘fool.’  More will be revealed.

The show is in about  a month.  After that I stay here on Paros for another ten days and then off to Athens for about four, and then back to the USA.  OK.  Time for lunch.

More to come…

JDCM

Studio work and session modeling…

I am deep into the session here.  Currently I am in the digital lab with two other Aegean Center students working on advanced digital printing.  Warning! this is not for the undedicated or amateur!  Seriously, once again I am amazed at what people pass off as digital printing or even digital photography.  Luckily there are professionals and those that truly care about the work and craft.

My work has gone into the studio.  It is such a relief to be evolving from the very stale abstract work I was producing before.  Certainly it was a phase I had to go through, but it quickly became boring and unexciting.  I have progressed to figure studies and nude models, a very difficult endeavor.  Thankfully I am also taking some figure drawing classes that help me with the concepts I am discovering in the lighted studio.  My work is still abstract, but they are gestures and negative space, curves and human form.  Very elegant, very metaphoric.

We are on spring break now for a week, which means no classes to attend.  Most of the school has cleared out and I have the darkroom and digital lab to myself.  Time to work.

More to come…JDCM

The Aegean Center, my work and the future…

It has been 25 days since I last blogged.  So much has happened, so many paths have been established through the possible wilderness of my life and the future I have before me, but first a basic update:  Paros is wonderful and the Aegean Center isboth challenging and warm.  The weather the first few weeks was very much like the end of winter anywhere-changeable.  It rained, became downright cold, even snowed but there were brilliant sunny days interspersed with the gloom and clouds as they rolled over the hills into Paroikia.  There has been a shift in the past few days and the sun has been shining with highs in the mid-60s F.  I jumped into the cool blue water the other day and paddled about for a bit then beachcombed for a spell.  This was time off and I have been working very hard in both the darkroom and the digital lab.  The big surprie has been in Basic and Figure Drawing.  I have been enjoying both immensely and learning more about ‘seing’ than I knew I could.  It has already paid off in my photographic work.

Other big news:  I have been offered a chance to return in the fall for the fall term here, which begins in Tuscany for September and then returns to Paros in October for another 2 1/2 months.  This is something I wanted to do last year but could not let go of my responsibilities at home, emotionally speaking.  Now I can and I am grabbing hold of this chance with both hands.  This term will be more historical in nature and will obviously focus a great deal on the Italian Renaissance. So I will return  to America on June 22nd and turn around and leave again on September 1st or close to it.

More to come…

JDCM

The CCCA show…

The opening night at the Hudson Opera House was a big success for me and others.  Four awards were presented to hanging artists and, I am pleased to say, my piece sold.  With this event out of the way I can really begin thinking about leaving and getting back to Greece for the spring term.   There is much to do and think about and anticipate.

I will be working carbon printing this spring and this is coming from just having seen the ‘Stieglitz, Steichen and Strand’ show at the Metropolitan Museum of Art in NYC this past week.  There were some lovely examples of this process and it inspired me.  Large format lends itself to this kind of contact printing.

More to come…

JDCM

Packing it up, shutting it down…

The day I fly to Greece approaches.  In less than a month I’ll be back in Athens and in a world I am much more comfortable with.  For some reason Europe always makes me feel more at home and relaxed than here in the US.

I have begun packing.  I am mailing two boxes ahead of my arrival on Paros.  One contains sheet film for my 4×5 and b/w paper.  It is still cheaper to by European paper here in the US and mail it to Europe.  It’s because of the VAT.  The other box, which is much bigger, will have my 4×5 and medium format cameras coddled in bubble-wrap as well as some bulkier clothing and books.  March and early April can be wet and cool in the Kyklades.  This should lighten my carry-on and checked baggage loads a lot.

I have two shows this month:  the first I hang on Sunday and it is at the Rhinecliff Hotel and open with an artist’s reception on February 11th.  I am sharing the space with three other visual artists and I think the show will be up for a while after I leave.  The second show is the CCCA show I have already blogged about.  That reception is February 19th from 5-7PM and should be quite the time.  The third group show is at a nearby assisted living venue called Noble Horizons.  It will be a 14th Colony event and consist of small works.  I’ll have a nice b/w silver print for that one ready to go and in the hands of a close friend.

After tomorrow night I’ll be shutting down the dark room until I return in June.  I may still develop a roll or two of film, but the printing activity will cease.  I’ll discard any chemistry that won’t last and cover the enlarger.  Paper will go into the fridge.  My sisters will come and go through out the month and I have already delegated tasks to the caregivers for my mother’s well-being.  All is as it should be.

JDCM

My hat’s in the ring…

A few weeks ago I submitted five new digital abstract pieces for a juried show in nearby Hudson, NY.  I have been in group shows with the CCCA before and my work was well received, but much about my style, knowledge and technique have changed since then.  Also, I have had many opportunities to submit work since that time four years ago but the timing always seemed to be off.  Either I was out of the country, or I received the notice too late to have my work printed properly.  Long story short, they accepted one image and I am very grateful for that.  It will be a good show and an important show for me. Once more I have put myself out there in the public eye and have been accepted.  Bravo for me!

The opening is February 19, 2011.  Please come and bring a guest.

JDCM

Getting down to brass tacks….

47 days until I leave for Greece.  I was lying in bed last night and realized, again, that my goals for the next 5 years are not as formed as the previous set.  I’ll ask around and see what people think.  I feel like the path I am on is correct, but where does it lead?  I suppose I have little choice but enjoy the journey.

I have to begin some test packing today.  I am able to bring one camera bag on the plane with me and it will be pretty well loaded.  I’ll have a 4×5 press camera and the film holders, a medium format TLR, my Canon 5D Mk II with the two lenses, my Voigtlander R4m and one lens, and my Canon G11 and my iPod and its speakers . Add into that two boxes of 4×5 sheet film, batteries, cables, cleaning gear, some roll film (120 and 35), a book or two, charging dock (iPod) and assorted paperwork for the trip and it’s full.  I’ll pack my tripod in the checked baggage.  Since I am traveling Business Class there are no weight restrictions so I am OK with packing as much stuff in the backpack as I can but I need to test pack the camera bag and see how I can best use the space.

OK.  Time to shovel snow off of my roof.

JDCM

Website updates….

I am currently re-vamping my photography site, so many of the galleries will be gone for the time being.  It will be a less cluttered, more easily navigable site when I am done and will reflect my current work more accurately.

Thanks,

JDCM

A new year begins…

Happy New Year to all!  Please let this new year be a bit kinder and warmer than the last, with all of its fears and worries over what people felt to be really important.  Money.  What we need to do is act a little kinder towards one another and stay away from Belarus!  No a place to go these days for a vacation.

Longnook

I leave for Athens in 59 days.  I am going back to the Aegean Center for the Fine Arts for another term.  I have been courted by both the digital printing guru and the darkroom sorceress and have chosen the ways of the darkroom for my work-study program.  I will be working with my 4×5 and medium format primarily.  I’ll bring my new digital–oh yes, I have upgraded to a Canon 5D MkII.  It is lovely and full-frame which finally allows me to use the L-Series lenses to their full effect.

I have submitted 5 pieces for a juried show in Hudson, NY to be exhibited in the old Opera House in February.  I hope that at least one is chosen and they give it a good space to see it.  The pieces are all 11″x14″.  As you can see by the image, it is following the abstract path I have been on for the past year.  Whether I stay there, I don’t know.  The Aegean Center will see to that.  If this spring is half the catharsis that last spring was, then I should be in good shape for whatever the arts world throws at me.

I recently had the chance to visit a friend’s home and look at his art collection.  I was unimpressed.  Yes, it was all “very important” art and the artists were all “very important” but the work itself left me cold and uninspired: Modern art devoid of warmth, life and verve.  It left me grateful that I love the work that I love and this work varies throughput the ages.  Trust me, there is some very modern work that blows my mind as well as some older pieces that find dull and insipid.  I think that actually it was the collector that I found dull, with his repetitive phrases of “important” and which museum wanted which pieces when he died. Very tacky.

The light is very flat today, but I hope to get out and shoot a roll or two.  Tomorrow is supposed to be sunnier and I will take the 4×5 out and make some exposures.  I am working on farm images these days.  I have to call a nearby farmer and get permission to shoot on his property.  That’s all I’m saying about it.

JDCM