Archive | Greece

Updates from the road…

I am in New York.  It is hot, humid and lush.  It is hard to describe the quantity of water on the land and in the air.  Back on my Parian home the heat is the same but the arid conditions make for a more pleasant experience.  Outside my window the trees and foliage are dense green, impenetrable without the use of a machete or  chainsaw.  I can hear it grow, sucking up moisture from the rich earth.

 

A view from my mother's front porch, Ancramdale, NY

A view from my mother’s front porch, Ancramdale, NY.

 

I am back in America to visit my family, and only for a month.  If all goes well I will be back on Paros on August 1st ready for the final push towards my solo exhibit of large format portraiture.  It has been almost two years since the project began and I am looking forward to the event.  I am nervous, yes, but in anticipation, not dread.  I know my work can stand on its own as a complete body.  I also know that whoever views it will bring something unique to the experience.  I am also currently designing a new website specifically for the portraits.  I will launch this site after the show opens on August 18th.

For the time being, I will visit with my elderly parents and my dear sisters.  I hope to drop in on a fellow student and alumna of the Aegean Center, but time and schedules will determine that visit.  I am able to catch up with good friends and compare notes on how our lives are faring.

I am experiencing a good amount of culture shock here.  The cars all all huge and the food seems heavy to my palate.  As I sit here at my computer I sweat.  Just sweat.  I am not even exerting myself.  There are no sounds of ferries docking, motor scooters riding down the narrow streets of my neighborhood.  No smell of the sea.  I cannot walk to my favorite cafe.   It is supposed to rain tonight and perhaps that will ease the heat, but it also promises high, hot and humid conditions for tomorrow.  I am not whinging, just noticing some differences.

Todays post has a new header image.  It is a section of wall behind my mother’s house.  The stones are slate and granite, green with growth.  So different from the Kykladic structures of which I have grown so fond.   Different, yet the same.  It serves the same purpose:  it is a retaining wall preventing the downhill slide of earth after the rains.

The skies have suddenly clouded over.  There is a low rumble of thunder in the air.

JDCM

Return to Paros…

As the ferry rounded the northern tip of the island, opposite Naoussa, and I saw the lighthouse atop Cape Korakas, I knew that I was home.  I leaned against the port gunwales, waiting until we had passed the Cave of Archilochus, and then I went back inside the old ship and gathered my things.  I was the first person downstairs in the garage bay.   I walked off the NEL Lines Aqua Jewel with a feeling of deep relief and happiness.  I was home, back on Paros.  I allowed the noises and smells of a busy Greek island port to fill my senses as I walked back to my flat.

That was two days ago and since then I have taken care of essential business, mostly laundry.  I have come back to my favorite cafes and eaten in my favorite restaurants.  All is well with the world.  In other words, life continues and changes in small and big ways and I find myself, as usual, listening more than talking during intense discussions with friends.  My grandmother always said that was a character trait that would serve me well.  We’ll see…

I do have a lot to say, but verbally it seems that many others say it so much better than I, so why paraphrase?  Many years ago I was an avid musician.  I wrote music, songs, lyrics, played in bands.  I did this for many years-decades.  I had a lot to say then, or I thought so.  In the end the words became dark, sinister and negative.  The bands moved on without me and I dropped the music, along with a few other pastimes.   I can still play the instrument, but the desire to express with sound has left me.  Just part of the Great Circle, I suppose.  These days I have a quieter way to explain the world.  I find it much more calming, and good deal lighter in actual weight.  It lets me stop, look and breathe.  The shutter clicks.  I feel that this is where I should have been all along.

The island has become the color of worn brass and oxidized aluminum. The craggy, yellow-brown contours are set off by the blue sky and the deeper, indigo sea.  White buildings dot the arid landscape,  like so many chunks of salt-lick.  The tomatoes are rich and sweet and there is fish to savor in a nearby taverna.  In two days I leave Paros again, this time for America.  I will visit with friends and family, eat American food and have my senses bombarded with different sights, most of them very green and wet.  It will be humid and there will be rain.

En route I will stop in Athens.  While I am there I will visit the Benaki Museum and see a large photography exhibit by Constantine Manos.

Now I am rambling.  It is hot and I need to add some images to this post.  These are from my recent island hop.

JDCM

Folegandros

Folegandros

Folegandros

Folegandros

Images from the past weeks…

I leave Folegandros in a couple of days and return to Parikia.  I have noticed that wherever I have stopped–Amorgos, Sikinos, Folegandros…I always seem to find a high vantage point, usually the Chora or a high mountain.  I peer north, searching for my lovely home and I see it.  Paros.  It is there, close at hand.  I am thinking like this now.  I am somewhat homesick.

I have rented a small car.  Today I will take it easy and drive around and take pictures.  I saw some areas along the road during the bus ride yesterday that demand attention.  Plus, I want to give my feet a rest.  No hiking today.  Maybe tomorrow and then to a beach.  I want to get home, but I am no hurry to get through the day.  Plus, at 1PM the sun is far too bright to be of any use to me.  I will wait until 3PM or so and head out.

JDCM

Short DoF image of some wall detail on Amorgos

Short DoF image of some wall detail on Amorgos

 

 

The Aspropounda Lighthouse on Folegandros, looking south.

The Aspropounda Lighthouse on Folegandros, looking south

Detail of the door of Episkopi, Sikinos

Detail of the door of Episkopi, Sikinos

Detail of some wall work on Folegandros

Detail of some wall work on Folegandros

A kouros statue found on the island of Naxos

 

Folegandros…first impressions…

As I departed Sikinos this afternoon, the Meltemi came in gusts of Force 6.  The air was hot, the sand flew in my face, the boat arrived, I boarded.  An hour later I disembarked at Folegandros.  If Santorini didn’t exist, vacuuming up 90% of the foreign tourists, Folegandros would be the place.  As such, the island has secured all the charm of the Cyclades without the vast throngs that clog the narrow streets of the ancient Minoan hub.  Thank God for that.  I have been to Santorini and was not impressed.  Here it is different.  The restaurants are all open and have large, taverna-style menus on chalkboards outside.  Tonight I will eat in a place called ‘Chic’, recommended by a friend in Athens as a good place where they serve a specialty of the island, roast lamb with prunes.  I have already walked past and it looks very inviting.  They also have rabbit, one of my favorites.  I am sitting in a small café called ‘Pounta’.  They have rabbit on the menu too.  This is a good sign for the next few days.

The reports on hiking are all positive.  I will take advantage of this but I will also take it easy.  It’s not a race and I am not trying to prove anything.  There are some good beaches and I have a book to finish reading.  The stone walls here are lovely.   My observations on the bus ride from the port to the Chora (where I am staying) have already whetted my appetite.  I will post some images when I have them.

For now I finish my espresso-freddo and look forward to a night of good food and rest.  Tomorrow I take a short walk and head to the beach.

JDCM

Sikinos, part 1…

I arrived here yesterday, 15 June.  I checked into the Hotel Porto Sikinos (charming and comfortable) and knew that what I needed was a brisk walk and then a leap into the sea.  So I did that. Nothing too strenuous or out of control.  Then I cleaned up, i.e. took a shower, and rode the bus up the chasm that separates Alopronia (the port) from the Chora.  It is a 5 km drive up the winding road.  I was told there was a decent restaurant there.  I ordered saganaki tiri, fried potatoes, fried eggplant and lamb chops (paidakia).  It was pretty good but I know a lamb shoulder chop when I see it.  “Paidakia”, my ass.  OK.  That’s what I give the restaurant–an ‘OK’.  After a long day of travel I slept like a log and woke up around 8:30.  The breakfast at the hotel was quite good, and plentiful.  I skipped the bready things and ate the yogurt, boiled egg, both honeys, coffee and juice.  Today I was going to hike to Episkopi!  Yes, I did eventually get there, but it was adventure I am not eager to repeat.  My fault, by the way.  This is the rundown…

I chose a well-traveled path out of Alopronia up the Chora.  No real worries, but I strayed off at one point and had to bushwhack through the thorny underbrush and eventually backtrack 500m downhill to where I joined the track again.  I arrived in the Chora an hour later sopping with sweat.  I refueled with some orange soda and bought some more water at a café.  Good thing I did.  I would need it.

There are two ways to reach Episkopi. The first is along the paved road that leads directly to the place.  The other is a donkey track just off the paved road that also leads right to the ancient temple.  Of course I chose the donkey track, or so I thought.  What I chose was a different donkey track that mirrored, for a while at least, the one I currently trod.  So I hiked along, enjoying the view of the archipelago (Folegandros, Milos, Kimolos, Sifnos, Andiparos, Paros and Naxos). Beautiful.  Stunning.  Then the path began to narrow. Hmmm…I continued since it was not a problem.  Yet. Then as I was happily sauntering along I came around a corner and there was the fence.  Shit.  The path continued on the other side…I could see it.  Then I realized my mistake.  I should have gone back, it would have been easy enough, but no.  I decided to go up and around the fence, or so I hoped.  Long story short…

This led to a three-hour uphill, across ancient terraces, through thorns that would pierce leather (and my skin) trudge.  I was able to find short stretches of paths, more goat tracks than anything else.  Then they would disappear into a thorny mass.  At this point I was aware of two things:  I had not seen any goat droppings in a while and the foliage was becoming more and more wild.  The fig trees were small and dried out, crackling under my grip.  The olive groves were overgrown and unkempt, the trees stunted from the wind and unpruned.  My reading of Homer told me that I was far from civilization.  Oh yes…water…I had 1 full liter left.  I was becoming disheartened, but what choice did I have but to keep pushing up and, I hoped, reach the road which I knew was there, yet I could not see?   My excellent topo map gave me a pretty good idea where I was.  So I scrambled and clawed my way through the thorns as they tore my skin.  I climbed ancient terrace walls, carefully planting my feet and hands.  Should one collapse, I was finished.  No joke.  I was getting worried.  I began to remember what I had packed:  Water, two cameras, my Swiss Army knife, two sarong for padding for the cameras.   They were brightly colored.  I could wave them to get someone’s attention in the case of an emergency, but there was no one around.  I also had both my mobile phones.  I ran several conversations through my head…I prayed a lot.  Asked for all kinds of help:  just 20 more meters; just over this terrace; just a little more.  I was loath to drink my water.  Only a half liter remained.

At one point the underbrush thinned slightly and I saw a real path.  Stony, uneven, but going up and without  many thorn bushes.  Thank you, thank you…whoever.  I moved up.  I clambered over a small pile of stones and then I saw it:  the guard rail.  The road.  The blessed road.  Only 50 meters now…30…20…10 and I was up and out standing on glorious tarmac.  I have never been so happy to see pavement.  I looked to my left and there was Episkopi.  I made it.  The breeze was blowing.  I began to feel chills, a sign of many things, almost all bad.  I walked the 100 meters to the glorious and historical building, seeking shade.  I walked along the side and plopped down on a small bench out of the sun.  I dropped my pack, took off my shoes and socks, hung my soaked t-shirt on a wall to dry and took some deep breaths.  Grateful, I leaned against the cool stone of the former-temple-of-Apollo-turned-Byzantine-church and blissfully felt my core temperature drop.  I took out my watch.  It was 2:20.  Now to get back to the Chora and the port.  There is a large cistern at the site and I refilled my water bottles but I needed potassium, salt and more water.  Juices. Cold juices.  And bananas.  That’s what wanted.  But first some pictures.

I made it back, dear readers, yes, I made it back.  I have just counted the distance and I probably hiked a little over 12 km, the hard way.  Tomorrow I go to the beach and relax.  I will read my book, swim and let the antiseptic quality of the Aegean cure my lacerated limbs.  Then I will nap.  Tuesday I head to Folegandros.  I will be there for 5 days.  I am a lucky boy, in many ways.

thorns

Thorns that tore my flesh

JDCM

Episkopi

Episkopi

Amorgos, part 2…

It has been a wonderful day here on the rugged and wild island of Amorgos, on the southeastern edge of the Kyklades.   I picked up a book yesterday which detailed the history of the place and it filled in many gaps.  One interesting tidbit is that geologically Amorgos has more in common with the island of Samos than the other Kyklades.   It is as if it split from the Dodecanese millenia ago and drifted west.

I spent the day exploring the remote western end of the island and I was grateful I rented a car.  It seems that the Dimos (town council) has cancelled all bus services to that area due to lack of funding.  They have suspended service in the high season of July/August as well.  This was good for me, in a way, since there was no one around and I had the place all to myself.  I suppose it will be good for the car rental agencies too.  In any case, I was able to hike, find some nice little coves to swim in and photograph some more walls.  I  sat in the Kykladic structure of Markiani, photographed the mouldering stones outlining the ancient settlement and mused on the idea that people have lived here since the 3rd millenium B.C.  Even then it was good place to be.  Below me, after a near-vertical drop of 1700 meters, the sea crashed against the rugged cliffs, endlessly grinding stone into sand.

I have managed to shoot two full rolls of film since I have been here and I ran out this afternoon just after the above mentioned archeological site.  So that makes it three.  I will return tomorrow for more hiking, more photography and lunch at a nice little taverna recommended by a friend. I have added some photos.  One is a detail of a 4th century B.C. tower in the small town of Vroutsi: free admission, no tourists and no rope lines.  The young man at the gate even gave me a free booklet with information.  Perfect.

JDCM

Classical era stone tower Near Vroutsi, Amorgos.

Detail of the 4th c. B.C. stone tower Near Vroutsi, Amorgos.

Stone walls, juniper and thyme.

Stone walls, juniper and thyme.

 

Amorgos, part 1…

I arrived on the somewhat remote island of Amorgos yesterday morning at three-thirty in the morning after a 10.5 hour ferry ride from Pireaus.  I say ‘somewhat remote’ only because it is not like the tourist destinations of Paros, Aegina, Naxos or Santorini.  There are tourists here, this is true, but they are mostly small groups of sailboats cruising the Aegean, en route to other parts.  It is too far from the other islands to make it worth a day trip and the beaches, although lovely, are not as accessible as in other parts of the Kyklades.  It is a rugged place, looking in parts much like its larger neighbors Naxos and Ios.  In the higher elevations there is still a fair amount of greenery and the goats here wander freely along the roads.   It is place for hikers and ramblers and I have had two good hikes already.  Detailed topo maps exist so I won’t bore anyone with too many details, but this place is not for the lazy or uninspired.   The trailheads are easy to find but can quickly shift from an easy walk to some serious bouldering if one is so inclined.  I have already found myself in tough spots, having to remember the ‘three points on the rock’ maxim, a rule that has saved my bacon more than once.   My hiking has led me to some of the more lovely, isolated beaches this island has to offer.

My lodging is clean and comfortable and I have rented a FIAT Panda to make transit easier.  The island is long, about 25 km, so waiting around for the bus is not for me.  I am here for another three days and then I head to SiAmorgos stone wallskinos, a place even more remote.  Hmmm…I have more to say, certainly, but not now.  I will sit here in the Akrogiali Cafe, enjoying my espresso freddo metreo.  I’ll add more in Part 2, including pictures.  I have included a b/w image of some walls running along a hillside, a favorite subject.

JDCM

Hello…goodbye…goodbye…hello…

I attended a conference of like-minded individuals a few years ago.  It was an exhilarating weekend of sun, new friends, laughter and earnest conversations that ran deep into the night.  When I departed I felt strangely disconnected, as if something was missing.  I felt as if I had not met enough people.  After I spoke to a close friend about this they assured me that this was natural and that I would soon come back down to Earth.  It wasn’t until the next event that I understood: I had not met enough people.  The truth is that one can never meet everybody.  The reverse is true as well.  One can never say goodbye to everyone.  This realization hit me last week when I discovered that some students from the Aegean Center were flying from Paros rather than taking the ferry.  I would have liked to send them off at the port.  Call me a traditionalist, but I will choose the boat over the plane any day.  That’s just my way.  I am no hurry here in Greece.  Unless there is a dire emergency that demands my being in Athens in 30 minutes, I’ll pay half the price and slip past the islands on Homer’s wine dark sea en route to Piraeus.

So I am in Athens for a few days, as you might have guessed.  I have brought my 22 4×5 portraits to a framer to be matted and framed and put behind glass.  He has quoted me an excellent price for the lot, half of my estimate.  If I had to do this in America it would have triple what he is charging me, for the same materials.  He will ship them back to Paros at the beginning of August, in plenty of time for my August 18th opening.

I will visit some friends, check in at a couple of museums and then on Sunday take the long, slow boat back south, past Paros and on to Amorgos.  I will take two weeks off and hop around the Kyklades a bit: Amorgos, Sikinos and Folegandros.  This means beaches, stone walls, hiking and very few tourists this time of year.  I am bringing few clothes other than shorts, T-shirts, hiking boots, my towel and a couple of hats.  Most of my luggage is camera equipment, both film and digital.  I have a few books and a watercolor set, some pencils…

I’ll update from Amorgos…

Teaching and craft…

There is less than a week until our student exhibit at the Aegean Center for the Fine Arts here on Paros.   It has been a busy three months for most.  Like all previous sessions there is always one or two students who fall away.  This spring has been no different.  One student left and returned home a few weeks ago.  Another has stayed here but has followed a different path from those found on our artistic maps.  So be it.  There is nothing I can do about either case.  I will say, in my own defense, that I was there for both of them in a professional capacity when they needed me and,  in the beginning, helped to guide them through some of our philosophies.  Their individual decisions to take different routes has no bearing on the Center, the teachers or my own labors.

This spring I was given the honor of filling in as Silver Darkroom instructor.  This is not a post I assume to be permanent.  All teachers learn that their own skills, craft and knowledge increase when they pass on what they know to others.  This has been my experience as well.  I have learned more about the art and craft of photography in three months than I thought possible.  It was knowledge that I had already accrued so to give it away freely only strengthened my own foundations.   It was not  review or regurgitation.  I found myself solving problems and asking questions of myself from a new point of view.  One important lesson is to be able to say “I don’t know.  Let’s find the answer together.”  What freedom to not suppose, to not be a fake!

There is an ethos to teaching.  It is not enough to greet the student, spend a few hours or days, and then set them free.  That would be tantamount to showing them a map and telling them to drive to California from New York without first discussing the possible roads west.  As the more experienced traveler it is important to guide these eager minds along the way.  Yes, let them take a wrong turn, experience a sudden detour or two and even run out of fuel, but do not abandon them in the badlands of inexperience.  Let them know that you are there, waiting up ahead at the next marker or traveling alongside.  I have practiced this and it has paid off.  I have gained a level of patience and understanding by remaining available.  I have set up appointments and answered their questions to the best of my abilities, abilities which have grown over the course of three months.  To some this may seem a sacrifice of my own personal time, my own independence.  It is quite the opposite.   I have never felt so free, so happy and, at times, so completely baffled.  At that point I turn to someone more knowledgable than myself.  Such is the nature of education, or it should be.

There is a quote from George Bernhard Shaw: “Those who can, do…those who can’t, teach.”  I must admit that I have found this to be very untrue and can only believe that GBS had his head (beard and all) deeply imbedded in his anus when he thought it up.  The quote should be “Those who can, teach.”    Learning is a cycle:  Practice>Teach>Learn>Practice>Teach>Learn>Practice>Teach>Learn…

Ralph Waldo Emerson had a better idea:

“Be an opener of doors for such as come after thee.”

JDCM

Greek Easter, Paros, 2013…

There was a time before my time, before the time of my sisters, my parents, my friends…

For some reason this phrase popped in to my head today.  For the past few days I have been helping a friend and mentor and her husband move house.  It has been an emotional and difficult time for them and I have been honored and humbled to help sort through decades of their life here on Paros, and earlier.  We have been separating the wheat from the chaff–a difficult process.

Much of what they wished to save has been in the form of photographs, or more precisely, photographic archives.  That is the only way to think of it.  Negatives of all sizes, black and white, color, contact sheets, prints.  Their time here has been documented and preserved in hard-copy.  There was little  digital imagery.  As I worked I felt something meaningful, truly palpable, while holding a negative up to the light, perusing a contact sheet or carrying an artist’s portfolio bursting with prints.  Compared to the lightweight, back-lit digital medium that takes up little space and weighs all but nothing, these items, this archive, made sense to me.  Maybe those of us in the digital age have become so accustomed to the ease with which we view, and then delete, images, or page through them via myriad viewing software programs that we are beginning to forget the importance of this process.

My point is that memory, that elusive, ever-changing spirit we carry in our soul, is something that should have weight.  It should take up space in our homes.  We should, every once in a while, take a photo album or box of negatives off the shelf, dust them off and hold them up to the light of day.  As we gaze, we smile.  We remember friends long gone or vistas experienced in a way that we cannot when looking at an LED screen or something of that nature.  We smile, or we cry.  We tell a friend, “Look…here…this is when we…” and then hand them the fragile transparency or piece of paper.  We pass on wheatthat experience.

We are all repositories of the past.  This brings me back to the idea that there was once a time before my time, before the time of those who came before me.  I have books as proof, books I can hold.  I have folders full of negatives, unprinted.  I am accumulating weight in the form of artists portfolios stuffed with prints.   I have held them up to the light of day.  I say, “Look…here…This is when I…

Happy Easter!

JDCM