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Ios, plans and changing with the wind…

By on June 8, 2012 in craft, Greece, Paros, skill and craft, spring in the Aegean, Uncategorized, working

I am taking some time off and hopping about the Cyclades Archipelago for a week or so.  I think I mentioned that in an earlier post.  Before I left Paros I had checked some ferry schedules and I had set my plan thus: Ios for a night then an early ferry to Serifos the next day then a few days on that island then Sifnos, then back to Paros.  The best laid plans of mice and men, indeed.  Apparently I misheard the ferry schedule and the boat to Serifos left the same morning I arrived on Ios, so I had to shift my sails.  This is the new plan:  Ios, then the afternoon boat to Milos where I will stay until Tuesday and then go to Serifos for three or four days and then Sifnos afterwards.  I have had to extend my hop and added Milos, but such is life.  I could not have done it without the help of the good people at Acteon Travel in Ios.  Thank you Calliope, Theodora and Themos.  They proved the point that there are always solutions to what I may think are dire problems.  The upside is that have been able to see some interesting sites here on Ios.  There are no downsides. I drove out to Homer’s grave, visited the Paleokastro in the mountains and had a short swim on a deserted stretch of beach in Psathi.  I ate dinner last night at a small taverna at the very top of the chora called ‘The Mills’.  Excellent chorta, revithiokeftedes, spitted lamb, tzatziki and fried potatoes.  I highly recommend the place.

From Ios I can see Santorini to the south and Paros, Andiparos and Naxos to the north.  The terrain here reminds me of the Naxian interior and is very rugged and unbuilt.  Goats, donkeys and cows roam the twisty mountain roads, gnawing on the rough foliage.  The stonework of the walls that make up the terrace farms is also very different than on Paros and Naxos.  The material here tends to be more flat and sedimentary and as a result the walls are wider and flatter than those made with chunky bits of marble or limestone karst.  I have exposed roll of Plus-X with my Mamiya c330 and I hope to continue this while I am on my hop.

As I sit in the port of Ios at the Remezzo Cafe (free WiFi) I am surrounded by travelers waiting for the next high-speed boat to wherever, maybe Naxos or Milos, or perhaps Pireaus.  I had a nice chat with Themos this morning before I rented my little Fiat Panda.  We talked of reincarnation, the changeless quality of travel and why we love it and how beautiful the world can be if we just slow down and let our lives run on a different kind of schedule, one not dictated by our minds and wallets but rather our hearts and souls.  This from the guy who rented me a car…

More to come…JDCM

 

Showtime at the Aegean Center for the Fine Arts…

By on June 2, 2012 in craft, darkroom work, Greece, Paros, silver darkroom, skill and craft, spring in the Aegean, Uncategorized, working

It is showtime tonight and the student exhibit is up, ready to be viewed by the public.  We have cleaned the school, hung the paintings, drawings and photographs with care and pride and have cleaned our respective studios.  These will be open to the public as well so, like those before me, I have arranged some paintings and hung some of my better drawings on the wall in a display.  My paints are out so that others may see the limited pallet that has provided so much color for the past three months.  It is a very pretty show and reflects hard work on all of our parts during what was, at least for me, a very difficult and trying session.  The mid-session stroke that left my photography teacher partially paralyzed threw a real monkey wrench into my thinking, but I pulled through as did others.  We have learned in proportion to how we have participated and that will always be true no matter how much or how well we age.

There are several alumni here this week which makes for fun times.  One is a young woman who I had a particularly difficult time with last spring.  She believed I had fallen in love with her when a simple gift of farewell and good luck was misinterpreted as something more.  I have decided that being friendly and supportive is a better path than being withdrawn and sullen.  This is a very Greek cycle.  It has been year since the incident occurred so I suppose it is time to the let the water go from under the bridge, over the damn and back out to sea.

Speaking of paths…Another alum is here and next week see begins her journey along the Camino de Santiago, walking the 790 km French route from Pied-de-Port, France to Castello de Santiago, Spain.  I have left the hyper-link for a reason. Follow it and find out what it is if you do not already know.  I have made it a goal to walk this route in the fall of 2013.  Yes, more than a year away, but I have goals to achieve before that in my photography.  I’ll talk about that later…

More to come.

JDCM

The Big Push…for me at least…

By on April 23, 2012 in 4×5 photography, craft, darkroom work, Greece, Paros, silver darkroom, spring in the Aegean

The spring break is over.  I was able to have some time in Athens visiting friends and the teacher from school who is in a very positive recovery from her stroke.  All seems well with her and we all hope to see her back on the island soon.  I have been expanding, albeit slowly, my 4×5 portraits and will be developing some sheet film tonight.  These are family photos of a wonderful homesteading family here on the island, an English couple who raise their own chickens for eggs and bees for honey.  In return I received  a half-dozen fresh eggs.  I’ll take that as a solid barter.

We have less than 40 days until the show and even les for me since I will be off the island for a long weekend so that leaves about a month to do what I need to do and still have two or three days of free time before the show.  That is a lot of work for me.  I am focusing on quality rather than quantity but there is still a quota I need to fill.  I think ten large-format scans from the digital lab and 15 silver pieces.  This, of course, doesn’t count the paintings.  I think there will be 8 to 10 of those as well.  Those have to be finished by the week before the show so that the paint can dry fully.  I have my work cut out for me.

The weather has turned to spring/summer warmth, sun and the kind of light that begs for early morning photography.  It also seduces the less fortunate into spending time at the beach rather than in the studio.  So be it.  This is not my problem.  The phrase ‘youth is wasted on the young’ is apt here as always.  So much energy and so poorly used.  It is interesting to see how young kids blow off huge amounts of energy too soon and then have none for the rest of the day.  They are naturally out of balance.  This changes in the future as they age and learn how to manage time.  I think so anyway.

More to come…

JDCM

Counting down and mailing out…

By on January 18, 2012 in darkroom work, Greece, Paros, silver darkroom, spring in the Aegean

I depart for Europe in about 40 days.  By 1 March I will be back on Paros and in my apartment.  I am looking forward to the next phase of my life, but I am nervous.  Perhaps this will never go away.  I have faith that if I show up, do the work I am assigned and participate in the human experience around me I will do well, and probably better than that.  I am just nervous because for the first time in 10 years I am branching away from my biological family again and taking on the mantle of an adult, a garment I do not always wear well or properly.

I have heard that due to the economic crisis and possible political instability (from a US standpoint of course ) there may be a drop in enrollment this spring.  This is believable in this day and age and perhaps this is one curse of the electronic info-era we currently live in.  There has always been and always will be economic woes and political upheavals.  The media has blown so much of this out of proportion that it feeds the fears of those who stay glued to their TV sets and believe everything they see and hear from that medium.  As a student of history I am thrilled to be living through and in this period of time.  Once again we are perched on the brink of change,  imminent growth and cultural wisdom, but only if we take a helpful and positive track.  Hiding in the shadows helps no one.  As a species we are slowly overcoming many of the angers and fears that have directed our thinking for millennia.  The currents flowing down the river of change are paced by the fierce creatures that run along its muddy banks.  They wave crude spears and dark banners, shout slogans designed to divide and alienate and try in vain to alter the water’s course. But water always seeks its own level and these creatures have historically been left behind, rendered hoarse and obsolete by time.   All of this is out of my hands.  I am grateful for that.

I have mailed 5 boxes to Greece so far.  1 today and 4 last week.  The first 4 have arrived and are being inspected by customs.  If I have to pay fees for these I will, but I hope not.  They are not consumer goods, but rather goods I have purchased for my own use at the Aegean Center.  Most of it is used gear anyway.  The rest are books–a small library consisting of some collections: Hemingway, Chekhov, Callahan, Kertesz, Frank, Ashbury, Oliver…the list goes on.  To be honest I chose the best of my personal library and then weeded that out some more. Ex Libris Paros…

I have my painting supplies and will be carrying them in my checked baggage during the flight. There are  no caustic materials and I am already in love with many of the names on the list…Permanent Alizarin Crimson, French Ultramarine, Payne’s Grey.  Soon I will be an undeniable beginner again, a place I enjoy of only for its foolish zest and unknown questions.  I will be asking for a lot of help in the next few months.

JDCM

Sleeplessness…

By on January 11, 2012 in 4×5 photography, darkroom work, Greece, Paros, silver darkroom, spring in the Aegean

I have slept for a few hours and am now awake again.  I am sleepless and need to examine my thoughts on virtual paper…

I have been preparing for my return to Paros for two weeks.  This time it will be for an extended stay, not the three-months-on-three-months off that I have been experiencing for the past two years.  To that end I have been divesting myself of my unneeded possessions, mostly books and musical equipment.  I have given them away, with no misgivings. I have kept one guitar, a Fender Telecaster I bought in 1986.  It is a candy-apple red 1962 re-issue and holds too much sentimental value to discard.  The books are a mix of volumes never read, read too often and those whose message I have outgrown.  Clothing has been gathered and that, too, will be given away.  The monumental task of collating and burning the  set of my 1200 CD collection has been accomplished and my laptop is now full of the best I have collected since the late 1980s, when CDs were first released.  It is also a mix: classical, jazz, old rock, new rock…the list seems endless but of course is not.  These will go to the local library in Hillsdale.  I have packaged up four large boxes of goods to send  ahead and will mail them tomorrow.  One more box remains because I still have some darkroom work to take care of.  This box will contain last minute odds and ends, some clothes, a few books and some more darkroom gear that I still need to process film.  I cannot send any liquids, however, which means that my developers stay here in the US.  I can purchase replacements in Athens.  I have decided to take one extra checked bag with me this time instead of my usual  backpack/camera bag combo.  This will allow a few more items than I have usually taken with me.

It really feels like I am leaving, which I am, but this has been coming for a long time.  I moved back to the Hudson Valley in 2004 for personal and family reasons and in many ways my job here is done.  It is time to go.  What I need to do for my family I can accomplish easily via email and telephone and I proved that last year when I adjusted insurance payments over the phone from the island after being alerted of a payment glitch via my Gee mail account.  The modern world has its benefits but I am looking forward to the upcoming year, a year of photography, writing and painting.  Will I begin and finish my book?  Only Kronos knows and that giant sleeps too deeply to wake for the answer.  The future, like always, is unknown, but this time it really feels as if I am departing for the next phase of my life.  I have been a professional chef and an unknown rock musician, a composer of hook-laden pop tunes.  These paths led to a certain point where I then abandoned them like a sailor diving into the ocean lest he go down with the ship.  The lifeboat that found me has proved to be more than a rescue craft.  Its design for living has been impressed upon me and I have followed it, despite my fears.  These have turned out to be echoing voices from my distant past.  Unfortunately I have listened to these voices too much, but to quote a line from an old Chinese morality tale, “How do I know?”  Indeed, how do I not know that it was necessary for me to begin this new life now, on the eve of my 47th birthday, after enduring all that I have in the past?  This is how it is, I think.  There is always the illusionary choice of a straight line, filled with drudgery and boredom.  I was on that track.  As one of my sisters commented, living is not a straight line.  There is no simple way to get from A to B.  Perhaps there is no ‘A’ or ‘B’ at all.  The life ahead is not a known set of coordinates on a chart.  Each of us has his or her own map to design.  Only hindsight shows us where we have come from and the seemingly strange coincidences that have made up our non-linear path.

JDCM

Showtime…

By on December 8, 2011 in 4×5 photography, darkroom work, Greece, Paros, silver darkroom, Wright Morris

We hung the student show today at the Aegean Center for the Fine Arts, here on Paros.  It is a very pretty show with a wide assortment of photography, painting, printmaking and drawing.  The vocal ensemble had their first concert last night in Naoussa and will have two more this weekend.  Overall I have a had an excellent time here this arm and am looking forward to being back here in about three months.  My photography has improved and I have also gained a little more patience with the younger students.  While I am no smarter than they are, I have experienced more of the world so I am perhaps a little wiser. Perhaps.

In the past few days I have thought a lot about what I will be doing next year while I am here.  Yes, my own photography certainly, but also the work with the director and painting in the spring.  On top of that I feel that it is time to begin work on my own book, probably in the format pioneered by Wright Morris and Andre Kertesz, the photo-text.  In this format the images on the page do not have to directly correspond to the text but by the end of the reading they have made sense as an accompaniment to the reading.  I have many other ideas but I will not share them lest I talk myself dry of the concept.

I have begun packing my stuff and will begin putting it in storage tomorrow.  I have to conduct the inventory of the darkroom supplies and print some last few pieces.  After that I head to Athens on Monday and back to New York Thursday.   Christmas, New Years, my birthday and then back here.  Time flies indeed.

JDCM

Much needed rain and fall in the Aegean…

By on November 14, 2011 in 4×5 photography, autumn, darkroom work, Greece, Paros, silver darkroom, Thanksgiving

It is raining outside and has been since yesterday.  We do need the rain here on Paros.  The island had become so dry in the past few weeks.  The wind from the north has been blowing at Force 7,8 and 9 on the Beaufort scale but today it has seemed to have quieted somewhat.  This will end tonight, but the winds will continue to whip the water back into the sky for the next few days even though the sun will be out.  Autumn in the Aegean is very different than in the Northeastern area of the US.  The fall colors fade from the burned gold and silver of summer into a rich caramel amber and finally as the rains come in, more green, crocuses and smaller blooms accompanying the cooler air.  In the local gardens there is spinach, broccoli and cauliflower.  This morning I received a treat of fresh oranges, right off the trees.  Anyone who says there are no seasons here in the Kyklades have obviously never stayed here for long.

We have 26 days until the student show and 31 until I arrive back in New York.  My two portfolios are filling up as I slowly create more prints in the darkroom and digital lab.  If one were to look at them right now they would seem to lack cohesiveness, but really this is an academic regiment and not relevant to the Aegean Center, its philosophy or even my own thinking.  Relevance and structure are all around me and integral in my thinking.  At the very least the fact that I am making these pieces is a glue that holds them together.  That the silver pieces are all, with few exceptions, all of Italy in September and the digital are all 4×5 scans of Paros are also two values that assign a consistency to these two projects.

Upstairs students are drawing in the figure study class.  Still others are meeting with Liz Carson in the darkroom (I just came from there myself) and planning the week’s work.  John Pack is readying himself for another day of digital printing and wrangling the kinds of wild horses that only the director of a small arts center on an island in Greece can possibly ride.  Thanksgiving is just around the corner and we will celebrate here on Paros in grand style.  I am supplying the glazed carrots.

JDCM

4×5 work, landscape portraiture, good weather and bad…

By on November 10, 2011 in darkroom work, Greece, Paros, silver darkroom

Much has happened since my last post.  The figure study project I had been working on came to naught, both by my hand and outside forces.  Thankfully I have the knowledge that I cancelled the shoots due to artistic apathy and ennui before there were complaints from some parents about “possible improprieties” in the studio.  Although the models are all over 18 and therefore legally able to make up their own minds (and vote and die for their country) whether to pose nude or semi-nude  and that there has never been any complaints or actual difficulties is apparently besides the point.  I was told that I should stop the project. Like I said I am happy that I decided to end it before I heard that news.  What’s over and one with is just that.  I must admit however that these revelations left me feeling as if my integrity and honor as a man and a photographer had been questioned when really it is a matter of politics for the Center and the director.  Once again art and politics clash and the outcome is predictable.

My new work is exclusively 4×5 film, scanning them in the digital lab and then working on them in RAW, PhotoShop and finally printing them on one of the big Epsons.  The large format camera is a steep learning curve itself.  So far I am achieving some lovely results.  The portfolio will be a series of’ “Paros Portraits-People, Places and Things.”  I am taking my time with this, although the actual time is limited.  12 pieces need to be finished by December 7th.  The same holds true for my darkroom work–12 pieces of MF based on the Italian session and these also have to be matted–all by   December 7th.  The student show is the 9th and I leave Paros on the 12th to return to the USA on the 15th.

The weather has been up and down.  Cool at night, dry and sunny during the day with a north wind that whips all the warmth from the stones.  We are expecting tough weather this weekend with rain, Force 9 winds and temperatures in the low 40s F.

There are other things to blog about but as of now they are vague.  When I can speak of them with surety, I will.  Right now, mums the word!

JDCM

Promotional work, silver darkroom, boat strikes…and more…

By on October 23, 2011 in darkroom work, Greece, Paros, silver darkroom, Uncategorized

I suppose the first thing to report would be the horrendous economic situation here in Greece.  This is not really news, since the trouble is worldwide and everyone has been watching this little country sink lower and lower into disaster.  On the island, however, the situation takes on a different flavor.  Much of the protesting in Greece against the austerity measures has been in the transport industries.  Trucks, taxis, buses, train and boats all strike periodically.  Recently the dock workers and shipping crews have gone on strike, halting almost all boat travel through the Aegean Sea.  This cripples a seafaring nation like Greece with its outlying island and archipelagoes.  Paros is affected, obviously.  The current boat strike began last Monday and was supposed to be lifted today, just shy of a week.  Yesterday we received news that the strike had been extended to Wednesday, possibly Thursday. This is bad tidings for a small island dependent on the outside mainland for goods and service.  We are lucky to have local farmers selling vegetables and grocery stores that still have some goods, but meat markets are running out of product and I am concerned that petrol stations will run short in the next couple of days, especially if people make a run for fuel.  As my father told me, I am at the crux of history, so I shall keep my eyes open, my mouth shut and watch the intersections.

The promotional work I am photographing for a friend is moving along.  She only needs three or four pieces for her website, but that still means the same amount of work for me.  It is excellent experience and although I do not do this type of work often, I can see how my own aesthetic plays a large part in how I view the event.  I suppose everyone brings their own vision to this kind of work.  The results will reveal how I view this kind of labor.  So far, so good, actually.  Perhaps she’ll let me use one of these for the blog as an example.

The darkroom moves along and I hope to expose a roll of MF this afternoon and develop it as well.  I am scheduled to be working in there tonight but I have forgotten when I signed up.  I think 22:00hrs.  I have to print at least one piece from the Villa, maybe two if I am lucky, so I can show them to Liz and see how she wishes me to proceed.

I have picked an odd time to move to Greece.  I haven’t looked at any apartments yet, but that will be this week.  I have two, maybe three to check out.  One is a very humble flat in the middle of Paroikia and the other is a bit more lavish old house, I think, not quite on the outskirts of town. I don’t know the prices for either.

More to come…

JDCM

 

Pistoia, The Aegean Center, photography e studenti…

By on September 4, 2011 in Uncategorized

I am finally here at the Villa Rospigliosi in Pistoia, Italy for the fall term of the Aegean Center for the Fine Arts.  I have waited almost two years for this session, already having spent two spring sessions on Paros, the home of the Center.

Italy is lovely.  What can I say?  The villa is a 16th century affair with lovely wooden ceilings, old fountains (some in disuse) and stone staircases.  Lectures and classes are held in the rear garden, a deconsecrated chapel and in and around Tuscany in general.  We travel to Pisa, Venice, Rome and of course Florence.  The students are an energetic bunch with many questions and like I was at the beginning, not sure about where to go, what to do and who to speak to.  There are quite a few painters and writers and, in a few minutes we will see how many wish to practice the craft of photography.

Art History after this meeting, then dinner and then Dante…

More to come…