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Tag Archives | 4×5 photography

Here at Mikro Cafe…

By on April 2, 2012 in 4×5 photography, craft, darkroom work, Greece, Paros, silver darkroom, skill and craft, spring in the Aegean, working

“Latte, please,” JDCM said.  Colin stands behind the bar, talking of his love of chewing on coffee beans.  Fresh from his bi-athalon on Naxos, he is feeling sprightly and full of energy.  He was able to shave off 6 seconds from the last event of this type so that’s a win and new personal best…Bravo Colin!

On other notes my portrait sessions have begun and I have photographed one student, the artist Jackie Massari and one of the instructors, the painter Jun-Pierre Shiozawa.  I hope to work with Colin Brown and his wife Stella later this week, perhaps Wednesday afternoon.  Couples are more difficult than single subjects, but I hope to work this out.  I’ll do some research on the subject so I can get some ideas first.

Other students are using the studio as well which is a good thing, and I am eager to see their work.  My painting is moving along and I am getting the hang of glazing, scumbling and the balance of colors.  We are still using a limited pallet and I understand why.  I am champing at the bit, however, to open up the brighter, more vibrant hues and work them in.  This will come with time.

Weather still fine, cool at night, etc…

JDCM

Painting, portraits and 4×5 photography…

By on March 26, 2012 in 4×5 photography, craft, darkroom work, Greece, Paros, silver darkroom, skill and craft, spring in the Aegean, Uncategorized, working

The Fayum portrait I am copying

I have discovered an excitement and love of painting.  That is the only way to describe how I feel.  Using this medium to see light as opposed to the photographic process is a joy.  Although I tend to be a ‘fast’ painter, the inevitability of having to let paint dry keeps me from getting to far ahead of myself.  We are still engaged in tonal studies, but have branched out into some color variations based on ‘hot’ and ‘cool’.  Very interesting.   We have also begun the ‘Fayum’ process as well and using the tetrachromy is a challenging form that dates back to the beginnings of the Common Era (30 ACE to the 3rd century).  Art historians believe that these colors are actually the four used by the Greeks in the 4th an 5th centuries BCE and reference the four elements.  The spiritual aspect of this intrigues me.  The Fayum portraits themselves seem to have survived purely by chance while only written descriptions exist of the height of Greek painting from the classical age.  As a student of history I am happy to be looking at this course from both an artistic and academic point of view.

This afternoon I cleaned up the light studio and set up the four studio lights and scrims we use here at the Aegean Center.  This means that I can begin my portrait work this week, I hope.  I will use my 4×5 camera and produce images similar to the portraits made in the late 19th century.  The lighting will be dramatic and raking, borrowing  more from the style of Rembrandt than anything else.  My subjects will be students and locals and will be both an important part of my portfolio and my learning curve.  This vision may change, of course and I may find I like the open studio light concept better than the drama.  The composition will be head and shoulders only, 3/4 view or something like that.  We shall see…

JDCM

 

Counting down and mailing out…

By on January 18, 2012 in darkroom work, Greece, Paros, silver darkroom, spring in the Aegean

I depart for Europe in about 40 days.  By 1 March I will be back on Paros and in my apartment.  I am looking forward to the next phase of my life, but I am nervous.  Perhaps this will never go away.  I have faith that if I show up, do the work I am assigned and participate in the human experience around me I will do well, and probably better than that.  I am just nervous because for the first time in 10 years I am branching away from my biological family again and taking on the mantle of an adult, a garment I do not always wear well or properly.

I have heard that due to the economic crisis and possible political instability (from a US standpoint of course ) there may be a drop in enrollment this spring.  This is believable in this day and age and perhaps this is one curse of the electronic info-era we currently live in.  There has always been and always will be economic woes and political upheavals.  The media has blown so much of this out of proportion that it feeds the fears of those who stay glued to their TV sets and believe everything they see and hear from that medium.  As a student of history I am thrilled to be living through and in this period of time.  Once again we are perched on the brink of change,  imminent growth and cultural wisdom, but only if we take a helpful and positive track.  Hiding in the shadows helps no one.  As a species we are slowly overcoming many of the angers and fears that have directed our thinking for millennia.  The currents flowing down the river of change are paced by the fierce creatures that run along its muddy banks.  They wave crude spears and dark banners, shout slogans designed to divide and alienate and try in vain to alter the water’s course. But water always seeks its own level and these creatures have historically been left behind, rendered hoarse and obsolete by time.   All of this is out of my hands.  I am grateful for that.

I have mailed 5 boxes to Greece so far.  1 today and 4 last week.  The first 4 have arrived and are being inspected by customs.  If I have to pay fees for these I will, but I hope not.  They are not consumer goods, but rather goods I have purchased for my own use at the Aegean Center.  Most of it is used gear anyway.  The rest are books–a small library consisting of some collections: Hemingway, Chekhov, Callahan, Kertesz, Frank, Ashbury, Oliver…the list goes on.  To be honest I chose the best of my personal library and then weeded that out some more. Ex Libris Paros…

I have my painting supplies and will be carrying them in my checked baggage during the flight. There are  no caustic materials and I am already in love with many of the names on the list…Permanent Alizarin Crimson, French Ultramarine, Payne’s Grey.  Soon I will be an undeniable beginner again, a place I enjoy of only for its foolish zest and unknown questions.  I will be asking for a lot of help in the next few months.

JDCM

Showtime…

By on December 8, 2011 in 4×5 photography, darkroom work, Greece, Paros, silver darkroom, Wright Morris

We hung the student show today at the Aegean Center for the Fine Arts, here on Paros.  It is a very pretty show with a wide assortment of photography, painting, printmaking and drawing.  The vocal ensemble had their first concert last night in Naoussa and will have two more this weekend.  Overall I have a had an excellent time here this arm and am looking forward to being back here in about three months.  My photography has improved and I have also gained a little more patience with the younger students.  While I am no smarter than they are, I have experienced more of the world so I am perhaps a little wiser. Perhaps.

In the past few days I have thought a lot about what I will be doing next year while I am here.  Yes, my own photography certainly, but also the work with the director and painting in the spring.  On top of that I feel that it is time to begin work on my own book, probably in the format pioneered by Wright Morris and Andre Kertesz, the photo-text.  In this format the images on the page do not have to directly correspond to the text but by the end of the reading they have made sense as an accompaniment to the reading.  I have many other ideas but I will not share them lest I talk myself dry of the concept.

I have begun packing my stuff and will begin putting it in storage tomorrow.  I have to conduct the inventory of the darkroom supplies and print some last few pieces.  After that I head to Athens on Monday and back to New York Thursday.   Christmas, New Years, my birthday and then back here.  Time flies indeed.

JDCM

Much needed rain and fall in the Aegean…

By on November 14, 2011 in 4×5 photography, autumn, darkroom work, Greece, Paros, silver darkroom, Thanksgiving

It is raining outside and has been since yesterday.  We do need the rain here on Paros.  The island had become so dry in the past few weeks.  The wind from the north has been blowing at Force 7,8 and 9 on the Beaufort scale but today it has seemed to have quieted somewhat.  This will end tonight, but the winds will continue to whip the water back into the sky for the next few days even though the sun will be out.  Autumn in the Aegean is very different than in the Northeastern area of the US.  The fall colors fade from the burned gold and silver of summer into a rich caramel amber and finally as the rains come in, more green, crocuses and smaller blooms accompanying the cooler air.  In the local gardens there is spinach, broccoli and cauliflower.  This morning I received a treat of fresh oranges, right off the trees.  Anyone who says there are no seasons here in the Kyklades have obviously never stayed here for long.

We have 26 days until the student show and 31 until I arrive back in New York.  My two portfolios are filling up as I slowly create more prints in the darkroom and digital lab.  If one were to look at them right now they would seem to lack cohesiveness, but really this is an academic regiment and not relevant to the Aegean Center, its philosophy or even my own thinking.  Relevance and structure are all around me and integral in my thinking.  At the very least the fact that I am making these pieces is a glue that holds them together.  That the silver pieces are all, with few exceptions, all of Italy in September and the digital are all 4×5 scans of Paros are also two values that assign a consistency to these two projects.

Upstairs students are drawing in the figure study class.  Still others are meeting with Liz Carson in the darkroom (I just came from there myself) and planning the week’s work.  John Pack is readying himself for another day of digital printing and wrangling the kinds of wild horses that only the director of a small arts center on an island in Greece can possibly ride.  Thanksgiving is just around the corner and we will celebrate here on Paros in grand style.  I am supplying the glazed carrots.

JDCM

4×5 work, landscape portraiture, good weather and bad…

By on November 10, 2011 in darkroom work, Greece, Paros, silver darkroom

Much has happened since my last post.  The figure study project I had been working on came to naught, both by my hand and outside forces.  Thankfully I have the knowledge that I cancelled the shoots due to artistic apathy and ennui before there were complaints from some parents about “possible improprieties” in the studio.  Although the models are all over 18 and therefore legally able to make up their own minds (and vote and die for their country) whether to pose nude or semi-nude  and that there has never been any complaints or actual difficulties is apparently besides the point.  I was told that I should stop the project. Like I said I am happy that I decided to end it before I heard that news.  What’s over and one with is just that.  I must admit however that these revelations left me feeling as if my integrity and honor as a man and a photographer had been questioned when really it is a matter of politics for the Center and the director.  Once again art and politics clash and the outcome is predictable.

My new work is exclusively 4×5 film, scanning them in the digital lab and then working on them in RAW, PhotoShop and finally printing them on one of the big Epsons.  The large format camera is a steep learning curve itself.  So far I am achieving some lovely results.  The portfolio will be a series of’ “Paros Portraits-People, Places and Things.”  I am taking my time with this, although the actual time is limited.  12 pieces need to be finished by December 7th.  The same holds true for my darkroom work–12 pieces of MF based on the Italian session and these also have to be matted–all by   December 7th.  The student show is the 9th and I leave Paros on the 12th to return to the USA on the 15th.

The weather has been up and down.  Cool at night, dry and sunny during the day with a north wind that whips all the warmth from the stones.  We are expecting tough weather this weekend with rain, Force 9 winds and temperatures in the low 40s F.

There are other things to blog about but as of now they are vague.  When I can speak of them with surety, I will.  Right now, mums the word!

JDCM

Pistoia, The Aegean Center, photography e studenti…

By on September 4, 2011 in Uncategorized

I am finally here at the Villa Rospigliosi in Pistoia, Italy for the fall term of the Aegean Center for the Fine Arts.  I have waited almost two years for this session, already having spent two spring sessions on Paros, the home of the Center.

Italy is lovely.  What can I say?  The villa is a 16th century affair with lovely wooden ceilings, old fountains (some in disuse) and stone staircases.  Lectures and classes are held in the rear garden, a deconsecrated chapel and in and around Tuscany in general.  We travel to Pisa, Venice, Rome and of course Florence.  The students are an energetic bunch with many questions and like I was at the beginning, not sure about where to go, what to do and who to speak to.  There are quite a few painters and writers and, in a few minutes we will see how many wish to practice the craft of photography.

Art History after this meeting, then dinner and then Dante…

More to come…

In the Aegean Center digital lab…

By on May 30, 2011 in Paros, Uncategorized

This is an update from Greece, from the digital lab at the Aegean Center for the Fine Arts.  I feel like a ship at sea calling ship-to-shore on the shortwave.  An update from Greece, indeed.  It has been a tumultuous three months.  I have created some amazing work and I am grateful to have been here.  Personally and emotionally, however,  I have been put through the ringer.  I have been called a friend by some, ignored by many, ostracized by a few and even, I think, been thought of as a suspicious character by at least one or two people.  Throughout all of this I have made a couple of friends with some of the younger students and lost one as well, someone who I treated decently and cared for deeply.  Such is life.  I will never get used to that gut-sick feeling of grief and loss.   I am not ashamed or upset about how I have behaved:  I was honorable  and righteous in thought and deed.  But I digress…

We are all wrapping up the term: painters are painting their final strokes; digital printers are slipping out the final pieces of Hahnemuhle Photo Rag Matte, Pearl or Baryta.  In the darkroom my commitment to the four portfolios is finished but I still have to print some copies for the models I have worked with.  The Ensemble begins it’s short series of 4 performances this week.  Next week most of the students begin to leave, some directly back to the USA although some are loitering in Europe for a week or so, myself included.  I’ll stay on Paros until the 17th and then head to Athens for about  4 or 5 days in the relative comfort of a hotel in the Plaka area of town.  I’ll see some friends, watch some movies and catch some museum exhibits that I have seen before.  I will be coming back for a third semester in a few months:  more emotional stress, artistic expression and personal angst.  What am I thinking?

More to come…

JDCM

Halfway through and coming down to the crunch…

By on April 22, 2011 in Paros

This weekend is the Easter celebration. both for the Eastern Orthodox and the Roman Catholic churches.  This means that Paros is jammed with holiday travelers as well as those returning to the island for a traditional family get-together.  I could do without all the traffic, throngs of tourists and everything that comes along with it, but let’s face it–religion is Big Business and Bug Business needs money.  I have always been uncomfortable with any group or ideology that tells me what to do.  Big Religion is just as bad as Big Government.  More shady deals based on power, money and the acquisition of More.  But I digress…The events will be colorful and ancient, full of meaning for many.

My photography is progressing.  I have several lovely images from the figure sessions (both film and digital) and will be cranking out more in the next two weeks.  In the past few weeks the digital lab has increased its output and a couple of people who had been spinning their wheels seem to have had a fire lighted under them.  This is good.  To be honest I was growing disillusioned with the student body (my problem, not theirs), but hey, they are young and full of beans.  Everyone is working at their own pace and they will all receive a wonderful gift of having been here.   I can focus on my own work from here on and finish my portfolios.  The group show is on June 3rd or 4th, which isn’t a lot of time…

More to come…JDCM

Packing it up, shutting it down…

By on February 1, 2011 in Uncategorized

The day I fly to Greece approaches.  In less than a month I’ll be back in Athens and in a world I am much more comfortable with.  For some reason Europe always makes me feel more at home and relaxed than here in the US.

I have begun packing.  I am mailing two boxes ahead of my arrival on Paros.  One contains sheet film for my 4×5 and b/w paper.  It is still cheaper to by European paper here in the US and mail it to Europe.  It’s because of the VAT.  The other box, which is much bigger, will have my 4×5 and medium format cameras coddled in bubble-wrap as well as some bulkier clothing and books.  March and early April can be wet and cool in the Kyklades.  This should lighten my carry-on and checked baggage loads a lot.

I have two shows this month:  the first I hang on Sunday and it is at the Rhinecliff Hotel and open with an artist’s reception on February 11th.  I am sharing the space with three other visual artists and I think the show will be up for a while after I leave.  The second show is the CCCA show I have already blogged about.  That reception is February 19th from 5-7PM and should be quite the time.  The third group show is at a nearby assisted living venue called Noble Horizons.  It will be a 14th Colony event and consist of small works.  I’ll have a nice b/w silver print for that one ready to go and in the hands of a close friend.

After tomorrow night I’ll be shutting down the dark room until I return in June.  I may still develop a roll or two of film, but the printing activity will cease.  I’ll discard any chemistry that won’t last and cover the enlarger.  Paper will go into the fridge.  My sisters will come and go through out the month and I have already delegated tasks to the caregivers for my mother’s well-being.  All is as it should be.

JDCM