Archive | craft

Departures and arrivals…

By John on September 17, 2014 in 35 mm photography, autumn, beauty, biking, black and white portraiture, craft, darkroom work, Greece, John D.C. Masters, John Masters, Paros, Paros Portraits, portraiture, quiet islands, silver darkroom, skill and craft, spiritual journey, Uncategorized, working

The crowds have thinned out on Paros. The roads have become less treacherous and the island is, once again, for those of us who live here. There is a collective sigh of relief. I have been biking well, using my new Boardman road bike and loving it. In a recent post I stated that I wanted to ride at least 125km per week. I have done that in three days. I will have to up the ante. Maybe 200km? Easy-peasey. My mountain biking has been vigorous and rugged. As it should be.

I continue to build a solid portfolio of 35mm portrait pieces for my exhibit scheduled in the fall of 2015. I think I also have enough ‘cafe-Cafe‘ images for the small show I hope to hang in November. Now all I have to do is print, matte and frame 12 images. This will begin in October, when I return…

I am leaving for Italy tomorrow. It will be a short trip, only a couple of weeks, and I will hook up with friends and colleagues for some art, art history and good eats. I am all but packed with only my shaving kit to stuff in my rucksack. My camera bag is ready, awaiting my laptop and assorted odds and ends. I am only bringing two cameras: my trusty, well-used Canon G11 point-and-shoot and the small Pentax 35mm I bought from a friend last July when I was back in America. I will bring the 50mm and 135mm lenses. I have been having fun with this little machine and so it feels good to continue the joy.

Cavafy’s poetry continues to inspire and fill me with emotion…

Return

Return often and take hold of me,

cherished sensation, return and take hold of me–

when the body’s memory awakens.

and past desire again runs through the blood;

when the lips and skin remember,

and the hands feel as though they touch again.

Return often and take hold of me at night,

when the lips and skin remember.

–JDCM

Ancramdale, NY 12503, July 2014 part 2…

By John on July 30, 2014 in 35 mm photography, beauty, biking, craft, darkroom work, Greece, mountain biking in Greece, Paros, spiritual journey, working

Soon I will depart for Greece, and Paros. It has been splendid being back here. I have spent my time visiting with good friends and family, eating American food, driving around…

I joined the local gym the day after I arrived and have been able to work out 6 out of 7 days. I have stuck with the treadmill. Why not the stationary bike, you say? Simple: boring. All exercise aside, the stationary bike has none of the qualities I look for in bicycling. There is no wind in my face, no exhilaration of speed, no constant vigilance concerning traffic and/or obstacles. It contains none of the rewards I glean in a long uphill slog on a rutted, rocky road. So I hike the treadmill. I have been able to walk 8+ miles (12.9 km) at a stretch, keeping a constant 4.3 mph (6.9 kmh). The only variable has been the grade. I start off at 6.5% and by the time I am finishing up mile number 4, I am at a 15%. It is all downhill from there. I finish at 0.0%. I count the time, the miles, and watch the calories drip off. I manage to burn off 1800+ per session. I think, let my mind drift. The exercise has allowed me to indulge the American palate. To be honest I have also been eating a lot of watermelon and grapefruit. At my age, I cannot pretend my metabolic rate is the same as when I was 40, or 30. Move a muscle…

I attended an estate sale last week and purchased a neat little Pentax ME 35mm camera with a nice F/2.0 50mm lens and a F/3.5 135mm telephoto to go along with it. I figured I couldn’t go wrong for $45. I ran a couple of rolls of film through it as a test. For technical sake it was roll of TRiX 400 and TMAX 100. I developed them both using Rodinal 1:50 for 11.5 minutes. They look pretty good. The camera is light-weight and easy to use. I will carry it with me.

I have missed Paros terribly. My heart is there. Greece has gotten into my blood. My senses are full of the place. I have succumbed to Her wiles. The seduction is complete.

Pentax ME w/135mm lens

–JDCM

Milos, day 6…

By John on June 12, 2014 in 35 mm photography, beauty, biking, craft, Cyclades stone walls, Cycladic stone walls, Greece, hiking in the Cyclades, mountain biking in Greece, Paros, quiet islands, rangefinder camera, skill and craft, spiritual journey, stone walls, working

–I had forgotten how posh Milos can be. It is easy to avoid if one so chooses.

–From the top of Prophitas Ilias (748 m) the view is spectacular. Even on a hazy day like today, the archipelago was in full view. Kimolos, Polyagios, Santorini, Sifnos, Serifos, Folegandros, Paros. This was all around me. Far to the south I could make out a faint, long shape: Crete.

–The FIAT Panda is, perhaps, the finest car in its class ever made. A real gaidaros…a real donkey. I have mentioned this in other posts already. A big ‘thank you’ to Niko’s Rental in Adamas for allowing me to change my rental agreement not once, but twice.

–I have purchased my ferry ticket back to Paros on the ‘Aqua Jewel’, leaving Sunday evening at 18:00 hrs. This leaves me with almost three full days left for my biking, hiking, swimming and photography. Not always in that order.

–Yesterday I had just finished up an arduous 10km hike, ending up at a lovely beach on the west coast. As I lay on the sand I suddenly realized I did not know what day of the week it was. I had to laugh.

–The last time I was here ( June 2012) I only spent 3 days. Being here so long has allowed me to really get into Milos. I have discovered that despite the heavy mining and cosmopolitan aspects, it is as rugged and wild as they come. Wild goats still scamper up and down the rocky crags.

–Tomorrow is a photography day. My goal is to finish one roll of AGFA in my Voigtlander and start another. Easy-peasy. Rocks and wood.

–JDCM

Happy May…and some thoughts on photography…

By John on May 2, 2014 in 4×5 photography, beauty, craft, darkroom work, Greece, Paros, Paros Portraits, portraiture, skill and craft, spring in the Aegean, working

–May is here. The sun is shining, the tourists are few. The winds are from the south, north, east and west. It is lovely here on Paros.

–My darkroom work is progressing nicely. I have been printing my Weather/Texture 35mm images on a regular basis and am finding great joy in the consistency of this portfolio. I have also been keeping up with my 4×5 portrait work and recently photographed a young artist who is visiting our fair isle. I made 12 exposures, of varying depths-of-field. I’ll develop them this weekend. Paros Portraits, Part II moves at its own pace…

–Recently a close friend gave me a lovely gift: Richard Avedon’s Woman in the Mirror . The images reminded me to look a little deeper into this photographer’s life. I have always been impressed by his work. I admire those who labor at what they love and have paid their dues, either through hard work, hard times, or both. Avedon was a skilled craftsman who supported himself and his family through commercial photography. While I never met the man, I get the feeling that while he became famous in his own time, he maintained his humility.

Avedon said that “I never wanted to be called an artist. I wanted to be called a photographer.”

…also “sometimes I think all my pictures are just pictures of me.”

He also believed that “a photographic portrait is a picture of someone who knows he is being photographed, and what he does with this knowledge is as much a part of the photograph as what he’s wearing or how he looks.”

–Dig it.

–JDCM

Mid-March, Paros, 2014…

By John on March 16, 2014 in 35 mm photography, 4×5 photography, beauty, biking, black and white portraiture, craft, darkroom work, Greece, mountain biking in Greece, Paros, Paros Portraits, portraiture, rangefinder camera, silver darkroom, skill and craft, spiritual journey, spring in the Aegean, working

–Yesterday was the Ides of March. I made it through unscathed. Et tu…?

–The day before, march 14th, was my mother’s 90th birthday. She made it as well. 90 years…

–What has she been witness to since 1924! Well, almost everything worth talking about. Plus, she has raised three children and set them on their respective paths. One is a professor at a large University. Another is an artist living on a small island. The third is…well, that’s me. Funny. It feels like we three have all found our own islands we call home. Her love has been unconditional and generous. She may, at times, worry about our sanities, but she has always been there, no strings attached. She has never asked for proof of good will. If I have had any regrets or guilt, they have been my own and are non-transferable. Kind of like airplane tickets.

–Today I went to a mountain bike race in the hill town of Kostas. I could have raced it myself, but opted out so I could photograph instead. I brought my big Canon 5D MKII, my 35mm Voigtlander and my Wista 4×5. I packed up 16 pieces of Kodak TPX 320 and had some old-time fun with large-format sports photography. I am eager to see how they come out. While I waited along the dirt road for the pack to appear, I was suddenly struck by the knowledge that this is how it was always done, for almost a century. Photographers standing on the side of the road with their tripods and 8x10s/4x5s/etc…waiting for the runner/horse/bicycle/car/locomotive to come barreling down the track and trying to catch the moment. It’s not easy. I was thankful for my knowledge of depth-of-field so all I had to do was whip the film packs in-and-out of the back of the camera. I was loading, exposing, sliding the cover back on, unloading, and tossing the exposed film pack on the grassy ground. 15 exposures later (one dud) I was done. I finished up a roll of EFKE 100 35mm in the Voigtlander, made a few digital snaps of the closing events, and called it a day.

–I have been lining up some new subjects for continued portraiture. I figure that if I can practice diligence, I will have a large enough portfolio to begin printing next autumn. I continue to pray to the gods of photography for deliverance of a 4×5 enlarger.

–Spring seems to have arrived. The light has been superb. What else is there to say?

-JDCM

Photography and other works…

By John on February 25, 2014 in 120 film, 35 mm photography, 4×5 photography, beauty, biking, black and white portraiture, craft, darkroom work, Greece, mountain biking in Greece, Paroikia, Paros, Paros Portraits, portraiture, skill and craft, spiritual journey, spring in the Aegean

–I haven’t spoken much about my photography lately, not since my Paros Portrait exhibition in August 2013. Although I have shot and developed plenty of film, I haven’t been printing. This has changed in the past couple of weeks.

–I am continuing my 4×5 portrait work and will do so at least for another year. This as a larger arc beneath which I conceive and work on several other projects.

— I am thinking of a 35mm collection of textural pieces. By “textural” I mean close up images of worn wood, rusted and tarnished metals, peeling paint. These images tell of time and of the elements. My eye falls into the deepest crack in the wood, the darkest keyhole, into the tiniest shadow beneath a curling leaf of old paint. I want to go there. I want to set up shop. This new portfolio will be small, only 12 pieces. I will begin during the first week of March and finish on the last week of May. That is 12 weeks, or close enough.

–The soft focus work of Julia Margaret Cameron has also inspired me, especially after seeing a small exhibit last December in America. I will work on something along those lines. Still lives and medium format feels like the right way to go. I will need to go shopping for the right kinds of vases and props. This will give me a chance to pick up some new crockery for my own kitchen as well–plates and bowls and such.

–More biking, of course. The weather just cries “get outside…move your muscles…” The other day I rode to Marathi, then headed north overland, then northeast, bushwhacking until I was able to make it to a small farm road that led me to a large monastery just outside of Paroikia. From there I headed back north, across the road. Somewhere in there I punctured my rear tire, so I stopped and changed the tube. Then I headed back home. Clear paths? Hmmm…That’s subjective. Click the thumbnails to enlarge…

–JDCM

If there is a path there, I worked for it. Unrideable, of course. I pushed the bike.

10 minutes of quick repairs and I was back on the road.

49 years…

By John on February 17, 2014 in beauty, biking, craft, Greece, Paroikia, Paros, spiritual journey, spring in the Aegean

–Today is my birthday. I have been on the planet, breathing the air, since February 17, 1965. I am an Aquarian, and in the the Year of the Wood Snake to boot. It’s a heavy combination, if you follow these things. Those of you who know me well enough will see that the associated characteristics fit me to a “T.”

–My future family were traveling in Europe when I was born. They settled in Dublin, Ireland for a year waiting for me to arrive. When I was old enough to travel they hit the road again and stayed in Italy for a couple of months before heading back to America. My sisters were 10 and 8. Somewhere there are home movies my father made showing us all at the time.

–I have had my share of successes and failures. Some of them have been of my own doing and some have been granted or inflicted upon me. Such is life. No one is immune to that dynamic. I suppose it is how we roll with the punches, how we dust ourselves off, that matters.

–Yesterday I surprised myself. After a tough 2-hour, somewhat technical, mountain bike ride, I bumped into a small phalanx of other riders on my way back home. One invited me along for a leisurely ride into the hills. I went. I usually would not do this, i.e., join in so quickly. It was fun. I met some people I hadn’t met before, had a couple small chats. Nothing too committed, nothing too serious. Then I came home.

–I also had a superb and very difficult ride three days ago. I rode from Paroikia to Lefkes (45 min.) and then from Lefkes to the radio aerials that sit atop the highest peak (1.25 hrs). From there I rode down the south-western slope, along an extremely rocky track, that eventually turned into a decent farm road. All unpaved, of course. The route eventually led me to Kakapetra, an area just south of Paroikia and a stones throw from a friend’s house (45 min.) I stopped by for coffee and a chat. The image below is from that jaunt. You can see the aerials far away in the distance.

–I have reapplied for my American passport via the mail and the embassy in Athens; I have washed a load of laundry; I have shopped for cat food. Tonight, I get to eat dinner with a good friend at one of my favorite restaurants on the planet. I begin my 50th year as a photographer and an amateur mountain biker. Looking back, when I turned 30 I was a chef de cuisine (10 years) and a guitar player (15 years). Like the snake, I shed my skin.

Biking from the aerials on Paros.

Pinch me…

By John on January 17, 2014 in Athens Greece, beauty, craft, Greece, Paroikia, Paros, quiet islands, rangefinder camera, skill and craft, spiritual journey, spring in the Aegean, Uncategorized, working

–They say our reality is Krishna’s dream while he sleeps on a lotus flower.

–It seems like a dream. I woke up a few minutes ago, startled and disorientated. Jet lag. I am in Athens. I walked out onto the small balcony of my hotel room overlooking the street. It is quiet at 04:00. The city sleeps, breathing slowly. Two days ago I was in America, visiting family and friends. I am in a different world.

–In America I ate hot dogs, apple pie, toasted peanut butter and jelly sandwiches, beef jerky. There have been excellent sit-down meals too. Very American food. I have been able to stave off the calories at the gym.

–There was lots of snow there, and rain, and frigid cold. It was lovely. There was an abundance of water. On the little island I call home water can be scarce. We use less. Long showers are a luxury. I luxuriated.

–On the Massachusetts Turnpike I drove through the kind of rain, wind and fog that made it seem as if I was driving underwater, surrounded by a screaming mass of tractor trailers and SUVs all moving at 80 mph. I had little choice but to keep up. Every light on my little car was switched on so people would see me.

–Photography during the winter allows for simplicity. Sticks, snow, shadow, light.

–So I am back in Greece. Last night I ate yigandes, patzaria, and briam for dinner. Greek food.

–I am back in Greece. I have a few days here in Athens then I hop the ferry back to Paros. What is waiting for me there?

–I was thinking of taking pictures of metro stations. I need a new header image before I post this entry. I’ll use one of those.

–Life is like a dream. Row, row, row your boat…

JDCM

Happy Christmas!

By John on December 24, 2013 in craft, darkroom work, Greece, Paroikia, Paros, Paros Portraits, silver darkroom, skill and craft, spiritual journey, Uncategorized, working

Snowy morning sunrise, December 19, 2013

Snowy morning, December 19, 2013, 16*F. Leica M8

…and a few days later, December 22. 68*F. Very weird. Leica M8

Christmas is here and all through the house it is very quiet. The cat plays with her tail, my mother sits in the living room reading the New York Times. Tonight is Christmas Eve and we are having a Mexican dinner–pork quesadillas, guacamole, salad and a candied pumpkin dessert. The tree is up, decorated and there are presents beneath its bangled branches.

The best gifts this year have not been material. They have been the deep changes I have felt within myself and how I perceive the world. This, in turn, gives me the opportunity to respond in new ways. I am not always familiar with these aspects, nor am I always comfortable, but they are for the best and I feel have improved as a human as a result. Here are some off the top of my head…

— My role as a teacher is not to reward or punish via the archaic system of “grades” so common today. I am there to guide, lift up and hopefully inspire.

— My own work is a testament to long labor, arduous and fulfilling. I am grateful to have been able to have an exhibition of my photography this year. I am also grateful to have been allowed to exhibit it in a place I love–Paros and The Aegean Center for the Fine Arts.

— My future is unknown and uncertain. The best I can do is show up and be part of life’s rich pageant.

— That’s OK most of the time.

Merry Christmas and have a lovely New Year!

JDCM

Mid-December update…

By John on December 12, 2013 in Athens Greece, autumn, beauty, biking, craft, darkroom work, Greece, Paros, quiet islands, skill and craft, spiritual journey, working

Phrenology at the Street Market. Leica M8, Voigtlander 28mm; f/5.6; 1/125; ISO 320

-I haven’t posted in a while. I have been busy with the ending of the 2013 Autumn Session at the Aegean Center. I have been very pleased with this session. My steep learning curve as an instructor has taught me a few things and I have been able to avoid some of the pitfalls common to any novitiate. My overall opinion of teaching is that the small rewards outweigh the tragic gaffes and stumbles. I keep searching for the Golden Key which unlocks the door. It has been a humbling three months.

-I am currently in Athens, making my way back to the USA for the Christmas and New Year holiday. I will visit with family, close and dear friends, and enjoy driving my car.

-It will be frigid in the little town where I grew up. This will make exercise difficult and lazing about watching movies easy. For the month that I am there I will probably join a gym and try to burn off the calories as I gain them. I have no desire to return to Paros 6 kilos heavier than when I left. One of the many benefits to living on Paros is the ability to get out and about without donning the kind of winter gear I will wear in New York. There is also no snow on Paros, or none to worry about anyway. This allows me to ride my bike. It’s all about layers.

-I was sitting in a café yesterday with some Athenian friends and I was astounded at the general din of this large, ancient and sprawling city. After the quiet of Paros, the noise is deafening. It troubled my sleep last night. I tossed and turned.

-I still adhere to the belief that I am not an “artist”, per se, or at least would rather not be known as one. Call me a “skilled technician” or “an able-bodied craftsman” or “a journeyman photographer”. The world has become a market for the “artist”, a place to sell goods, like a street vendor selling fruit, or perhaps something darker. In order for “the artist” to really be a mainstream success, he or she must conform to the trends and fads that guide the fickle opinions of gallerists and marketeers. For me, this is a trap. If I am creating to please the public, then I am on an ego-trip. It urges me to be the center of attention, in the limelight. I am not comfortable with center stage. Once in a while these lines intersect. The rest of the time I have to be patient with hard work, working long nights and being a wallflower.

JDCM

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