I have always loved the change of seasons. Whether in the Hudson Valley where I grew up or the small island in the Aegean Sea where I now live. I welcome each new season with joy and relief, only to say good riddance three months later after weariness sets in. This autumn is no different and there are many changes to go along with the weather. Clocks have been set back. Tea time seems more meaningful as darkness falls.
I have been living in an apartment full of boxes for the past two months. All of my books, shelving, camera gear, odds and ends…have been packed up and ready to be moved. At first it was an exciting feeling, to come home to this pyramid of brown cardboard. It has grown stale as the day approaches when I can finally begin to move from one side of town to the other. As one friend remarked last night, moving house is inspiring and makes one reevaluate routines. Like the change of seasons, this move will give me a new perspective. I need it.
My small photo show was, on many levels, a superb success. Many people came to the opening and I was struck by the wide variety of people I know here on Paros: people involved in the arts, those I know through the local biking community, others I have come to know over the years, students from a local art school…people who would ordinarily not mix. They crammed into the space provided by a small Italian restaurant and had a good time. I guess that was the point, really, to have a small gathering on a night in mid-October when there was ordinarily little to do. Many compliments, many questions…alas, not a single sale so I am stuck with 22 framed and matted photos. So I will choose one to put up in my new apartment. There is a part of me that wants to just burn the rest. But what to do with the frames and glass? Eventually I will get around to scanning the photos so people can see them online, which suddenly feels like cheating. Now I don’t want to do that. If you missed the show, you missed it. Is that so selfish?
I wasn’t asking a huge amount for these photos. They were priced inexpensively. If I had sold five I would have broken even on the costs. I think many people have no idea of the work that goes into a single image. Even had these been digital images, the work would have been substantial. They are not, of course, so we are talking days of labor to get the picture right and that is before matting, framing, the overall cost for the exhibit opening…I guess I am taking page from Robert Fripp’s advice to artists–work for free–an expensive venture.
My list for today is as long as my arm and I must get it all done.
–JDCM
