–I haven’t spoken much about my photography lately, not since my Paros Portrait exhibition in August 2013. Although I have shot and developed plenty of film, I haven’t been printing. This has changed in the past couple of weeks.
–I am continuing my 4×5 portrait work and will do so at least for another year. This as a larger arc beneath which I conceive and work on several other projects.
— I am thinking of a 35mm collection of textural pieces. By “textural” I mean close up images of worn wood, rusted and tarnished metals, peeling paint. These images tell of time and of the elements. My eye falls into the deepest crack in the wood, the darkest keyhole, into the tiniest shadow beneath a curling leaf of old paint. I want to go there. I want to set up shop. This new portfolio will be small, only 12 pieces. I will begin during the first week of March and finish on the last week of May. That is 12 weeks, or close enough.
–The soft focus work of Julia Margaret Cameron has also inspired me, especially after seeing a small exhibit last December in America. I will work on something along those lines. Still lives and medium format feels like the right way to go. I will need to go shopping for the right kinds of vases and props. This will give me a chance to pick up some new crockery for my own kitchen as well–plates and bowls and such.
–More biking, of course. The weather just cries “get outside…move your muscles…” The other day I rode to Marathi, then headed north overland, then northeast, bushwhacking until I was able to make it to a small farm road that led me to a large monastery just outside of Paroikia. From there I headed back north, across the road. Somewhere in there I punctured my rear tire, so I stopped and changed the tube. Then I headed back home. Clear paths? Hmmm…That’s subjective. Click the thumbnails to enlarge…
–JDCM
If there is a path there, I worked for it. Unrideable, of course. I pushed the bike.
10 minutes of quick repairs and I was back on the road.
