Archive | May, 2013

Teaching and craft…

There is less than a week until our student exhibit at the Aegean Center for the Fine Arts here on Paros.   It has been a busy three months for most.  Like all previous sessions there is always one or two students who fall away.  This spring has been no different.  One student left and returned home a few weeks ago.  Another has stayed here but has followed a different path from those found on our artistic maps.  So be it.  There is nothing I can do about either case.  I will say, in my own defense, that I was there for both of them in a professional capacity when they needed me and,  in the beginning, helped to guide them through some of our philosophies.  Their individual decisions to take different routes has no bearing on the Center, the teachers or my own labors.

This spring I was given the honor of filling in as Silver Darkroom instructor.  This is not a post I assume to be permanent.  All teachers learn that their own skills, craft and knowledge increase when they pass on what they know to others.  This has been my experience as well.  I have learned more about the art and craft of photography in three months than I thought possible.  It was knowledge that I had already accrued so to give it away freely only strengthened my own foundations.   It was not  review or regurgitation.  I found myself solving problems and asking questions of myself from a new point of view.  One important lesson is to be able to say “I don’t know.  Let’s find the answer together.”  What freedom to not suppose, to not be a fake!

There is an ethos to teaching.  It is not enough to greet the student, spend a few hours or days, and then set them free.  That would be tantamount to showing them a map and telling them to drive to California from New York without first discussing the possible roads west.  As the more experienced traveler it is important to guide these eager minds along the way.  Yes, let them take a wrong turn, experience a sudden detour or two and even run out of fuel, but do not abandon them in the badlands of inexperience.  Let them know that you are there, waiting up ahead at the next marker or traveling alongside.  I have practiced this and it has paid off.  I have gained a level of patience and understanding by remaining available.  I have set up appointments and answered their questions to the best of my abilities, abilities which have grown over the course of three months.  To some this may seem a sacrifice of my own personal time, my own independence.  It is quite the opposite.   I have never felt so free, so happy and, at times, so completely baffled.  At that point I turn to someone more knowledgable than myself.  Such is the nature of education, or it should be.

There is a quote from George Bernhard Shaw: “Those who can, do…those who can’t, teach.”  I must admit that I have found this to be very untrue and can only believe that GBS had his head (beard and all) deeply imbedded in his anus when he thought it up.  The quote should be “Those who can, teach.”    Learning is a cycle:  Practice>Teach>Learn>Practice>Teach>Learn>Practice>Teach>Learn…

Ralph Waldo Emerson had a better idea:

“Be an opener of doors for such as come after thee.”

JDCM

Space and the end of Easter…

I just helped a friend board the Blue Star ferry ‘Delos’, en route to Pireaus.  It is Sunday evening, May 12, on Paros and the Easter season has ended…finally!  The smell of lamb fat has rinsed from my hands, the out-of-towners are returning to their homes and the island is quieting down.  I was shocked by the crowds already on board the ‘Delos’ as well as those embarking.  Hordes.  Masses.  All with rolling luggage dragging behind them, seemingly forgotten in some small dusty corner of their minds.  Passive traveling at its worst.  Why is it that we forget about the items directly behind us and we tend to lead with memories from so long ago ahead as if they are current events? Hmmm…

On the other hand, the Aegean Center students enjoyed a lovely day out at sea with Captain Tassos and his crew for our spring “Boat Trip”, a somewhat circular route around Andiparos, stopping at Despotiko, then Taverna Zombos on the southern side of Andiparos for a mid-afternoon feast: gigantes, kolokithokeftedes, bean salad, xoriatiko salate, calamari, oktopodi salate, saganaki tiri…a true food event.  I needed some space, some time alone so I stayed back at the school and worked on my current painting, a view from a balcony overlooking a small courtyard adjacent to the school.  I had three hours of quiet for this and I managed to work very well, very hard and productively in that short span. Then I hopped in my trusty FIAT Panda, drove to the Andiparos ferry, went over, swam  at both Livadia and Agios Giorgos beaches, took some pictures (film and digital) and met up with the rest of the school for the above-mentioned meal.  Orea!

Here is an image from today.  A view of Andiparos–Leica M8, Voigtlander 28mm, ISO 160, F/16, 1/125, hyperfocus…clouds and wires

Some walls, a lamp,  sea, sky, clouds.  Enjoy!

JDCM

Greek Easter, Paros, 2013…

There was a time before my time, before the time of my sisters, my parents, my friends…

For some reason this phrase popped in to my head today.  For the past few days I have been helping a friend and mentor and her husband move house.  It has been an emotional and difficult time for them and I have been honored and humbled to help sort through decades of their life here on Paros, and earlier.  We have been separating the wheat from the chaff–a difficult process.

Much of what they wished to save has been in the form of photographs, or more precisely, photographic archives.  That is the only way to think of it.  Negatives of all sizes, black and white, color, contact sheets, prints.  Their time here has been documented and preserved in hard-copy.  There was little  digital imagery.  As I worked I felt something meaningful, truly palpable, while holding a negative up to the light, perusing a contact sheet or carrying an artist’s portfolio bursting with prints.  Compared to the lightweight, back-lit digital medium that takes up little space and weighs all but nothing, these items, this archive, made sense to me.  Maybe those of us in the digital age have become so accustomed to the ease with which we view, and then delete, images, or page through them via myriad viewing software programs that we are beginning to forget the importance of this process.

My point is that memory, that elusive, ever-changing spirit we carry in our soul, is something that should have weight.  It should take up space in our homes.  We should, every once in a while, take a photo album or box of negatives off the shelf, dust them off and hold them up to the light of day.  As we gaze, we smile.  We remember friends long gone or vistas experienced in a way that we cannot when looking at an LED screen or something of that nature.  We smile, or we cry.  We tell a friend, “Look…here…this is when we…” and then hand them the fragile transparency or piece of paper.  We pass on wheatthat experience.

We are all repositories of the past.  This brings me back to the idea that there was once a time before my time, before the time of those who came before me.  I have books as proof, books I can hold.  I have folders full of negatives, unprinted.  I am accumulating weight in the form of artists portfolios stuffed with prints.   I have held them up to the light of day.  I say, “Look…here…This is when I…

Happy Easter!

JDCM