Archive | March, 2013

March 31…

In the West today is Easter.  It is also the end of Passover, I think.  In Greece we are still in the midst of Orthodox Christian Lent.  Our Easter Sunday is not until May 5, over a month away.  Spring has sprung.  Here at the Aegean Center we have two more weeks before our spring break and then, when we resume, only a month before the end of term.  Time certainly flies when you are having fun, and I must admit, I am having fun.  Don’t get me wrong, I am full-bore with work, but as a wise man said a few weeks ago, “Fun isn’t fun…work is fun!”  I have to agree.  Nothing makes me happier than to be either a) working with students in the darkroom b) printing my own work in the darkroom c) painting in my studio d) photographing people in my neighborhood with my 4×5 e)…Where do I stop?  Yes, much work, many challenges, much fun and more to come.

As I write this at Pebbles Jazz Cafe, looking out on the silver-grey sea, I am reminded that Confucius wrote “Choose a job you love and you will never have to work a day in your life.”  This is not to say that I have a job or that such tasks are not without difficulties and trials, but that the rewards from walking through the fires of such experiences are greater than their immediately perceived headaches.  We are galvanized by venturing into the shaky unknown and facing what we fear.  Hence, the definition of courage: embarking on a course of action despite our fears.

I have been reading Homer’s The Odyssey, in a class taught by Jeffrey Carson, here at the Center.  I have read it before with him and a couple of times on my own.  I prefer reading it with a group and meeting once a week to discuss the reading.  I enjoy the interaction.  It is a simple story, really: the tale of a man trying to get home to his wife and family.  Nothing more really.  On the way he confronts dangers and strife, some of his own making.  Some emanates from external forces which he cannot control, i.e. the gods.  That’s it.  Not much else goes on.  The rest is more for flashy adventurous color thus keeping the guests interested while they eat.  Homer’s script still works.

A few of the other students have read it before in either high school or college.  They have taken classes in which Homer’s work has been dissected and rearranged to fit with post-modernist theory or some other deconstructive dialectic.  In the academic study of history this would be called ‘revisionist history’,  a plague of inaccuracy to historiographers.  I wonder what Homer would have thought of these interpretations?  It reminds me of this scene in Woody Allen’s Annie Hall

Don’t get me wrong, I am all for differing opinions.  They make us interesting humans.  They are what attracts me to people.  For me, simplicity is complex enough.  This applies to my photography as well.  I have been printing some 35mm images I have made while on our Friday Hikes.  Upon review I find they are all the same, and I mean that in a positive sense.  They are textures, light and shadow–wide expanses of Zones.  Subject matter isn’t as important as it used to be.

I was going to quote some Emerson in today’s blog, but the entry is too verbose.  In keeping with Homer, I will borrow something from The Odyssey instead.  Shortly after the beginning of Book VII, Odysseus is walking through the seaport of the Phaiakians accompanied by Pallas Athene.   She encourages his bravery by saying, “The bold man proves the better for every action in the end, even though he be a stranger coming from elsewhere.”   Re-interpret that.  I dare you…

JDCM

News from Paros…a journey of small bites…

Lupens blooming along the path to the monastery of Agios Kyriaki

Lupens blooming along the path to the monastery of Agios Kyriaki

The first week of the spring 2013 session at the Aegean Center has all but ended.  As I sit in Pebble’s Jazz Cafe, overlooking the bay of Paroikia, the sun begins a slow descent towards the faint outline of Sifnos to my west.  Since my return at the end of January the sunset has moved slowly north along the ridge of that island, the daylight has increased and the temperature has become warmer.  There have been welcome harbingers of a lovely spring: warm, breezy with high clouds and only sprinklings of rain, barely enough to dampen my laundry hung out to dry, birds singing in the bright morning…

My work for the next few months has been laid out for me, a buffet of grand proportions.  My own large-format portrait work, which I have written about before, takes priority if I wish to have the printing finished by the end of May and the work at the framers by June.  This is the beginning-of-the-end of a long-term project, the seeds of which I planted during  the winter of 2011/2012.  I have two or three more sittings to arrange and then I can begin crossing tasks off the list.

I am also teaching in the darkroom, guiding the bright and eager minds of our small cadre along the meditative paths of silver photography.  I have been impressed in this first week by their enthusiasm, previous experience and general attitude towards the idea of ‘slow photography’.  I can only hope that they, too, feel as if I am an able mentor for their journey.  There are two or three returning students working on the darkroom, which benefits everyone.

The third element is my return to oil painting.  I loved it the first time last spring and this time around seems no different.  Just today I was working on a piece and I was struck by how much I love oils: their malleability and fluidity, the ability to push them around on a properly prepared canvas…

The fourth menu item this session is a fascinating journey into the world of Johannes Vermeer, more precisely his use of the camera obscura in his work.  There are three of us working with Jane Pack and in the next few weeks we will construct a full-scale replica of the master painter’s  camera, discover how he applied it and use it ourselves to draw, and then paint, some still lives.

When I realized a few days ago the scope of the labors set before me, my heart and mind quaked.  I quickly spoke to an advisor which helped.  I know that I can accomplish all of these things, but like a plate of food at the above mentioned buffet, this kind of smorgasbord can seem impossible to consume.  Like any dinner, it starts with the first bite.   Before I know it will be the end of May and I will be ordering coffee and dessert.

JDCM

 

Spring unfolds at the Aegean Center for the Fine Arts…

The spring session has begun here on Paros at the Aegean Center.  The students have mostly all arrived, riding in on the winds and waves.  It poured rain all day yesterday and the streets turned into small rivers.  By last night the clouds had rolled away and today is sunny and bright.  I have many thoughts running through my head, so many raindrops, really, and in many cases just as discarnate.  Add them up, however,  and they are a flood, a river of their own.  I found it comforting to stop thinking.  I loaded up some Plus-X, grabbed my tripod and headed down the now undimmed streets of Paroikia.  Action, not thinking, always improves my day.

I will be painting again this session.  I will also apply the finishing touches on a large format photography project that I began last year, a series of portraits of people I know here on Paros.  They are students, ex-pats, local Parians…My Greek barber, Nikos, for instance, as well as the English owner of a local cafe.  A motley crew to be sure.  I will finish the principle photography and printing in the next three months, bring all the final proofs to Athens and have them matted and framed.  I hope to accomplish this before the end of June when I head back to America for a month.  When I return in August I will hang the show and open the exhibit.  It will be the culmination of my work here at the Center, my Masters Thesis in Photography, if you will.  I have no idea where the show will be.  I’ll stick my neck out again.  So far that hasn’t been the most successful venture here on Paros.  I have lost my head more times than not (certainly gaining wisdom) but what choice do I have?  “Action and more action…”, as they say…What follows my exhibition is anyone’s guess.  I suddenly feel lost at sea with the prospect of September.

I will be assisting again in the darkroom with the students, as I did last fall, so my energies will be focused on their work more than my own.   Like the weather moving in circles, alternating rain, sun wind and calm, the Aegean Center is part of the cycle of  change.  I cannot do much except sit back and trust the process, let the story write itself and accept the results.  Once again, to assume anything would be foolish, self-serving and arrogant.  As of this morning I am excited to work with five or six (maybe seven) students, some who have never handled silver emulsion and some with more knowledge.  We shall see how the session evolves.  I remember having many preconceived notions of photography when I arrived here on Paros three years ago.  They were soon dashed in favor of a new and vibrant dynamic.  As a lotus blossom, spring unfolds…

JDCM