Archive | May, 2011

In the Aegean Center digital lab…

This is an update from Greece, from the digital lab at the Aegean Center for the Fine Arts.  I feel like a ship at sea calling ship-to-shore on the shortwave.  An update from Greece, indeed.  It has been a tumultuous three months.  I have created some amazing work and I am grateful to have been here.  Personally and emotionally, however,  I have been put through the ringer.  I have been called a friend by some, ignored by many, ostracized by a few and even, I think, been thought of as a suspicious character by at least one or two people.  Throughout all of this I have made a couple of friends with some of the younger students and lost one as well, someone who I treated decently and cared for deeply.  Such is life.  I will never get used to that gut-sick feeling of grief and loss.   I am not ashamed or upset about how I have behaved:  I was honorable  and righteous in thought and deed.  But I digress…

We are all wrapping up the term: painters are painting their final strokes; digital printers are slipping out the final pieces of Hahnemuhle Photo Rag Matte, Pearl or Baryta.  In the darkroom my commitment to the four portfolios is finished but I still have to print some copies for the models I have worked with.  The Ensemble begins it’s short series of 4 performances this week.  Next week most of the students begin to leave, some directly back to the USA although some are loitering in Europe for a week or so, myself included.  I’ll stay on Paros until the 17th and then head to Athens for about  4 or 5 days in the relative comfort of a hotel in the Plaka area of town.  I’ll see some friends, watch some movies and catch some museum exhibits that I have seen before.  I will be coming back for a third semester in a few months:  more emotional stress, artistic expression and personal angst.  What am I thinking?

More to come…

JDCM

The importance of friendship…

A melancholic tone moves through the Aegean Center, a mist leaving little trace but the knowledge that it has come and cooled the air.  I have been struck dumb by situations beyond my control, although I have been the catalyst that has brought them about.  In the end it is not about me, yet I have been shaken to the core.  The question is, what is ‘friendship’ really and can someone be merely a passing acquaintance if not a true friend?  I feel that this is a dilemma for all ages, not just mine nor the 20-something people around me.

Wright Morris was born in 1910.  He was a writer, photographer and essayist.  When he died in 1998 from complications due to Alzheimer’s he left behind an impressive body of work.  My father, Hilary Masters (also a writer, essayist and photographer) met him sometime during the 1960s I think, when Wright was in his fifties and my father his early thirties.  They became fast friends, each man mentoring each other in the ways of living and the arts.  In an era long before email and Facebook, they wrote letters to each other, visited and corresponded over vast distances on a regular basis nurturing a vibrant and vital relationship.  I wonder if the times had been different, if they had been able to use electronic means, could their connection have been any stronger?  I think not.  Although there have been advancements magical in the way we communicate with each other this technology has also given us a way to distance oursleves from those that may, in the end, enrich our lives.   Real, well-thought out, growth oriented communication has been supplanted by the mundane details of our lives posted on the web for all to see.  Why actually form true friendships and have meaningful conversations when we can just gossip and leave tags on each other’s walls?  But I digress…

Wright was about 20 years older than my father, and although they had many things in common, they were really generations apart.  This was a fundamental aspect of their friendship.   The older man mentored the younger and the younger enlivened the other by allowing him to see the world through younger eyes.  There was no judgment, although I imagine there may have been stern warnings (probably ignored) from time to time, warnings filled with love and respect.  Each man increased each others emotional and intellectual bone fide and in turn, have enriched my own.

This is the truth:  I am 46 years old.  In my short time on the planet I have understood some important aspects regarding friendships: do not cast them aside in the face of fear and do not take them for granted.  I never know who will say the magic words that increase my life, that polish the duller facets of my being.  I can never predict how and when the phrase “a friend in need is a friend indeed” will reveal itself to be a truism, but it has happened already, so I know that it is true.   I seek mentors and friends, guides and teachers through the increasing desolation of the modern wasteland.  How else can we as artists, indeed human beings, navigate the rocky shoals of life’s oceans without prior knowledge of the joys and dangers ahead?  I must ask the tough questions of myself but go to those with more experience for the answers.

To answer my earlier question, can true friendship really exist or are we all just ships passing in the night?  I think the answer to the former is ‘yes’, but it takes work and spirit.  It requires the ability to commit  and not flee.  I have done my share of that in the past so I have learned that lesson firsthand.  I know that true friendship is a rare and complicated jewel, fraught with emotion and happiness, somber moments of reflection but also deep sadness.  This is what one signs up for and, in the end, the commitment is worth the effort.

More to come…

JDCM

Working, sunning and in the depths of loneliness…

Perhaps I am on the pity pot.  Probably.  We’ll see…

Here I am in a wonderful geographic place, making beautiful photographs that, in my mind, show the grace, power and delicacy of the female form.  The sun is out (finally) and the temperatures are perfect.  I have had a relaxing and pleasant Sunday, with some good reading, some beach time and a decent conversation with at least one person.  Nevertheless I am terribly lonely and feeling increasingly isolated from the rest of the students here.  Is it my age?  It is because I do not drink alcohol? Do I threaten them in some way?  I have noticed that more and more often I have not been invited to join anyone for a meal, idle companionship, or even to share my car-anything.  I have to actually go out of my way to invite myself.  It is humiliating for me to continuously ask if I can join someone for a simple cup of coffee.  If the shoe were on the other foot, which it has been before, I would be the first person to invite someone along for the ride.

In Homer’s ‘The Odyssey’ there are only a few point where Odysseus is truly alone.  His men are lost, he has been imprisoned–things along those lines.  A teacher I know taught me that, to the Greeks, being alone is seen as a type of illness.  This is why the Greek traditions are always jammed with people.  No one eats alone, sits in cafes by themselves, no one.  I can identify with Odysseus.  It feels as if I am a pariah, banished from the pack and destined to do nothing but walk from my apartment, to school and back.  I feel as if I have been cursed.  So what have I done to deserve this?  Am I deluding myself into thinking that I am a nice guy when everyone else actually considers me a shit head?

To be honest I have much to be grateful for.  It would be nice to have some other folks around to share it with me.  There is a dark part of me that wants to say, “Fine.  No more love from me.  You all want it that way, then go away.”  I do not believe that this is the correct way to think though.  I must believe that, deep down, it is not me that this is about.  Unfortunately it is becoming increasingly difficult to do so.

More to come…

JDCM

Lith, experiments and coming ’round the home stretch…

Tonight is probably my last studio session for figure studies.  I have two models scheduled.  I have to re-expose a couple of rolls of film because the aperture wasn’t open enough the last time and I also need to take some digital images of another model holding a largish seashell.  This should all take about an hour-and-a-half.  My digital portfolio is almost completed but my dark room work is moving slowly.  I have begun the photo-lith experiment and it is interesting to say the least: toxic chemistry yielding beauty.  I want three portfolios by the end of this month, which is a tall order.  I am a working fool, with the emphasis on ‘fool.’  More will be revealed.

The show is in about  a month.  After that I stay here on Paros for another ten days and then off to Athens for about four, and then back to the USA.  OK.  Time for lunch.

More to come…

JDCM