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Departures and arrivals…

By on September 17, 2014 in 35 mm photography, autumn, beauty, biking, black and white portraiture, craft, darkroom work, Greece, John D.C. Masters, John Masters, Paros, Paros Portraits, portraiture, quiet islands, silver darkroom, skill and craft, spiritual journey, Uncategorized, working

The crowds have thinned out on Paros.   The roads have become less treacherous and the island is, once again, for those of us who live here.  There is a collective sigh of relief.  I have been biking well, using my new Boardman road bike and loving it.  In a recent post I stated that I wanted to ride at least 125km per week.  I have done that in three days.  I will have to up the ante.  Maybe 200km?  Easy-peasey.  My mountain biking has been vigorous and rugged.  As it should be.

I continue to build a solid portfolio of 35mm portrait pieces for my exhibit scheduled in the fall of 2015.  I think I also have enough ‘cafe-Cafe‘ images for the small show I hope to hang in November.  Now all I have to do is print, matte and frame 12 images. This will begin in October, when I return…

I am leaving for Italy tomorrow.  It will be a short trip, only a couple of weeks, and I will hook up with friends and colleagues for some art, art history and good eats.  I am all but packed with only my shaving kit to stuff in my rucksack.  My camera bag is ready, awaiting my laptop and assorted odds and ends.  I am only bringing two cameras: my trusty, well-used Canon G11 point-and-shoot and the small Pentax 35mm I bought from a friend last July when I was back in America.  I will bring the 50mm and 135mm lenses.  I have been having fun with this little machine and so it feels good to continue the joy.

Cavafy’s poetry continues to inspire and fill me with emotion…

Return

Return often and take hold of me,
cherished sensation, return and take hold of me–
when the body’s memory awakens.
and past desire again runs through the blood;
when the lips and skin remember,
and the hands feel as though they touch again.
 
Return often and take hold of me at night,
when the lips and skin remember.
 

–JDCM

 

 

 

In the shift…

By on August 31, 2014 in 35 mm photography, autumn, beauty, biking, black and white portraiture, darkroom work, Greece, John D.C. Masters, John Masters, mountain biking in Greece, portraiture, skill and craft, Uncategorized, working

–The August crowds have departed and it is almost September.  The summer is slipping away (has slipped away), a tide across the sand.  The light has shifted.  It is no longer the July glare.  Delicate clouds mute the summer fierceness.  Autumn approaches.  Today it is windy and cooler.  A meltemi eases fevered brows.  A scirocco will present itself midweek.  The breeze will drop to almost nothing.

–All the forecasts point to the possibility of a light shower this week.  Whether this will happen on Paros or another nearby island is never certain.  I shall just have to wait and see.

–The mountain bike race on Andiparos has been cancelled.  The next event I can participate in is the race on Naxos, at the end of October.  That’s OK, although I was looking forward to Andiparos.

–In a couple of weeks I head off to Italy to visit with friends, eat some steak Florentine, and allow the Renaissance to inspire my eye.

–My portrait work continues.  I would like to shoot and develop a couple of rolls of 35mm before I head to Italia.

–I continue my biking.  I need to pump up the kilometers a bit.  Now that it is cooler and there are fewer cars, this is easier.  I pay the final installment on my road bike tomorrow. Then I can begin that dynamic routine.  200 km a week total with both bikes.  That is all I ask…

–JDCM

 

Happy May…and some thoughts on photography…

By on May 2, 2014 in 4×5 photography, beauty, craft, darkroom work, Greece, Paros, Paros Portraits, portraiture, skill and craft, spring in the Aegean, working

–May is here.  The sun is shining, the tourists are few.  The winds are from the south, north, east and west.  It is lovely here on Paros.

–My darkroom work is progressing nicely.  I have been printing my Weather/Texture 35mm images on a regular  basis and am finding great joy in the consistency of this portfolio.  I have also been keeping up with my 4×5 portrait work and  recently photographed a young artist who is visiting our fair isle.  I made 12 exposures, of varying depths-of-field.  I’ll develop them this weekend.  Paros Portraits, Part II moves at its own pace…

–Recently a close friend  gave me a lovely gift: Richard Avedon’s Woman in the Mirror .  The images reminded me to look a little deeper into this photographer’s life.  I have always been impressed by his work.  I admire those who labor at what they love and have paid their dues, either through hard work, hard times, or both.  Avedon was a skilled craftsman who supported himself and his family through commercial photography.  While I never met the man, I get the feeling that while he became famous in his own time, he maintained his humility.

Avedon said that “I never wanted to be called an artist.  I wanted to be called a photographer.”

…also “sometimes I think all my pictures are just pictures of me.”

He also believed that “a photographic portrait is a picture of someone who knows he is being photographed, and what he does with this knowledge is as much a part of the photograph as what he’s wearing or how he looks.”

–Dig it.

–JDCM

 

 

 

The exhibition…

By on August 20, 2013 in 4×5 photography, beauty, black and white portraiture, craft, darkroom work, Greece, Paroikia, Paros, Paros Portraits, portraiture, skill and craft, spiritual journey, Uncategorized, working

My solo exhibition opened Sunday evening.  It was a joyful relief to have it up an on its way.  I realized that I have been building this portrait project since October 2011 while also working on (and completing) several other portfolios in both photography and painting en route to this destination.  No small feat.  It feels as if this has been an overreaching arc representative of all my labors to date here on Paros.

I have had some interesting comments regarding the 22 photographs.  One on-line viewer remarked that I had created a community.  I can see that too: a small town.  I have a butcher, barber, teachers, students, potters, cafe owners, artists, farmers, families, etc…The portfolio could stand alone as a village almost anywhere.  A visitor to the exhibition last night said that I had captured the souls of these people.  I like to think I only borrowed them for a brief moment.

I was too busy to take any pictures of the opening, but I know others did.  When I have some of those, I’ll share them.

I think I will concentrate on portraiture for a while.  My other photography is good, solid work.  It is like doing push-ups or lifting weights–all preparation and training for the real event.   I will begin a second round of portraits in late September, once the light has shifted a bit and people’s schedules have settled down.

Thank you, once again, to all those who helped make this happen.  You know who you are.  Yes, I did the work, but without the support of the Aegean Center and the people of Paroikia this project would never have seen the gallery lights.

JDCM