Tag Archives | John Masters

Years have passed…

Wow.  I haven’t updated this blog since January 2021.  Over two years.

Recently I have been in touch with people from way back, in the 1980s, from my years in Colorado.  It’s interesting.  We are all many years older.  Time has molded us all, as time does.  People have died.  People have had children.  Marriages, divorces, etc…the slings and arrows of outrageous fortune that come to us all, I suppose.  My choices haven’t been theirs, and vice-a-versa, of course.   We all find happiness and our sense of being in our own way.

There is no denying that the pandemic has changed my thinking, as it has for many.  An old friend fled LA at the beginning in 2020 and moved ‘temporarily’ to New Mexico.  He’s still there.  He’s found his place, one of many in his lifetime.  Others have drifted until they found safe harbor.  Whatever it takes.  I followed the route of many others and bought a small house, renovated it and have been living in it since November 2021 (please see the previous blog entry).  I have also been taking piano lessons for over a year.  I’m better now than when I began.  I have picked up the guitar again after a long hiatus and am enjoying that too.  My photography has been fruitful, mostly analog, and my darkroom is a busy and deeply satisfying place to work these days.  Work.  I love that word.  I love to labor at my craft.  Once in a while I splash some paint on a canvas and see how I feel about that.  I try not to take things so seriously.  I think being happy is better than being right.

In my family, common questions were ‘How’s your work?” and ‘What are you working on these days?”  Of course this never applied to our day jobs, how we paid our bills.  “Work” was always “work.”  In my case it was music, writing, photography…my sisters each have their own artistic paths–visual, literary and academic.  That’s just the way we were raised.

There is a wonderful quote by the techno-music godfather Giorgio Moroder that has been informing me these days.  Taken exponentially, I find applies to anything, not just music…how I navigate life.  He said, “Once you free your mind about a concept of music and harmony being correct, you can do whatever you want.”  That’s it, isn’t it?  It’s so easy to fall into a pattern of ‘correct’ and ‘right’ whether it is in life or the arts.  It’s a place of stagnation and boredom.  The random and potentially exciting is supplanted by the predictable and mundane.  Work becomes toil.  I become serious, rigid.  Inflexible.  Moroder’s philosophy demands work, some internal yoga to loosen the thinking, stretch the concept.  As I said before, being happy is better than being right.

And so I work.  I take pictures, develop the film, produce the prints.  I use a digital camera too.  I play piano and guitar.  I study music theory.  I stretch canvas and splash paint.  I ride my mountain bike and even swim in the sea during these winter months.  I read good books and eat healthily.  I sleep well.  I try not to take myself seriously.  I find happiness.  I let go of the rest.

–JDCM

Welcoming 2021…

 “There is an insubstantial quality to life these days that is difficult to quantify.”–JDCM 2020

A friend wished me a happy rest-of-my-weekend the other day and qualified it by remarking “…as if there’s a difference in these amorphous and indeterminate days and weeks of the covid epoch.”  This sums up much of my emotional state since this ‘epoch’ began last February: one same day after the next with the same news feed, everyone seemingly watching the world turn while quarantined inside our homes.  This isn’t completely true but it feels that way.

Last February I was wrapping up a winter-long darkroom silver-gelatin printing project.  It was for a solo show in July. At the same time I was mapping out a 2-3 week bicycle ride through northern and western Greece that would have taken place in May.  Needless to say, neither of these events came to pass.  The show was cancelled and the ride was put off until the autumn (when it did not happen again).  By the end of October I was left with a porfolio that meant little to me and a lot of maps going nowhere.  But that is looking at these past months the wrong way.  So much may not have happened yet so much actually did occur.

On the advice of a friend (to whom I am eternally grateful!) last March or April, I bought a little house.  The papers were finalized in August and a full renovation began, finishing in the first week of November.  The place really needed to be gutted.  Ancient electrical, plumbing, crumbling walls, etc…I documented it online.  I have now rented it to someone who needed a home.  Then I got the wild idea that maybe I should stop paying rent and buy and renovate my own space!  So I did.  In a few weeks (crossed fingers) I will finalize that deal and begin renovations.  I hope by the end of November 2021 I will have moved into my new home.  So to my friend MM who started this process…many thanks and eternal gratitude for shifting my thinking.

                              Prickly Pear #1

Photography…writing…I have come to the conclusion that, for me, social media, as a whole, is a stifling and shallow platform for art or communication of any true depth.  These applications have actually hampered my creative process.  I have produced less photography and written fewer blog entries since I started being more on my phone with a popular social media app.  I let it suck the creative juices from my mind and soul.  So…I would like to make more real photographs in 2021, write more, produce more real work.  The new house will have space for a darkroom and a small digital area–room for a printer, perhaps a computer with a larger monitor than my laptop.  A place to work.  A home studio.

I have rested on what laurels I may have gathered long enough.  I will make a new commitment to my art, to my life.  Wheels are in motion.  Let them stay moving, well-greased and clean running.

–JDCM

 

Let’s talk about America…

…and by that I mean, of course, The United States of America. I’ve been thinking about it lately. My family is from there and it is only by chance that I was not born there. But by the time I was 6 months old I was in Ancramdale, New York, home. So I’m an American, despite what my Irish birth certificate says.

Prairie Storm, Oklahoma Afternoon

America’s a big place. Maybe too big, maybe not. Certainly larger than any European country, and third largest worldwide in population after India (2) and China (1). Home to numerous ethnic groups, multiple languages, a geography spanning Alaska to Hawaii and everywhere in-between. From Portland, Maine to Los Angeles, California it is just over 5200 km. That’s a good stretch. You can drive it in 48 hours if you want, but it’s best to take your time. Because in between you’ve got pretty much anything you can think of: bible thumpers, truckers, rock ‘n’ roll, barbecue (too many kinds to count), corn, wheat, mountains, prairies, big rivers, cities, towns and wide-spots-in-the-road, liberals, conservatives, pro-choice, pro-life…man, the list goes on and goddamn it if never ends. It’s the Great Experiment, the City on the Hill, home of Elvis, William Faulkner, Miles Davis, Robert Motherwell, James Baldwin, The New York Yankees, Ansel Adams, gumbo, The Ramones, The Dallas Cowboys, Emily Dickinson, stock car races, hot dogs, Bob Dylan, apple pie, the New England clambake, Raymond Chandler, Pete Seeger, rodeos, Hollywood, Robert Johnson (sitting at that crossroads hoping to make a deal), the Mormon Tabernacle Choir, the Mississippi River, Tom Petty, Mark Twain…and did I mention the barbecue? This is the thing. Where do you start? It never ends!

Ok…we have fucked up a lot–who hasn’t? Name one non-American country that is not guilty of racism, xenophobia, and mindless, senseless bloodshed? Yes, America is guilty of terrible genocide against the actual residents of the North American Continent. We are also guilty of propagating slavery into the middle of the 19th century when everyone else had made it illegal–and a racism that still haunts us after a devastating and still unresolved civil war. We’ve poisoned rivers and levelled majestic mountains–nothing unique there. Yes, yes…I know all this. But most of us are willing to change. Most are willing to take responsibility, heal and move along. Maybe it’ll be like pulling teeth, but it’ll happen. There are some rotten apples. There are rotten apples everywhere, not just the USA. Look to your own back yards. I think ‘back yards’ are American, by the way.

I guess what I am saying is that despite all the crap we have been accused of and all the people around the world who point fingers at us, blaming us for this and that, cringing at how loud we are in restaurants, how boorish we can seem…such barbarians at the gate…ha!

If you’re not an American you have no idea what it’s like to be an American, to be part of this experiment, this massive work in progress, to know and feel what that means. To paraphrase Louis Armstrong (another American), it’s like jazz. If you have to ask, you’ll never know.

–JDCM

Portuguese Kale Soup…

The story of the Portuguese diaspora in America is fascinating. It begins somewhere in the late 16th century and continues right up until the beginning of the 20th. For the most part they settled in the coastal areas of New England–Massachusetts and Rhode Island–and the phonebook of Fall River, Massachusetts has more De Silvas than you can count. Portuguese Jews came to escape persecution. Others settled for business–whaling and fishing primarily. Over the decades they became a large part of the once puritanical fabric of Mayflower territory, contributing their blend of spice, culture and industry. From Newport to Cuttyhunk, Martha’s Vineyard, Nantucket and New Bedford, Falmouth, Wellfleet, Provincetown, Gloucester…The list is as long and convoluted as the coastline it covers. I suggest you go here to find out more details.

Like all diaspora they brought their food. Many years ago I spent a summer cooking on a small island in the Elizabeth’s (a small island chain off of New Bedford) and made more Cioppino than you can shake a stick at. I drank enough Vino Verde (courtesy of Padanaram Liquors) to satisfy any thirst and ate enough fresh baked pastries to choke a cod fish. However, the best Portuguese dish, I feel, is Portuguese Kale Soup. I am not sure if they made this in Portugal but all up and down the New England coast you can find it, especially when the weather turns foul and the rains begin and the winter sets in. I grew up eating this soup in Provincetown and Truro from the time I was born until…well, now we come to it and to be honest I am getting a little weepy right now.

It is December 3, 2019 as I write this and I will post this tomorrow, December 4th. My mother died on December 4th four years ago, surrounded by love, and as peaceful as if she had just gone to sleep. She made Portuguese Kale Soup and that’s how I will always remember it. The recipe is simple and begins in the meat section of the A&P out on Shank Painter Road in Provincetown where mom would buy a package of Gaspar’s linguica and a box of frozen kale, a can of whole peeled tomatoes, a couple of potatoes, onions…the rest we had on hand. You basically just put it all in a pot, cover it all with water, add a bay leaf or two, some salt and pepper and cook it until the large-diced spuds are soft. As memories go it is a real winner. So much so that for the past year I have been trying to have some linguica, real-Massachusetts-grade-A-Portuguese-linguica, sent to me here on Paros. My sister brought some from Maine but the TSA took it. Every outlet I tried in the USA told me they couldn’t ship it overseas. Even Amazon didn’t have the right stuff. You see, there is a difference between Portuguese linguica (from Portugal) and the stuff I want. Worlds apart, as they say. And kale in Greece? What the heck is that?

But I found some kale…a little pale, but sturdy enough–fresh, not frozen. For the sausage I had to compromise. I will be using a mildly spicy Italian sausage I bought in Florence a few weeks ago at my sister’s suggestion. I am also using a little stock, not just water. The rest is the same. Almost. Yes…a little weepy again, but that’s alright. I have my mother’s spirit guiding me and her practical kitchen sense approving the alterations I must make. Because you see, the temperature is dropping and the rains are beginning and the winter is setting in on this little island in the sea and what I want is a bowl of Portuguese Kale Soup and the memory of a steamy kitchen filled with garlicky aromas and a voice saying, ‘Now…we’ll just let that sit and tomorrow it’ll be terrific…”

–JDCM

Treading water…

I have been having issues with my blog space lately. Ever since I upgraded the software on my MacBook Pro, I have had the hardest time logging into WordPress and opening up the admin section. I have to go around and through the backdoor at Bluehost, which is the site that hosts the blog you are now reading. In any case, it has made me wonder if perhaps it is time to either a) migrate to a new host b) not blog for a while or c) shut it down. Plus, I am about to go on this big bike ride (one of many, I hope) and I’m not going to be able to blog for a while anyway…Instagram seems to be taking my blog energy and I like that platform.

I am getting ready for my bike trip in a big way. I have been packing, unpacking, trying to sort out what I really need from what I think I might want or what I could probably getting Ireland. Since I will be riding a fully self-supported ride of 2700+ km then I will need a fair amount of stuff–mostly camping gear. I hope to not be staying at any B&B, hotels, etc…unless I really feel I need a break (or a shower). I have been practicing with a fully loaded bike (42 kilos, including the bike) and can easily ride 60km in 4 hours, including the occasional stop for a snack, a coffee, buy a t-shirt, whatever…so I am hoping to make at least 70-80km per day. People have said, “oh but you will also be sight-seeing…” True, but a large part of riding a bicycle on long trips is trying to make good time, riding the bike. It’s not about lolly-gagging about or dilly-dallying along with my head in the clouds. It really is very much a ‘point-A-to-point-B’ event.

I will be buying Dawes Karakum touring bike in Cork. Not much else to say about that. Here’s a picture…look it up if you want the specs. I’ll be bringing it back to Greece with me.

I finally found a good tent in Athens last week. A North Face Storm Break 2, 2 person tent. It weighs 2.4 kilos and is my heaviest item. My new sleeping bag weighs 790 grams. You laugh. Trust me, 500 grams is a lot of weight when you’re cycling or hiking. (2.2 pounds in a kilo, right?) Here’s the tent, set up on my terrace. It took about 5 minutes to set it up. I bet it will take less when it is raining.

And here are some pictures that give you an idea of the gear and weight I am taking. It may not seem like much, but it adds up. Remember, the bike weights about 18 kilos, so an additional 24-25 kilos is a lot.

These are the front panniers that will hang low off the front wheel. Food will be added to each of these bags, as well as the rear panniers.

And this will be the contents of one of the rear panniers…clothes. Note that my rain gear is in one of the front panniers. It is easier to get to it that way.


The other rear pannier will have my house–sleeping bag, tent, ground cover…and food. And water. I’ll stash water in equal amounts around the bike the best I can. The handlebar bag will contain stuff like my phone, wallet, ID, snacks, glasses, a map…It should even out all around the bike with 60% of the weight in the front.

This is something I feel very strongly about, this long distance bike thing. It’s one of the few things in my life that really felt right, does that make sense? As if it is a path I should be on for reasons perhaps I will never know. As if it is something that must be done, and done often. There are established bike routes all over Europe and even beyond, I’ll start with this one first. July 22 cannot come too soon!

–JDCM

The road ahead…

The clove hitch and the bowline are two of the most important and useful knots for any sailor. Anyone can use these very handy and easy knots. They are excellent for tying down loads on a bicycle rack, securing a washing line between two trees, creating loops for tent pegs…the list goes on.

A few years ago I bought a bicycle to get around town, go shopping, go to the beach, etc…basically save money on car rentals. The side effects have been a general improvement of my physical fitness, a sense of community with the other bikey folks and an overall emotional well-being. I started with one bike, a used mountain bike. Then I bought a road bike. Then I bought a better mountain bike because I had outgrown the first bike. I still have all three–my donkey, my mountain bike and my road bike.

3 bikes–Donkey, road and mountain

I really love bicycling. I have ridden some races, both road and mountain, preferring mountain but enjoying the speed and adrenaline of the road race. What I really love is a long mountain bike ride, mostly uphill, and not so fast. No race, just me and the elements.

A couple of years ago I watched a documentary called ‘Janapar’, by a bikey named Tom Allen. So I guess that’s when I caught the bug and I guess that’s where this is all leading: bicycle touring. This summer it will happen. I will ride the Wild Atlantic Way, south to north, i.e. Cork to Derry. +/- 2700km. July 24 to September 12.

There are a few ways to do this. I could spend huge amounts of money and stay in hotels, B&Bs, etc…this is called ‘credit card touring’. Or I could pack up all my gear (plus some new stuff) in four panniers, camp as often as possible and really have an adventure. I have been in contact with a bike shop in Cork and was going to rent a bike from them. The cost, like the hotels and B&B, would be high, even with any kind of generous discount they may grant me. So I’ll buy a new bike. I’ll buy it from them. And I’ll ship it back to Greece when I return mid-September. So that’s it.

There are some nice bikes for someone like me. I’ll expand on all of this in upcoming blogs. For now I am practicing my knots, getting my gear together and getting fit. Four months from now I’ll be riding through West Cork. Crossed fingers.

–JDCM

Early with the rain…

On the surface my parents would have had to be considered liberal and left-leaning. Certainly they voted that way. Their social views were in line with this, I think. In hindsight, however, I see my upbringing as being quite conservative. I guess it is the same with most beliefs. That which they held most dear they held with such fervour that it could be seen as a form of conservatism: strict in their liberalism. All of this means nothing except that for most of my formative years I was not allowed to eat pre-sweetened cereals or watch a lot of television. Or drink TANG. Remember TANG? TANG has not forgotten you. I loved TANG. A childhood friend drank it and it was a forbidden treat when I would visit his house and have a glass of TANG. My father would screw up his face in displeasure at the thought. That was over 35 years ago. I looked up TANG on the Billabong one-stop shopping website and there it was! And in several different flavours. Well, I am purist when it comes to these things so I ordered a tub of it, classic Astronaut Orange. It arrived the other day. I mixed some up and had a tentative sip. Amazing! It was exactly the same as I remember. Dee-lish! Why we are not all drinking this stuff? I don’t know.

TANG: The drink of astronauts

I guess I have to rethink the food thing, because in reality I ate a lot of Jell-O. And hotdogs and Campbell’s Pork and Beans. Also my fair share of Chef- Boy-R-Dee Beef-a-Roni and Ravioli. Then again, I was a just a little guy and my mother had figured out that if I was eating, that as fine, regardless. So who had the distasteful views of these forbidden fruits? Probably my father, who was so strict on himself and with others he could never really relax. His disdain for modern comforts like air-conditioning was offset not long after he left us by his embracing the machinery of mechanical coolants in his own home: central air. The way he looked down on certain restaurants in Provincetown as being beneath us was eventually nullified by his making these places his favourite haunts. Was he aware of the hypocrisy? Maybe. Who cares? I have my TANG.

I was thinking about this because I woke up early this morning, about 04:30. I heard the steady patter of the rain. I started the coffee, fed the cat, brushed my teeth and went out beneath the pergola to say hello to the Cosmos and encountered a minor flood. The drain pipe on my terrace was blocked and about 8 cm of water had pooled on most of the marble balcony. I found a wire clothes hanger, unbent it, and, while being rained on (I was wearing a hat and raincoat) reamed out the top of the pipe. Gurgle, gurgle…and the rater began to flow. As I was doing this I remembered back to how my father would wake up in the middle of a rain storm to go pull a board out of the spillway so the pond wouldn’t overflow. He grew to resent these aspects of his life, those rural elements that distracted him from the urban (and snobbishly urbane) lifestyle he craved. So he left.

After that, the menu was more relaxed. I even ate my fair share of Captain Crunch, another item on the Culinary List of Scorn. It seems that only one of my parents had had such hard and fast beliefs. So were they both liberal or was one more so than the other? Or, perhaps, one was willing to be flexible, more easy-going, than the other and, in the end, more independent. I must not forget that my mother was also one to wake up at 3AM, slip on her rubber boots and barn coat (before it was fashionable) over her pyjamas and trudge out into the rainy gloom, yank a piece of wood from the concrete spillway and go back into the house for a cup of coffee. In fact, she probably did it more often than he did.

It is supposed to rain all day. This is good. The island needs it. It drinks it in and, in a few months, will reward us all with a symphony of wild flowers. I will stay inside as much as I can today, venturing out only to go to the PO. These are familiar rhythms, movements I have learned. I am flexible. I can bend. I can let it go. I have my TANG.

–JDCM

PS: sorry about the size fo the new header, my dental X-ray. I can’t make it smaller and still have it fit.

Following some familial footsteps…

I would like to blog a lot about the terrible political situations that are sweeping the globe, but there is so much of that already from all sides that I have decided not to do so.  I re-Tweet, comment, etc…already.  That’s enough from me.  I would like to tell you a story instead.  I hope that, in some small way, it helps to dispel some of the darkness.

In the late 1890s, at the University of Iowa, there was a writer by the name of George Cram Cook.  From 1896 to 1899 he taught what is considered by many to be the very first creative writing course.  He titled it ‘Verse-Making.’  When he left in 1899, the course was continued by his colleagues and became what is now known as the Iowa Writer’s Workshop.  Cook then went to Stanford University and taught a similar course and, in 1915, after marrying his second wife Susan Glaspell, moved to Provincetown, Massachusetts where they founded the Provincetown Players, an avant-garde theatre group.  He produced plays written by Glaspell, some of Eugene O’Neill’s first plays and also those of Edna St. Vincent Millay.  That is just a small sample.  He worked with the group until 1919.  A long-time Hellenophile, he moved to Greece in 1922, settling in Delphi, home of the Oracle.  He died in Delphi 2 years later after contracting glanders from a dog bite.  The Greek government granted him status to be buried there, his grave marked by an ancient stone from the Temple of Apollo.  His daughter Nella was buried alongside him in the town necropolis and there is a memorial to Glaspell, Cook’s mother Ellen Dodge and his first wife Mollie on the wall above.

Jump ahead about 50 years.  My mother, the ever curious historian, began to research the P’town Players, Glaspell, Cook, et al…At that time my family lived in Provincetown as summer residents and were a part of the arts community, largely due to my novelist father.  Mom’s curiosity was such that she planned an excursion to Greece with my grandmother.  Grammaw had lived and worked in Athens and Thessaloniki in the mid-1960s and, as she was more familiar with the lay of the land, joined my mother in a search for Cook’s grave.  I do not remember if they found it, and I sense there was some disappointment to their quest.  I would have been about 7 or 8 years old at the time, so this tale is bathed in the slippery mist of memory.  I am skipping a lot here, especially about Grammaw and her interest.  Another story for a later time.

Jump ahead again to yesterday, 23 June, 2018.  I had a free day in Athens so I signed up for a tour of Delphi.  I had been there in 2006, but the Mom/Grammaw/Cook story had slipped my mind.  I decided to rectify this and follow their footsteps to find the grave.  The tour was pleasant enough and an economical way to get there, see the sacred site, the superb museum, have lunch and be transported back to the hotel later in the afternoon.  My tour mates were mostly American and Australian tourists and were curious about this aspect of my trip.  It was fun.  They enjoyed the tale as well.  I related a more truncated, less rambling version, by the way.

During a free 45 minutes between the site visit and the museum, I scurried up to the modern town and asked a local about the cemetery.  It was easy to find, and when I entered I queried two workmen if they knew of the grave.  “No..no English here…no Americans here…”  Undaunted, I looked around the small cemetery.  Among the cleanly carved headstones and markers, one stood out, up in the northeast corner, beneath a cypress tree–an ancient marble stele.  There it was.  After sweeping off the graves and taking some pictures, I looked at my watch.  I had just enough time to make it back down the hill and join my group for the museum tour.

 

 

–JDCM

 

It’s been a while…

I haven’t blogged in a long time.  I have had so many ideas about what to say, how to say it…it has all become a jumbled mess.  I should have taken notes.  I’ll try to untangle some threads…

News from the world of photography–some of my work has been chosen to be part of the Antiparos International Photography Exhibition in July.  It is a group show of about 14-15 different photographers and I have a feeling I will be a black sheep.  Going by what has been shown in the past, there will be a lot of street photography, travel/editorial work and landscapes.  I have submitted a new portfolio of abstract digital work–more of my Found Horizons.   They are very colourful and somewhat large, so they benefit from being seen from a few meters away.  When I have an e-poster, I’ll post it in a few places for you all to see.  It is a true privilege to be a part of this event.

–I have suspended my gum bichromate work until the autumn when the temperatures and humidity drops to a manageable level.  It has become too hot to work in the darkroom these days.  By that time I hope to have some new, larger digital negatives to work with.

–My work with the Photographic Club of Paros has come to an end for the season.  I had a wonderful time with them all and they printed some good work, some of which can be seen this upcoming weekend here in Paroikia.  I am very excited to see what it all looks like matted, framed and behind glass (ok..plastic).

–After years of waiting, the collection of my mother’s newspaper articles from the little local weekly has finally been collected and made into a book.  I dare to say ‘published’ since there is no ISBN number and it is not for sale.  I have given copies away to family and friends. I am so happy this has come about.  I began the process a few years before she died and I feel it is a fitting memorial for who she was, how she thought, what she believed, how she lived.

–I am hoping to embark upon another artistic path this summer.  That’s all I can and will say about it now.  If I follow through I’ll be sure to share.

–I go through eating phases. For instance, last winter I was eating a larger ratio of quesadillas than normal.  Sometimes for lunch and dinner.  These days it is caesar salads.  I have been making my own caesar salad dressing and have confirmed that this wonderfully garlicky, tangy aoili tastes good on just about anything–except fruit.  This may seem banal, but it is the little joys in life, isn’t it? I do not make them the way the Greeks make them.  For them it is a meal with chicken, corn, bacon…yummy, but I am more of a purest.  I even skip the croutons.  Just the romaine lettuce and the dressing.  Funnily enough, both the quesadilla and the caesar salad are from Mexico.  Hmmmm…

–I am convinced that TFitWH is yearning for the Nobel Peace Prize.  He’ll try to take credit for anything good that happens in Asia or the Middle East.  He’s a corrupt shark and we all know it.  He was corrupt long before he became TFitWH.  What does this say about the moral and ethical state of America?  I know that there is outrage, political movements, protests…and that is healthy and right and I support them all.  But what about the rest?  Have the citizens been gorging themselves so long on bread and circuses that they’ve become complacent cattle led by their collective noses?  I know many who are not.  This gives me hope.

I guess that’s it for now.

–JDCM

 

 

 

A painterly photographic ancestry…

Before digital, before silver (what we know as ‘silver gelatin’) there were ‘alternative processes.’  I find this amusing, since at the time (1840s to the mid-187os) there were no other alternatives. It is only in the digital age that we can approach photography this way.  There were several different types of processes.  You can look them up yourself.  I have chosen gum bichromate printing as my first step into this rich and varied past.

Gum bichromate printing entails mixing a potassium dichromate solution with gum arabic and watercolour pigment.  I have chosen black.   Potassium Dichromate is one of the more dangerous chemicals on the planet.  Needless to say I wear nitrile gloves, a Level 2 filter mask and safety glasses when I handle it.  I am using 4×5 negatives and I hope soon to be printing some larger digital negatives so I can make larger prints.

I made the first test strip a week or so ago.  The result is on the left.  Intervals are 15″, 30″, 45″ and 1 minute exposures under full daylight.

The problem was not the emulsion, or the paper, but me.  I wasn’t patient.  I had not allowed the paper to dry fully between each preparation stage (sizing, gesso, emulsion).  This resulted in flaking emulsion.  A common error and easily rectified.

Three days ago I began the process again.  Using 300 gsm Canson water-colour paper, I sized (soaked) this in 60C water for 30 minutes and left it to hang for 24 hours.  The next step was to make sure my gesso mix was as thin as milk, which is much thinner than one thinks.  The gesso needs to be thin so it can soak into the paper, not create a layer on top, as per a painter’s canvas.  I applied the gesso in the late afternoon and left it to dry under an exhaust fan for several hours.  Two nights ago, around 22:00hrs following the weekly Photo Club meeting, I went back into the darkroom and applied the emulsion coat after the gesso had completely dried.  I used 5ml of potassium dichromate solution to 8ml of gum arabic.  For colour I added about .5 gram of black water-colour paint (Van Gogh).  I mixed this well using a natural bristle brush and painted it onto the paper using a foam paintbrush.

Yesterday morning, after letting the emulsion-coated paper dry overnight under the exhaust fan, with a dehumidifier running and a small heater maintaining 20-21C, my paper was dry to the touch.

I used the same VW Bug 4×5 negative.  The first test strip was better.  Once again, 15″ intervals up to 1’15” under full sun at 10:00.  The result was a huge improvement in detail and resolution, although clearly not enough time.  I was on the right track.

Test strip at 15″ intervals up to 1’15”

I decided to increase the exposure time for the first proof to 1’45”.  After developing the print in three consecutive trays of 20C water for 20 minutes, this is what emerged.

1’45”, full sunlight 10:20, March 8, 2018, Paros.

Much improved!  The next time I print (tomorrow), I will expose the whole piece for the 1’45”, then burn in the top 30% for an additional 30″-45″ so the top of the hillside and the sky behind the car achieve some tone.

–JDCM