Archive | Paros Portraits

Windy Monday…

The sun was brilliant today and the Meltemi had a decidedly autumnal feel.  It has howled all day, and continues the howl through the tangle of electrical lines crisscrossing the small section of Paroikia I call home.  The cypress trees whip back and forth and Bougainvillea blossoms, free from their thorny moorings, sail their over-saturated colors into my small apartment.

It is Monday, September 9, 2013 and I have taken down my exhibit.  I have enjoyed the three-week long event.  I think of my images differently than when I hung them.  What was once ‘Giorgos and Giorgos‘ I refer to as ‘Don Quixote and Sancho Panza‘; ‘Erin‘ is now ‘The Vermeer Photograph’; ‘Angelika‘ I think of as ‘The Abstract Realist.’   Things change, the Earth tilts and wobbles, the days shorten, the air cools and we slide into bright autumn.  I can almost smell the rain, but I know that is just an illusion.

Now I am filled with melancholia, ennui, a sense of emptiness.  As I write this at Mikro Kafe I realize that in an hour there will be no need for me to open up the Aegean Center, turn on the lights and arrange the easeled sign outside on the marble steps.  All of that is past.  My portraits are safely in their crate, currently a large piece of furniture in my flat.  The sign, too, is there, tucked behind a bookcase.

I have little choice but to get back to work.  That is the best way to shake off these ghosts.

JDCM

The reward of September…

 

Blue Menu #1

Blue Menu #1

 

August is past and July is a memory.  The streets of Paroikia are no longer mobbed with summer tourists.  The groups of families have departed, returning to their homes.  The weather is lovely,warm and sunny–breezy and cooler at night.  The beaches are quiet, all but deserted.  The wind is from the north, about Force 5, gusting to 6, which is about 33 to 38 km.  This made for a nice headwind as I rode my usual 11.5 km out to a beach on the northern part of the island today.  I was alone for a solid hour until a couple walked onto the sand.  I swam, read my book, and left in no particular hurry.  I had a tailwind all the way back to town.

I am still very pleased with my exhibit.  I take it down in a few days and put it away.  It has been a good run.  I have had excellent conversations with other photographers about the craft as well as people wanting to know more about the Aegean Center.  I feel my work spoke for itself.

So for all of our industry and patience during the summer months, those of us on Paros are presented with the reward of September.

JDCM

Gallery sitting…

 

open-door

 

It is quiet here on Paros.  The tourists are leaving in a steady flow.  French, English, Italian and Greek…For many of them next week is the beginning of the school year for their children.  Here at the Aegean Center, this is true as well.  The Autumn Term begins next week in Italy.  My show comes down in 11 days.  I am very pleased with the reception I have had.  I am still seeing about 25 people per night visiting the exhibition and have had many interesting conversations with tourists and locals alike.

The summer is winding down and I am about to experience my first September on Paros.  I have heard it is the best time of year, a reward for making it through the high season:  warm, sunny, quiet…

So I will ride my bike, swim in the sea, take care of some maintenance in the school darkroom, sweep the courtyard and water the plants.

Before I know it it will be September 25th and I will be in Athens, meeting up with the school and then returning here on the 28th.  To paraphrase Bukowski, time runs like wild horses over the hills…

JDCM

The exhibition…

My solo exhibition opened Sunday evening.  It was a joyful relief to have it up an on its way.  I realized that I have been building this portrait project since October 2011 while also working on (and completing) several other portfolios in both photography and painting en route to this destination.  No small feat.  It feels as if this has been an overreaching arc representative of all my labors to date here on Paros.

I have had some interesting comments regarding the 22 photographs.  One on-line viewer remarked that I had created a community.  I can see that too: a small town.  I have a butcher, barber, teachers, students, potters, cafe owners, artists, farmers, families, etc…The portfolio could stand alone as a village almost anywhere.  A visitor to the exhibition last night said that I had captured the souls of these people.  I like to think I only borrowed them for a brief moment.

I was too busy to take any pictures of the opening, but I know others did.  When I have some of those, I’ll share them.

I think I will concentrate on portraiture for a while.  My other photography is good, solid work.  It is like doing push-ups or lifting weights–all preparation and training for the real event.   I will begin a second round of portraits in late September, once the light has shifted a bit and people’s schedules have settled down.

Thank you, once again, to all those who helped make this happen.  You know who you are.  Yes, I did the work, but without the support of the Aegean Center and the people of Paroikia this project would never have seen the gallery lights.

JDCM